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César Vallejo 30 Poesía 21 poetry 21 Poetry 20 Peruvian poetry 19 https://purl.org/pe-repo/ocde/ford#6.04.04 19 poesía 19 más ...
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The central motivation of this article is the recognition of the Buddhist thought zen as one of the cultural sources that influenced decisively in the poetic writings of Jorge Eduardo Eielson. In that sense, it first explores the encounter of the poet with this oriental thought, and then the zen principles materialized in his texts. All of this seeks to provide groundsfor the essentialist and totalizing nature of one of the most multifaceted and representative contemporary poetics of the 20th century.
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This article is about how the poetic colonial Andean production (Pcru, XVII c.) fallswithin the Hispanic American baroque. There are rv.·o of the poems thar have been attributedro Juan del Valle and Caviedas (1645?-1698) portrays an alcoholic's whole ~elf,this allows the study of the rheroric media implied in the prosopographic constitutionof each of the poems assembled by rhis common rheme. Due ro the descriptive toolsand the semantk intetpretation that is used to compare rhe sirnilar media used on rhewestern pictorial prosopography of each (mise-en-abyme, metastability and anamorphosis)trying ro show the commut}-ity between texts and images.
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The writing of a screenplay for an animated film for children is a delicate process due to several factors: the nature of a script, whose goal is not only to be written, but must also be produced to fulfill its purpose; the high costs of audiovisual production, which oblige it to include commercial values in its poetics to guarantee a recovery of the large investment; the demands of a highly segmented public, such as children; and the demands of a society that expects high commercial values from cultural industries. In this sense, the main goal of this article is to propose a characterization of children’s animation cinema based on three axes: the commercial (in order to meet the audience’s requirements), the authorial (in order to respect the author’s poetics) and the hybrid (which balances both interests). To achieve this, a theoretical framework oriented to mass culture based on...
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This essay points out a revival of poetic prose in contemporary literature. It underlines that some poetic prose shares a poem’s main verbal features, while others assume what is typical of short stories: the exactly right word. It comments on some poetic prose by Charles Baudelaire and César Vallejo illustrating these ideas, intertwingled with some of Julio Cortázar’s stands on the notion of short story. Then, this essay focuses on Leo Almeida’s poetic prose, in which he uses his anti-system and irreverent point of view to innovatively highlight people’s marginality and ancestral cultures’ dispossession.
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This article is built upon the premise that there is an urgent need to create a kinder, more cooperative world in order to address the crises which threaten to destroy it. The key component in this enterprise is empathy, and theatre can play a major role in training young people in the exercise of empathy. Recent developments in neuroscience (Bråten, 2007; Damasio, 1994; Denes, 2016; Singer & Lamm, 2009; Stamenov & Gallese, 2002) have demonstrated that the human brain’s capacity for empathy can be strengthened by frequent use. In addition, the discovery of so-called mirror neurons has revealed the extent to which the operation of our brains reflects the way in which theatre is also conceived. We are in a state of constant dialogue with ourselves and, due to the way mirror neurons stimulate us when we observe the actions and words of others, we respond like theatre audiences. G...
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This article is built upon the premise that there is an urgent need to create a kinder, more cooperative world in order to address the crises which threaten to destroy it. The key component in this enterprise is empathy, and theatre can play a major role in training young people in the exercise of empathy. Recent developments in neuroscience (Bråten, 2007; Damasio, 1994; Denes, 2016; Singer & Lamm, 2009; Stamenov & Gallese, 2002) have demonstrated that the human brain’s capacity for empathy can be strengthened by frequent use. In addition, the discovery of so-called mirror neurons has revealed the extent to which the operation of our brains reflects the way in which theatre is also conceived. We are in a state of constant dialogue with ourselves and, due to the way mirror neurons stimulate us when we observe the actions and words of others, we respond like theatre audiences. G...
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This essay points out a revival of poetic prose in contemporary literature. It underlines that some poetic prose shares a poem’s main verbal features, while others assume what is typical of short stories: the exactly right word. It comments on some poetic prose by Charles Baudelaire and César Vallejo illustrating these ideas, intertwingled with some of Julio Cortázar’s stands on the notion of short story. Then, this essay focuses on Leo Almeida’s poetic prose, in which he uses his anti-system and irreverent point of view to innovatively highlight people’s marginality and ancestral cultures’ dispossession.
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El testimonio quechua se ha estudiado desde las categorías propuestas por la academia norteamericana y latinoamericana. Esta perspectiva ayudó a entender los conflictos y tensiones que se generan durante su realización y la dimensión estético-política en la que pareció. Pero no explica por qué en estos textos encontramos mitos, hualinas[1], watuchikuna (adivinanzas), simbolismo de las plantas (papa, maíz), de los animales, entre otras nociones acerca de la salud, la enfermedad, la distribución social, el ayni, entre otros. Por eso, desde una perspectiva culturalista, en este artículo nos proponemos encontrar la noción de testimonio que posee el runa[2]. Luego, a partir de ella, demostrar que el testimonio quechua es un telar, un tipo de texto que evidencia su creatividad escrituraria porque construye una multiplicidad de imágenes-tejidos, y cómo esta práctica encuentra cor...
