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1
tesis de grado
“Dante” es un proyecto que invita a nuestra generación a reflexionar sobre la presencia de las redes sociales en nuestras vidas y las repercusiones que acarrea el uso de las mismas en nuestro estado emocional. Así, el proyecto es creado con el objetivo de proponer una nueva forma de interpretar nuestra relación con las redes sociales mediante la representación de símiles del mundo digital y visual. No se presenta a un individuo que consume los contenidos de manera pasiva desde el otro lado de la pantalla de su dispositivo, sino que más bien se propone la existencia de un ser sin sexo definido, inmerso en una representación del mundo de las redes, el cual experimenta de manera directa. Además, a través de la secuencia del recorrido del protagonista, se busca que el corto sea una ventana para el espectador hacia su mundo interno, el cual se encuentra en constante contacto con ...
2
tesis de grado
“Dante” es un proyecto que invita a nuestra generación a reflexionar sobre la presencia de las redes sociales en nuestras vidas y las repercusiones que acarrea el uso de las mismas en nuestro estado emocional. Así, el proyecto es creado con el objetivo de proponer una nueva forma de interpretar nuestra relación con las redes sociales mediante la representación de símiles del mundo digital y visual. No se presenta a un individuo que consume los contenidos de manera pasiva desde el otro lado de la pantalla de su dispositivo, sino que más bien se propone la existencia de un ser sin sexo definido, inmerso en una representación del mundo de las redes, el cual experimenta de manera directa. Además, a través de la secuencia del recorrido del protagonista, se busca que el corto sea una ventana para el espectador hacia su mundo interno, el cual se encuentra en constante contacto con ...
3
artículo
Se ha buscado registrar la bibliografía relativa a la recepción de la obra de Dante Alighieri en el Perú. El estudio se ha centrado en la bibliografía de obras literarias, tanto de creación como de crítica, aunque también se menciona alguna obra artística, desde el siglo XVi hasta el siglo XXi. Se consigna el contenido y se comentan brevemente algunas de las entradas.
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artículo
The present research work is an undergraduate thesis that aimed to determine the relationship between quality service and user satisfaction of the dance fitness academy of the city of Pucallpa; referring to five dimensions and 9 indicators of the variable: Quality service, as well as the four dimensions and 12 indicators of the variable: User satisfaction. The design used was the descriptive correlational. Applying the statistics, it was determined that there is a relationship between the quality service and user satisfaction of the dance fitness academy of the city of Pucallpa, 2017, which was reflected in the increase in users, r = 0.90 was obtained. positive high, and p value = 0.037 <0.05, that is, the null hypothesis is rejected and it is concluded: There is a relationship between the quality service and user satisfaction of the Dance Dance Academy of the city of Pucallpa, 2017. ...
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artículo
The present research work is an undergraduate thesis that aimed to determine the relationship between quality service and user satisfaction of the dance fitness academy of the city of Pucallpa; referring to five dimensions and 9 indicators of the variable: Quality service, as well as the four dimensions and 12 indicators of the variable: User satisfaction. The design used was the descriptive correlational. Applying the statistics, it was determined that there is a relationship between the quality service and user satisfaction of the dance fitness academy of the city of Pucallpa, 2017, which was reflected in the increase in users, r = 0.90 was obtained. positive high, and p value = 0.037 <0.05, that is, the null hypothesis is rejected and it is concluded: There is a relationship between the quality service and user satisfaction of the Dance Dance Academy of the city of Pucallpa, 2017. ...
8
artículo
This study starts on the discussion about different ways of seeing. To remove the sense of sight out of the daily function to an aesthetic perception of reality, it presents contributions of authors as Merleau-Ponty (1992), Godard (2004), and Blanchot (2001). In a dialectic relation between see and create, it transforms distinct ways of seeing in an impulse to dance creation. The sight, considered through an esthetical and philosophical perspective, independently if it is a blind person or not, puts the creativity on movement. In this way, some experiments based on the relation between see and move, proposed by the author, are described along the text. The conclusion is that the way of seeing, that is to say, someone’s position in relation to the world, is what allows the creation, and not the physiological condition of sight’s sense.
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artículo
This article addresses the notion of the body as a manifestation of bodily and linguistic expression. The body is analyzed from the phenomenologies of Husserl and Merleau-Ponty, and the western dance approach. By the 19th century, a new conception of recovering the “body” as a representation of the human being, the one that feels and is conscious of being in this world, arises. Also, the body is revalued from its expressiveness and communicability through movement. The dancing bodies configure a discourse about what they experience. This approach considers the dancing body as a way of perceiving and being perceived through language. This would make possible an approach to what is understood by the body within the spheres of philosophy, dance and linguistics.
