Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process

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The concept of soundscape was incorporated in the late 1960s, from the field of acoustics and music, to address the problem of excessive noise in cities and disorderly urban planning, which has led to residential areas ‒which are supposed to be quiet‒ are juxtaposed with commercial and/or production...

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Detalles Bibliográficos
Autores: Lazarte Reátegui, Henry Daniel, Gushiken Uesu, Elena Isabel, Montano, Walter Alfredo
Formato: artículo
Fecha de Publicación:2023
Institución:Universidad Privada de Tacna
Repositorio:Revistas - Universidad Privada de Tacna
Lenguaje:español
OAI Identifier:oai:revistas.upt.edu.pe:article/849
Enlace del recurso:https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849
Nivel de acceso:acceso abierto
Materia:Paisaje sonoro
Acústica
Grandes manzanas
Diseño urbano
Transdisciplinariedad
Soundscape
Acoustics
Big blocks
Urban design
Transdisciplinary
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oai_identifier_str oai:revistas.upt.edu.pe:article/849
network_acronym_str REVUPT
network_name_str Revistas - Universidad Privada de Tacna
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dc.title.none.fl_str_mv Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process
Paisaje sonoro: El paradigma que desafía al urbanismo y la arquitectura actual. La acústica como proceso constructivo audiovisual
title Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process
spellingShingle Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process
Lazarte Reátegui, Henry Daniel
Paisaje sonoro
Acústica
Grandes manzanas
Diseño urbano
Transdisciplinariedad
Soundscape
Acoustics
Big blocks
Urban design
Transdisciplinary
title_short Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process
title_full Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process
title_fullStr Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process
title_full_unstemmed Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process
title_sort Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process
dc.creator.none.fl_str_mv Lazarte Reátegui, Henry Daniel
Gushiken Uesu, Elena Isabel
Montano, Walter Alfredo
author Lazarte Reátegui, Henry Daniel
author_facet Lazarte Reátegui, Henry Daniel
Gushiken Uesu, Elena Isabel
Montano, Walter Alfredo
author_role author
author2 Gushiken Uesu, Elena Isabel
Montano, Walter Alfredo
author2_role author
author
dc.subject.none.fl_str_mv Paisaje sonoro
Acústica
Grandes manzanas
Diseño urbano
Transdisciplinariedad
Soundscape
Acoustics
Big blocks
Urban design
Transdisciplinary
topic Paisaje sonoro
Acústica
Grandes manzanas
Diseño urbano
Transdisciplinariedad
Soundscape
Acoustics
Big blocks
Urban design
Transdisciplinary
description The concept of soundscape was incorporated in the late 1960s, from the field of acoustics and music, to address the problem of excessive noise in cities and disorderly urban planning, which has led to residential areas ‒which are supposed to be quiet‒ are juxtaposed with commercial and/or production activities that degrade the quality of hearing life. Starting in 2002, it was realized that the concept of soundscape could also be used as a tool to build a sound identity, whether to preserve historical sound environments, rescue “lost” sound activities from anthropology or create auditorily healthy zones within the cities. Barcelona is the first city that took the initiative to establish large blocks in order to reduce urban noise based on the particular acoustic study of each neighborhood, defining a differentiated sound landscape to preserve. Since 2012, acousticians from all over the world are strengthening this new interdisciplinary scientific field, conceptualizing architectural and urban projects, designing healthy sound fields and spaces. These are assisted by digital audio recorders, audiovisual media and other theoretical approaches based on sound level measurements that are contributing to expressing a new foundation of current architecture, since the sound parameter is the most important to take into account for the design. of the cities of the future. Peru is not a country that necessarily worries about designing urban projects before they are implemented, and this article will share the experience that is being developed in the world on the issue of soundscape, and the attempts that are being made in Lima to disseminate this theme in architecture with a transdisciplinary vision.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-14
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849
10.47796/ra.2023i24.849
url https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849
identifier_str_mv 10.47796/ra.2023i24.849
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849/839
https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849/851
dc.rights.none.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidad Privada de Tacna
publisher.none.fl_str_mv Universidad Privada de Tacna
