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Relación de la descendencia del famoso Garci Pérez de Vargas is the shortest work of the IncaGarcilaso and the least attended by the critique. Finished in 1596 and published in1929 in Madrid and Lima, and later studied by Raúl Porras Barrenechea ( 1951), it was conceived as part of the prologue of The Florida of the Inca (1605), dedicated to Teodosioof Portugal, duke of Braganza (1568-1630). My presentation will deal with the portionof the Relation where the author, referring to central figures- Garci Sanchez of Badajoz(1460-1526), Cristóbal de Castillejo (1490-1550) and Garcilaso de la Vega (1501-1536)-,comes in the polemic on tradition and innovation in the Spanish poetry. By relying onthese names, the author of the Commentarios proves to be an attentive reader of poetry,up to date on the literary debate of the epoch and conscious of the beauty of the metricsand traditional tapies...
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Comentarios reales (1st part, 1609; 2nd part, 1617) by the Cuzcan chronicler Inca Garcilaso de la Vega (1539-1616), is a key work in the literary and cultural history of America and the Hispanic world. Although the chronicle has been studied from different disciplinary perspectives, less attention has been paid to the function of gender. This essay emphasizes how Inca Garcilaso intertwined in his narration, events and deeds related to his mother, palla Chimpu Ocllo. It proposes that episodes marked by her presence contribute to shape a more nuanced reinterpretation of Peruvian history, now marked by the presence of gender.
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The Council of Trent promoted new ways to attract the neophytes to the Catholic faith. Following these directives, the Lima Church Councils in the Viceroyalty of Peru sponsored the publication of catechisms and grammars in native languages to help missionize the Andean population. Addressed to the indigenous groups and including numerous hymns in Quechua, Símbolo Católico Indiano (1598) by Luis Jerónimo de Oré, is representative of these efforts. This essay underscores the importance of Símbolo; it analyzes the themes of the hymns, their link to ancient Catholic practices, and how they acquire their singularity within the Peruvian context.
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