Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process
Descripción del Articulo
The concept of soundscape was incorporated in the late 1960s, from the field of acoustics and music, to address the problem of excessive noise in cities and disorderly urban planning, which has led to residential areas ‒which are supposed to be quiet‒ are juxtaposed with commercial and/or production...
Autores: | , , |
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Formato: | artículo |
Fecha de Publicación: | 2023 |
Institución: | Universidad Privada de Tacna |
Repositorio: | Revistas - Universidad Privada de Tacna |
Lenguaje: | español |
OAI Identifier: | oai:revistas.upt.edu.pe:article/849 |
Enlace del recurso: | https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849 |
Nivel de acceso: | acceso abierto |
Materia: | Paisaje sonoro Acústica Grandes manzanas Diseño urbano Transdisciplinariedad Soundscape Acoustics Big blocks Urban design Transdisciplinary |
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dc.title.none.fl_str_mv |
Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process Paisaje sonoro: El paradigma que desafía al urbanismo y la arquitectura actual. La acústica como proceso constructivo audiovisual |
title |
Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process |
spellingShingle |
Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process Lazarte Reátegui, Henry Daniel Paisaje sonoro Acústica Grandes manzanas Diseño urbano Transdisciplinariedad Soundscape Acoustics Big blocks Urban design Transdisciplinary |
title_short |
Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process |
title_full |
Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process |
title_fullStr |
Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process |
title_full_unstemmed |
Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process |
title_sort |
Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction process |
dc.creator.none.fl_str_mv |
Lazarte Reátegui, Henry Daniel Gushiken Uesu, Elena Isabel Montano, Walter Alfredo |
author |
Lazarte Reátegui, Henry Daniel |
author_facet |
Lazarte Reátegui, Henry Daniel Gushiken Uesu, Elena Isabel Montano, Walter Alfredo |
author_role |
author |
author2 |
Gushiken Uesu, Elena Isabel Montano, Walter Alfredo |
author2_role |
author author |
dc.subject.none.fl_str_mv |
Paisaje sonoro Acústica Grandes manzanas Diseño urbano Transdisciplinariedad Soundscape Acoustics Big blocks Urban design Transdisciplinary |
topic |
Paisaje sonoro Acústica Grandes manzanas Diseño urbano Transdisciplinariedad Soundscape Acoustics Big blocks Urban design Transdisciplinary |
description |
The concept of soundscape was incorporated in the late 1960s, from the field of acoustics and music, to address the problem of excessive noise in cities and disorderly urban planning, which has led to residential areas ‒which are supposed to be quiet‒ are juxtaposed with commercial and/or production activities that degrade the quality of hearing life. Starting in 2002, it was realized that the concept of soundscape could also be used as a tool to build a sound identity, whether to preserve historical sound environments, rescue “lost” sound activities from anthropology or create auditorily healthy zones within the cities. Barcelona is the first city that took the initiative to establish large blocks in order to reduce urban noise based on the particular acoustic study of each neighborhood, defining a differentiated sound landscape to preserve. Since 2012, acousticians from all over the world are strengthening this new interdisciplinary scientific field, conceptualizing architectural and urban projects, designing healthy sound fields and spaces. These are assisted by digital audio recorders, audiovisual media and other theoretical approaches based on sound level measurements that are contributing to expressing a new foundation of current architecture, since the sound parameter is the most important to take into account for the design. of the cities of the future. Peru is not a country that necessarily worries about designing urban projects before they are implemented, and this article will share the experience that is being developed in the world on the issue of soundscape, and the attempts that are being made in Lima to disseminate this theme in architecture with a transdisciplinary vision. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-14 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849 10.47796/ra.2023i24.849 |
url |
https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849 |
identifier_str_mv |
10.47796/ra.2023i24.849 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849/839 https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849/851 |
dc.rights.none.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by/4.0 |
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openAccess |
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application/pdf text/html |
dc.publisher.none.fl_str_mv |
Universidad Privada de Tacna |
publisher.none.fl_str_mv |
Universidad Privada de Tacna |
dc.source.none.fl_str_mv |
Arquitek; No. 24 (2023): Arquitek Arquitek; Núm. 24 (2023): Arquitek 2617-0892 2073-8811 10.47796/ra.2023i24 reponame:Revistas - Universidad Privada de Tacna instname:Universidad Privada de Tacna instacron:UPT |