dc.source.none.fl_str_mv Arquitek; No. 24 (2023): Arquitek
Arquitek; Núm. 24 (2023): Arquitek
2617-0892
2073-8811
10.47796/ra.2023i24
reponame:Revistas - Universidad Privada de Tacna
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reponame_str Revistas - Universidad Privada de Tacna
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spelling Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction processPaisaje sonoro: El paradigma que desafía al urbanismo y la arquitectura actual. La acústica como proceso constructivo audiovisualLazarte Reátegui, Henry DanielGushiken Uesu, Elena IsabelMontano, Walter AlfredoPaisaje sonoroAcústicaGrandes manzanasDiseño urbanoTransdisciplinariedadSoundscapeAcousticsBig blocksUrban designTransdisciplinaryThe concept of soundscape was incorporated in the late 1960s, from the field of acoustics and music, to address the problem of excessive noise in cities and disorderly urban planning, which has led to residential areas ‒which are supposed to be quiet‒ are juxtaposed with commercial and/or production activities that degrade the quality of hearing life. Starting in 2002, it was realized that the concept of soundscape could also be used as a tool to build a sound identity, whether to preserve historical sound environments, rescue “lost” sound activities from anthropology or create auditorily healthy zones within the cities. Barcelona is the first city that took the initiative to establish large blocks in order to reduce urban noise based on the particular acoustic study of each neighborhood, defining a differentiated sound landscape to preserve. Since 2012, acousticians from all over the world are strengthening this new interdisciplinary scientific field, conceptualizing architectural and urban projects, designing healthy sound fields and spaces. These are assisted by digital audio recorders, audiovisual media and other theoretical approaches based on sound level measurements that are contributing to expressing a new foundation of current architecture, since the sound parameter is the most important to take into account for the design. of the cities of the future. Peru is not a country that necessarily worries about designing urban projects before they are implemented, and this article will share the experience that is being developed in the world on the issue of soundscape, and the attempts that are being made in Lima to disseminate this theme in architecture with a transdisciplinary vision.El concepto del paisaje sonoro (soundscape) se incorporó a fines de la década de 1960, desde el campo de la acústica y la música para afrontar el problema de exceso del ruido en las ciudades y el urbanismo desordenado, que ha conllevado a que zonas residenciales ‒que se suponen deben ser tranquilas‒ estén yuxtapuestas a actividades comerciales y/o de producción que degradan la calidad de vida auditiva. A partir del 2002, se advirtió que el concepto de paisaje sonoro podía utilizarse también como una herramienta para construir una identidad sonora, ya sea para preservar ambientes sonoros históricos, rescatar desde la antropología actividades sonoras “perdidas” o crear zonas auditivamente sanas dentro de las ciudades. Barcelona es la primera ciudad que tomó la iniciativa en establecer grandes manzanas para así reducir el ruido urbano a partir del estudio acústico particular de cada barrio, definiendo un paisaje sonoro diferenciado a preservar. Desde 2012, acústicos de todo el mundo están fortaleciendo este novedoso campo científico interdisciplinar, conceptualizando los proyectos arquitectónicos y urbanos, diseñando campos y espacios sonoros saludables. Estos son asistidos por grabadores digitales de audio, medios audiovisuales y otros planteamientos teóricos basados en mediciones del nivel sonoro que están contribuyendo a expresar un nuevo fundamento de la arquitectura actual, ya que el parámetro sonoro es el más importante a tener en cuenta para el diseño de las ciudades del futuro. Perú no es un país que necesariamente se preocupa por diseñar proyectos urbanísticos antes de ser implementados, y en este artículo se compartirá la experiencia que se viene desarrollando en el mundo en la cuestión del paisaje sonoro, y de los intentos que se están realizando en Lima para difundir esta temática en la arquitectura con una visión transdisciplinaria.Universidad Privada de Tacna2023-12-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/84910.47796/ra.2023i24.849Arquitek; No. 24 (2023): ArquitekArquitek; Núm. 24 (2023): Arquitek2617-08922073-881110.47796/ra.2023i24reponame:Revistas - Universidad Privada de Tacnainstname:Universidad Privada de Tacnainstacron:UPTspahttps://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849/839https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849/851Derechos de autor 2023 Henry Daniel Lazarte Reátegui, Elena Isabel Gushiken Uesu, Walter Alfredo Montanohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:revistas.upt.edu.pe:article/8492024-02-06T15:27:55Z
score 12.791002
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