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Tópicos Sugeridos dentro de su búsqueda.
1
artículo
Publicado 2023
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Based on the anthropological theory of José Ortega y Gasset and the narrative of Boris Pasternak, this research, with a qualitative approach and grounded theory design, seeks to understand the nature of the individual as an apparent subject of individual rights. To do this, we start from Ortega, arguing that radi- cal reality, our life, my life or each person’s life, situated as a link between the self and the circumstance, gives the ultimate specification to the individual, which is visible in the individual. radical, a human being uprooted from the collective, absolutely identified as what he is (I) and incapable of being absorbed by the world and the events of history (circumstance). Thus, analyzing Pasternak’s novel, Doctor Zhivago, a reading of the nature of the individual at a practical level is proposed through the character Yuri Zhivago, who, as a radical individual, points ...
2
artículo
Publicado 2025
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A crossed chronology paradoxically connects several works from the Silver Age of Spanish Literature: Niebla (1914) by Miguel de Unamuno with La deshumanización del arte (1925) by José Ortega y Gasset; and Meditaciones del Quijote (1914) by José Ortega y Gasset with Cántico (1936) by Jorge Guillén. Likewise, a distant Ramón Pérez de Ayala, in Tigre Juan. El curandero de su honra (1926), becomes —consciously or not—an earnest executor of the ideal of the psychological novel proposed by José Ortega y Gasset in Ideas sobre la novela (1925) and of some characteristics of modern aesthetics outlined in La deshumanización del arte. This paper aims to map the relations —whether present or absent— of Ortega y Gasset’s aesthetic ideas within his own generation, as well as those that preceded and followed it..
3
artículo
Publicado 2025
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A crossed chronology paradoxically connects several works from the Silver Age of Spanish Literature: Niebla (1914) by Miguel de Unamuno with La deshumanización del arte (1925) by José Ortega y Gasset; and Meditaciones del Quijote (1914) by José Ortega y Gasset with Cántico (1936) by Jorge Guillén. Likewise, a distant Ramón Pérez de Ayala, in Tigre Juan. El curandero de su honra (1926), becomes —consciously or not—an earnest executor of the ideal of the psychological novel proposed by José Ortega y Gasset in Ideas sobre la novela (1925) and of some characteristics of modern aesthetics outlined in La deshumanización del arte. This paper aims to map the relations —whether present or absent— of Ortega y Gasset’s aesthetic ideas within his own generation, as well as those that preceded and followed it..
4
artículo
Publicado 2025
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A crossed chronology paradoxically connects several works from the Silver Age of Spanish Literature: Niebla (1914) by Miguel de Unamuno with La deshumanización del arte (1925) by José Ortega y Gasset; and Meditaciones del Quijote (1914) by José Ortega y Gasset with Cántico (1936) by Jorge Guillén. Likewise, a distant Ramón Pérez de Ayala, in Tigre Juan. El curandero de su honra (1926), becomes —consciously or not— an earnest executor of the ideal of the psychological novel proposed by José Ortega y Gasset in Ideas sobre la novela (1925) and of some characteristics of modern aesthetics outlined in La deshumanización del arte. This paper aims to map the relations —whether present or absent— of Ortega y Gasset’s aesthetic ideas within his own generation, as well as those that preceded and followed it.
5
artículo
Publicado 2017
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En su amplia obra lingüística, Eugenio Coseriu (Mihaileni, 1921 - Tübingen, 2002), acude varias veces a la literatura para ejemplificar conceptos lingüísticos teóricos e incluso para modelarlos. Como ocurre con varios estudiosos del siglo XX (José Ortega y Gasset o Mijaíl Bajtín, por ejemplo), el Quijote es, para Coseriu, incitación para formular reflexiones que no se aplican exclusivamente a él, como sí lo hacen otras obras relevantes del cervantismo del siglo XX, señaladamente los trabajos de Stephen Gilman y Edward C. Riley. El presente artículo busca rastrear las referencias al Quijote y a Cervantes en la obra de Coseriu y, sobre todo, presentar y discutir la corrección hecha por Coseriu al importante trabajo de Leo Spitzer “Perspectivismo lingüístico en el Quijote”.