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Universidad Privada de Tacna |
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UPT |
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Revistas - Universidad Privada de Tacna |
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Revistas - Universidad Privada de Tacna |
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Soundscape: the paradigm that challenges current urbanism and architecture. Acoustics as an audiovisual construction processPaisaje sonoro: El paradigma que desafía al urbanismo y la arquitectura actual. La acústica como proceso constructivo audiovisualLazarte Reátegui, Henry DanielGushiken Uesu, Elena IsabelMontano, Walter AlfredoPaisaje sonoroAcústicaGrandes manzanasDiseño urbanoTransdisciplinariedadSoundscapeAcousticsBig blocksUrban designTransdisciplinaryThe concept of soundscape was incorporated in the late 1960s, from the field of acoustics and music, to address the problem of excessive noise in cities and disorderly urban planning, which has led to residential areas ‒which are supposed to be quiet‒ are juxtaposed with commercial and/or production activities that degrade the quality of hearing life. Starting in 2002, it was realized that the concept of soundscape could also be used as a tool to build a sound identity, whether to preserve historical sound environments, rescue “lost” sound activities from anthropology or create auditorily healthy zones within the cities. Barcelona is the first city that took the initiative to establish large blocks in order to reduce urban noise based on the particular acoustic study of each neighborhood, defining a differentiated sound landscape to preserve. Since 2012, acousticians from all over the world are strengthening this new interdisciplinary scientific field, conceptualizing architectural and urban projects, designing healthy sound fields and spaces. These are assisted by digital audio recorders, audiovisual media and other theoretical approaches based on sound level measurements that are contributing to expressing a new foundation of current architecture, since the sound parameter is the most important to take into account for the design. of the cities of the future. Peru is not a country that necessarily worries about designing urban projects before they are implemented, and this article will share the experience that is being developed in the world on the issue of soundscape, and the attempts that are being made in Lima to disseminate this theme in architecture with a transdisciplinary vision.El concepto del paisaje sonoro (soundscape) se incorporó a fines de la década de 1960, desde el campo de la acústica y la música para afrontar el problema de exceso del ruido en las ciudades y el urbanismo desordenado, que ha conllevado a que zonas residenciales ‒que se suponen deben ser tranquilas‒ estén yuxtapuestas a actividades comerciales y/o de producción que degradan la calidad de vida auditiva. A partir del 2002, se advirtió que el concepto de paisaje sonoro podía utilizarse también como una herramienta para construir una identidad sonora, ya sea para preservar ambientes sonoros históricos, rescatar desde la antropología actividades sonoras “perdidas” o crear zonas auditivamente sanas dentro de las ciudades. Barcelona es la primera ciudad que tomó la iniciativa en establecer grandes manzanas para así reducir el ruido urbano a partir del estudio acústico particular de cada barrio, definiendo un paisaje sonoro diferenciado a preservar. Desde 2012, acústicos de todo el mundo están fortaleciendo este novedoso campo científico interdisciplinar, conceptualizando los proyectos arquitectónicos y urbanos, diseñando campos y espacios sonoros saludables. Estos son asistidos por grabadores digitales de audio, medios audiovisuales y otros planteamientos teóricos basados en mediciones del nivel sonoro que están contribuyendo a expresar un nuevo fundamento de la arquitectura actual, ya que el parámetro sonoro es el más importante a tener en cuenta para el diseño de las ciudades del futuro. Perú no es un país que necesariamente se preocupa por diseñar proyectos urbanísticos antes de ser implementados, y en este artículo se compartirá la experiencia que se viene desarrollando en el mundo en la cuestión del paisaje sonoro, y de los intentos que se están realizando en Lima para difundir esta temática en la arquitectura con una visión transdisciplinaria.Universidad Privada de Tacna2023-12-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/84910.47796/ra.2023i24.849Arquitek; No. 24 (2023): ArquitekArquitek; Núm. 24 (2023): Arquitek2617-08922073-881110.47796/ra.2023i24reponame:Revistas - Universidad Privada de Tacnainstname:Universidad Privada de Tacnainstacron:UPTspahttps://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849/839https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/849/851Derechos de autor 2023 Henry Daniel Lazarte Reátegui, Elena Isabel Gushiken Uesu, Walter Alfredo Montanohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:revistas.upt.edu.pe:article/8492024-02-06T15:27:55Z |
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12.791002 |
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La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).