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Youths, hip hop and Latin American cinema

Descripción del Articulo

This article provides evidence on the growing interest of Latin American cinema in hip hop. The cinematographic narration of these films portrays the lives of young people from popular classes who face situations marked by violence and deep social inequalities, through the practice of rap, break dan...

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Detalles Bibliográficos
Autor: Montoya, Wilfredo
Formato: artículo
Fecha de Publicación:2022
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/23514
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/23514
Nivel de acceso:acceso abierto
Materia:jóvenes
hip hop
cine latinoamericano
youths
Latin American cinema
Descripción
Sumario:This article provides evidence on the growing interest of Latin American cinema in hip hop. The cinematographic narration of these films portrays the lives of young people from popular classes who face situations marked by violence and deep social inequalities, through the practice of rap, break dance, graffiti and DJing, components of this culture. The article provides a recount of films and documentaries, made in eight Latin American countries, in the last decade. Analyzes above all three films released in 2021: This is how I grew up, by the mexican filmmaker Jos Macías; Cato, by argentine director Peta Rivero y Hornos; and The city of beasts, by colombian movie maker Henry Rincón. He argues that these provide a realistic and critical aesthetic reflection and confluent with de descolonial perspective of their respective societies, as well as a reading of a priority social sector such as popular youth, useful for understanding their current characteristics and prospects.
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