6
artículo
Publicado 2017
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In his extensive linguistic work, Eugenio Coseriu (Mihaileni, 1921 - Tübingen, 2002), uses literature several times to exemplify theoretical linguistic concepts and even to model them. As is the case with several 20th century scholars (José Ortega y Gasset or Mijaíl Bajtín), Don Quixote is, for Coseriu, a touchstone to formulate reflections that do not apply exclusively to it, as other relevant works of 20th century’s Cervantism, such as Stephen Gilman’s or and Edward C. Riley’s, do. This article seeks to trace the references of Don Quixote and Cervantes in Coseriu’s work and, above all, to present and discuss the correction made by Coseriu to Leo Spitzer’s “Perspectivismo lingüístico en el Quijote”.
7
artículo
Publicado 2017
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In his extensive linguistic work, Eugenio Coseriu (Mihaileni, 1921 - Tübingen, 2002), uses literature several times to exemplify theoretical linguistic concepts and even to model them. As is the case with several 20th century scholars (José Ortega y Gasset or Mijaíl Bajtín), Don Quixote is, for Coseriu, a touchstone to formulate reflections that do not apply exclusively to it, as other relevant works of 20th century’s Cervantism, such as Stephen Gilman’s or and Edward C. Riley’s, do. This article seeks to trace the references of Don Quixote and Cervantes in Coseriu’s work and, above all, to present and discuss the correction made by Coseriu to Leo Spitzer’s “Perspectivismo lingüístico en el Quijote”.
8
artículo
Publicado 2022
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In this work we intend to explore, from the works of María Zambrano and Rosa Chacel (both disciples of José Ortega y Gasset), the recovery of the confessional genre as a founding philosophical-literary dimension in their works. For this, we rely on a point of convergence in Zambrano and Chacel, where the Confession is presented as the horizon of revelation from a narrative of the self, for the recognition of biographical-self-referential elements. We try to show that the confessional genre, although it is a substantive part of the anthropological-literary treatment that both authors carry out, also leads to being a renewal proposal for contemporary man.
9
artículo
Publicado 2016
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Siguiendo las pautas del filósofo español José Ortega y Gasset, este artículo se propone estudiar las generaciones de plásticos peruanos durante el siglo XIX y las dos primeras décadas del siglo XX de acuerdo a los temas de identidad local, los géneros artísticos y su relación con el arte peruano.
10
artículo
Publicado 2016
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Siguiendo las pautas del filósofo español José Ortega y Gasset, este artículo se propone estudiar las generaciones de plásticos peruanos durante el siglo XIX y las dos primeras décadas del siglo XX de acuerdo a los temas de identidad local, los géneros artísticos y su relación con el arte peruano.
11
capítulo de libro
Páginas 127-130
12
artículo
The aim of this article is to analyze both the psychological and social problems involved in the conversion of the individual into a mass, and inauthentic dialogue. The psychological and social mechanisms that deprive an individual of their authenticity and merge them into the mass are presented, also emphasizing the difficulty of establishing an authentic dialogue with others because of the alienation of oneself and the identity conflict. Likewise, elements such as the loss of identity, education, authenticity, freedom, responsibility, conscience, and intentionality are considered, with the purpose of enriching the analysis of this problem. A bibliography based on authors such as Viktor Frankl, Ronald Laing, Rollo May, Soren Kierkegaard, José Ortega y Gasset, Carl Rogers, Byung Chul Han, Zygmunt Bauman, Emmanuel Lévinas Miguel de Unam...
13
tesis de grado
Publicado 2013
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RESUMEN El presente trabajo de investigación estudia la obra fílmica de Josué Méndez y Omar Forero en relación a los postulados que conforman el concepto de cine de autor, en el contexto generacional de directores peruanos entre el 2004 y el 2012. Como punto de partida, se identificó y sintetizó los postulados que construyen, en forma global e indiscriminada, el concepto de cine de autor desde los enfoques de Alexandre Astruc, Andre Bazin, Andrew Sarris y Peter Wollen. Posteriormente, se describió y explicó la teoría de las generaciones según los enfoques de Karl Mannheim y José Ortega y Gasset. Asimismo, se identificó un contexto generacional de directores peruanos cuya obra fílmica estaba relacionada al concepto de cine de autor. De este grupo se tomó como muestra de estudio a Josué Méndez y Omar Forero. Finalmente, se determinó que la obra fílmica de Josué Méndez ...