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This article intends to answer certain questions related to the poetics of the fiction of Ricardo Palma: What did he think about fiction as an act of imagination and fantasy? What implications did he consider fiction as an instrument that linked him to the documentary record and the past? What did Palma show in hisTraditions regarding the relationship between fiction, history, and memory? The poetics of the fiction of Palma and its popular character are emphasized. We use as a theoretical framework the proposals of Ana María Amar Sánchez in her book "El relato de los hechos".
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Taking the perspective of classic semiotics, this article analyzes the explicit poetics inDelgado· s Parque, and looks for the related links between literary postula tes and themeanings in the book, a task made possible through an examination of the semanticlevels of discourse.
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This article reflects on the notion of good and bad characters in a fictional world. The study is done from a humanistic perspective and considers the poetic proposal of Juan José García-Noblejas (1982) and Paul Ricoeur (1987). The paper suggests that a character is good as long as it serves the world of fiction in which it is, whereas the world of fiction is good - in the sense of complete - insofar as it is able to "do justice" to the part of human life it represents.
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In the ideology of the modern poet, childhood represented the lust for knowledge, the playful-experimental impulse and the material conscience of art. These features can be distinguished in the work of Luis Hernandez, who, revaluing childhood, set out the playful impulse and innocence as keys to an original artistic production. Identifying himself with the purity of a child, on a thematic level, the poet questioned the indolence and the organizational and alienating eagerness of all authoritarianism. As for the use of technical-formal instruments, he practiced with them just like a child experiments with his play objects, exploiting his possibilities, carefree and irreverent. That said, our objective is to show how his reinterpretation of childhood influenced his questioning of the processes of writing, distribution and reception of literature.
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In Sanskrit poetry, extremely important aspects of poetry converge that promote human emotions and feelings from the perspective of eroticism. The prestigious Sanskrit literary tradition is basically centered on the poetic construction and the invention of stereotyped characters that promote the literary conventions of the Sanskrit lyric. The participants in these affluents of emotions and feelings embody the two characters have been described in different works on Sanskrit poetics. Hence the interest and the essential objective of these lines of research on Sanskrit poetics through the theorization and analysis made by Sanskrit theorists of both the hero and the heroine.
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This paper revises the sonnet of Javier Sologuren as a poetic model capable of dialogue and reformulate the practice of this fixed composition within the framework of his own poetic tradition and in the conditions around its updating in a specific context of enunciation.
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In the ideology of the modern poet, childhood represented the lust for knowledge, the playful-experimental impulse and the material conscience of art. These features can be distinguished in the work of Luis Hernandez, who, revaluing childhood, set out the playful impulse and innocence as keys to an original artistic production. Identifying himself with the purity of a child, on a thematic level, the poet questioned the indolence and the organizational and alienating eagerness of all authoritarianism. As for the use of technical-formal instruments, he practiced with them just like a child experiments with his play objects, exploiting his possibilities, carefree and irreverent. That said, our objective is to show how his reinterpretation of childhood influenced his questioning of the processes of writing, distribution and reception of literature.
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This article shows some notes about the poetic adventure of Trilce, from the general level of the conception of the artwork to the specific level of the verse production, where the rhythm of pedal cadence acts as axis that structures the senses with the lost syntax of speech.
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This article proposes an analysis of the poems «Our bread», «Imperial Nostalgia», «Autochthonous Tercet», «May», «Villager» and «The Miserable Supper». The objective is to explain which are the reflections on justice that Vallejo expresses in these poems of The Black Heralds. In this way, it seeks to enrich ideas about justice associated with the poet’s life experience.
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The objective of this research work is to compare the similarities and differences with respect to the configuration of the Andean landscape in the poem “balsas matinales”, in Ande (1926), by Alejandro Peralta versus “Yaraví Titicaca”, in Altipampa (1933) by Emilio Vásquez. This study postulates that in Peralta's poetic discourse it vindicates in a more marked way the importance of the daily activities of the andean man such as fishing, pastoralism, agriculture, cattle ranching, andeanism and andean patronal saint festivals. On the other hand, in Vázquez's poetic discourse, the pampa and lago categories are used to a greater extent to indicate the influence of these landscapes on the subjectivity of the Andean man. To carry out the study are used the theoretical frameworks of Rhetoric and Comparative literature and, therefore, are followed the guidelines of Arduini (2000) and ...