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artículo
I would like to vomit // all the beer // and chicha // that the Indians drank // mixed with bile // with blood and shit.
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artículo
Based on the analysis of four dances, this work intends to make a first approach and reflect on the following question: in what way the dances involved in the initiation ritual –and with them, their experience as a dancing body– of the Wapté- Xavante form it ontologically? The hypothesis that we maintain is that in these dances the ontological transformation that the boy has to experience is expressed. In this ontology, some capacities are developed: the ability to deal with one’s own body weight and integrate the dialectic between light and heavy into one’s own movement; the ability to repeat and, with it, to be able to move between the poles of differentiation and identity; the abilities to listen, think, observe and remember dreams; and the ability to bond emotionally to his age group. But these ontological characteristics are reached because of the experience of limits and s...
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artículo
Based on the analysis of four dances, this work intends to make a first approach and reflect on the following question: in what way the dances involved in the initiation ritual –and with them, their experience as a dancing body– of the Wapté- Xavante form it ontologically? The hypothesis that we maintain is that in these dances the ontological transformation that the boy has to experience is expressed. In this ontology, some capacities are developed: the ability to deal with one’s own body weight and integrate the dialectic between light and heavy into one’s own movement; the ability to repeat and, with it, to be able to move between the poles of differentiation and identity; the abilities to listen, think, observe and remember dreams; and the ability to bond emotionally to his age group. But these ontological characteristics are reached because of the experience of limits and s...
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capítulo de libro
Páginas 143-152
14
tesis de maestría
La tesis aborda una situación de línea de carrera a través de la narración de una experiencia real en una empresa dedicada a la fabricación y comercialización de aditivos y pegamentos para la construcción, sobre la implementación de la nueva política de renovación de personal permitiendo identificar y evaluar la motivación del protagonista y sus aprendizajes.
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artículo
This paper is about a originated in the early sixteenth century dance, having as its central theme the death of the Inca Atahualpa in Cajamarca City. Every year between 14 and 15 August, the feast day is celebrated in honor of the Virgin of Alta Gracia. In this dance festival presents the Incas, led by an enigmatic character called Cusco, charged with enforcing order and discipline; plus dance consists of several characters (Inca King, King Nusta and Others) in which each author (Peasants Hamlet Stone Bridge, District of Huamachuco) represents, reconstructs what happened in Cajamarca. The staging, choreography, clothing also chants and their contents; greetings and bows to the senior officials; the location of each character according to their social position in the dance; gestures and dancing with martial and warrior musical background, do their analysis and understanding very suggestiv...
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artículo
This article constitutes an attempt to document the origins of the «Huaconada,» a dance currently performed in the town of Mito (Mantaro Valley) but which, as can be inferred from archival sources, was widespread throughout the coast and central Andes of Peru during colonial times.  The study of ethnohistorical sources from the sixteenth and seventeenth centuries reveals a relationship between the «huacones»and the ancestral founders of the communities where the dance was performed.  This explains the repeated association of these mythical characters with elements connected to ancestor cults in the Andes, such as caves (machay) and «huancas». The analysis suggests the role of this type of ceremonies in the agricultural calendar of native indigenous populations during the colonial period.From the review of archaeological evidenc...
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artículo
This article constitutes an attempt to document the origins of the «Huaconada,» a dance currently performed in the town of Mito (Mantaro Valley) but which, as can be inferred from archival sources, was widespread throughout the coast and central Andes of Peru during colonial times.  The study of ethnohistorical sources from the sixteenth and seventeenth centuries reveals a relationship between the «huacones»and the ancestral founders of the communities where the dance was performed.  This explains the repeated association of these mythical characters with elements connected to ancestor cults in the Andes, such as caves (machay) and «huancas». The analysis suggests the role of this type of ceremonies in the agricultural calendar of native indigenous populations during the colonial period.From the review of archaeological evidenc...
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artículo
Este trabajo propone reflexiones sobre el proceso de creación de videoescenas, un concepto de Danza, Teatro y Tecnología, desarrollado por Andraus (2021). De la experiencia observacional, tanto de caminar por la ciudad de Aurangabad, India, como de la participación en el grupo de bailarines Odissi durante la pasantía doctoral en Artes Escénicas, en la Universidad MGM, a lo largo del primer semestre de 2023, surge la cartografía acústica. Describo así este proceso compositivo, tomando como referencia los conceptos de paisaje sonoro de Schafer (1991; 1997), investigación sonora de Feld (2018), acústica de Seeger (2015), camino estético de Careri (2017), así como de la técnica y teoría de la danza y musicalidad Odissi, lenguaje que constituye mi principal técnica de interpretación y entrenamiento. El simbolismo abstracto presente en la cartografía mencionada trajo nuevas po...
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artículo
No contiene resumen
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artículo
No contiene resumen