Sonic textualities in translation: the interlingual and transmodal trajectories of the musical play la cage aux folles

Descripción del Articulo

This study examines four versions of “I Am What I Am,” penned by Jerry Herman for the 1983 musical La Cage aux Folles, a Broadway show notable for featuring two gay protagonists amid the conservative resurgence in the United States and the onset of the HIV epidemic. This analysis focuses on the comp...

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Detalles Bibliográficos
Autores: Villanueva-Jordán, Iván, Sangay Torres, César
Formato: artículo
Fecha de Publicación:2025
Institución:Universidad Peruana de Ciencias Aplicadas
Repositorio:UPC-Institucional
Lenguaje:inglés
OAI Identifier:oai:repositorioacademico.upc.edu.pe:10757/688425
Enlace del recurso:https://doi.org/10.6035/MonTI.2025.17.16
http://hdl.handle.net/10757/688425
Nivel de acceso:acceso abierto
Materia:Drag queen
LGTB+
Queer
Song translation
Theatre translation
https://purl.org/pe-repo/ocde/ford#6.02.01
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dc.title.es_PE.fl_str_mv Sonic textualities in translation: the interlingual and transmodal trajectories of the musical play la cage aux folles
title Sonic textualities in translation: the interlingual and transmodal trajectories of the musical play la cage aux folles
spellingShingle Sonic textualities in translation: the interlingual and transmodal trajectories of the musical play la cage aux folles
Villanueva-Jordán, Iván
Drag queen
LGTB+
Queer
Song translation
Theatre translation
https://purl.org/pe-repo/ocde/ford#6.02.01
title_short Sonic textualities in translation: the interlingual and transmodal trajectories of the musical play la cage aux folles
title_full Sonic textualities in translation: the interlingual and transmodal trajectories of the musical play la cage aux folles
title_fullStr Sonic textualities in translation: the interlingual and transmodal trajectories of the musical play la cage aux folles
title_full_unstemmed Sonic textualities in translation: the interlingual and transmodal trajectories of the musical play la cage aux folles
title_sort Sonic textualities in translation: the interlingual and transmodal trajectories of the musical play la cage aux folles
author Villanueva-Jordán, Iván
author_facet Villanueva-Jordán, Iván
Sangay Torres, César
author_role author
author2 Sangay Torres, César
author2_role author
dc.contributor.author.fl_str_mv Villanueva-Jordán, Iván
Sangay Torres, César
dc.subject.es_PE.fl_str_mv Drag queen
LGTB+
Queer
Song translation
Theatre translation
topic Drag queen
LGTB+
Queer
Song translation
Theatre translation
https://purl.org/pe-repo/ocde/ford#6.02.01
dc.subject.ocde.es_PE.fl_str_mv https://purl.org/pe-repo/ocde/ford#6.02.01
description This study examines four versions of “I Am What I Am,” penned by Jerry Herman for the 1983 musical La Cage aux Folles, a Broadway show notable for featuring two gay protagonists amid the conservative resurgence in the United States and the onset of the HIV epidemic. This analysis focuses on the composition and how the lyrics of the songs engage with discourses on sexuality. Employing a multimodal translation approach, this research underscores how the interplay between musical and linguistic systems, alongside the material elements of each version, facilitates the exploration of the trajectories of cultural artifacts in the shaping of queer imaginaries and archive.
publishDate 2025
dc.date.accessioned.none.fl_str_mv 2026-01-22T17:28:54Z
dc.date.available.none.fl_str_mv 2026-01-22T17:28:54Z
dc.date.issued.fl_str_mv 2025-01-01
dc.type.es_PE.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.doi.none.fl_str_mv https://doi.org/10.6035/MonTI.2025.17.16
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/10757/688425
dc.identifier.eissn.none.fl_str_mv 19899335
dc.identifier.journal.es_PE.fl_str_mv Monografias De Traduccion E Interpretacion Monti
dc.identifier.eid.none.fl_str_mv 2-s2.0-105010032032
dc.identifier.scopusid.none.fl_str_mv SCOPUS_ID:105010032032
identifier_str_mv 18894178
19899335
Monografias De Traduccion E Interpretacion Monti
2-s2.0-105010032032
SCOPUS_ID:105010032032
url https://doi.org/10.6035/MonTI.2025.17.16
http://hdl.handle.net/10757/688425
dc.language.iso.es_PE.fl_str_mv eng
language eng
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dc.publisher.es_PE.fl_str_mv Universidad de Alicante
dc.source.none.fl_str_mv reponame:UPC-Institucional
instname:Universidad Peruana de Ciencias Aplicadas
instacron:UPC
instname_str Universidad Peruana de Ciencias Aplicadas
instacron_str UPC
institution UPC
reponame_str UPC-Institucional
collection UPC-Institucional
dc.source.journaltitle.none.fl_str_mv Monografias De Traduccion E Interpretacion Monti
dc.source.issue.none.fl_str_mv 17
dc.source.beginpage.none.fl_str_mv 465
dc.source.endpage.none.fl_str_mv 493
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Sonic textualities in translation: the interlingual and transmodal trajectories of the musical play la cage aux folles
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