"THE WORLD BEGINS AT MY FEET": CHOZA AND THE POETIC PROJECT OF EFRAÍN MIRANDA LUJÁN

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This paper intends to reconstruct an evolutionary line in the poetics of Efraín Miranda Luján from the analysis of a poem from his book Choza (1978). For this, we will try to link their displacements, their marginal position within the spectrum of the generation of 50, with the gradual transformatio...

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Detalles Bibliográficos
Autor: Arenas Ulloa, César
Formato: artículo
Fecha de Publicación:2019
Lenguaje:español
OAI Identifier:oai:ojs2.www.metaforarevista.com:article/156
Enlace del recurso:https://www.metaforarevista.com/index.php/meta/article/view/156
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spelling "THE WORLD BEGINS AT MY FEET": CHOZA AND THE POETIC PROJECT OF EFRAÍN MIRANDA LUJÁN“EL MUNDO COMIENZA EN MIS PIES”: CHOZA Y EL PROYECTO POÉTICO DE EFRAÍN MIRANDA LUJÁNArenas Ulloa, CésarThis paper intends to reconstruct an evolutionary line in the poetics of Efraín Miranda Luján from the analysis of a poem from his book Choza (1978). For this, we will try to link their displacements, their marginal position within the spectrum of the generation of 50, with the gradual transformation of their poetic production. Our main hypothesis is that the work of Miranda, excluded from the monopoly of Lima’s literary criticism, was linked to other literary traditions, in particular of the Andean Plateau, so that the recent interest of critics for his work has inserted it into the broader and alternative panorama of the Andean Poetics. We will use as a theoretical framework of analysis the General Textual Rhetoric of Stefano Arduini and the extended TeSWeST II of Tomás Albaladejo, in addition to the contributions of the Cognitive Semantics of George Lakoff and Mark Johnson.El presente trabajo pretende reconstruir una línea evolutiva en la poética de Efraín Miranda Luján a partir del análisis de un poema de su libro Choza (1978). Para ello, trataremos de vincular sus desplazamientos, su posición marginal dentro del espectro de la generación del 50, con la trasformación paulatina de su producción poética. Nuestra hipótesis central es que la obra de Miranda, excluida del monopolio de la crítica literaria limeña, se engarzó con otras tradiciones literarias, en particular la puneña, de manera que el reciente interés de la crítica por su obra lo ha insertado dentro del panorama más amplio, y alternativo, de las poéticas andinas. Emplearemos como marco teórico de análisis la Retórica General Textual de Stefano Arduini y la TeSWeST ampliada II de Tomás Albaladejo, además de los aportes de la Semántica Cognitiva de George Lakoff y Mark Johnson.Asociación Peruana de Retórica2019-02-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.metaforarevista.com/index.php/meta/article/view/15610.36286/mrlad.v1i2.20METÁFORA REVISTA DE LITERATURA Y ANÁLISIS DEL DISCURSO; Vol. 1 Núm. 2 (2019)2617-4839spahttps://www.metaforarevista.com/index.php/meta/article/view/156/131Derechos de autor 2019 César Arenas Ulloahttp://creativecommons.org/licenses/by-nc/4.0oai:ojs2.www.metaforarevista.com:article/1562022-03-26T04:58:11Z
dc.title.none.fl_str_mv "THE WORLD BEGINS AT MY FEET": CHOZA AND THE POETIC PROJECT OF EFRAÍN MIRANDA LUJÁN
“EL MUNDO COMIENZA EN MIS PIES”: CHOZA Y EL PROYECTO POÉTICO DE EFRAÍN MIRANDA LUJÁN
title "THE WORLD BEGINS AT MY FEET": CHOZA AND THE POETIC PROJECT OF EFRAÍN MIRANDA LUJÁN
spellingShingle "THE WORLD BEGINS AT MY FEET": CHOZA AND THE POETIC PROJECT OF EFRAÍN MIRANDA LUJÁN
Arenas Ulloa, César
title_short "THE WORLD BEGINS AT MY FEET": CHOZA AND THE POETIC PROJECT OF EFRAÍN MIRANDA LUJÁN
title_full "THE WORLD BEGINS AT MY FEET": CHOZA AND THE POETIC PROJECT OF EFRAÍN MIRANDA LUJÁN
title_fullStr "THE WORLD BEGINS AT MY FEET": CHOZA AND THE POETIC PROJECT OF EFRAÍN MIRANDA LUJÁN
title_full_unstemmed "THE WORLD BEGINS AT MY FEET": CHOZA AND THE POETIC PROJECT OF EFRAÍN MIRANDA LUJÁN
title_sort "THE WORLD BEGINS AT MY FEET": CHOZA AND THE POETIC PROJECT OF EFRAÍN MIRANDA LUJÁN
dc.creator.none.fl_str_mv Arenas Ulloa, César
author Arenas Ulloa, César
author_facet Arenas Ulloa, César
author_role author
description This paper intends to reconstruct an evolutionary line in the poetics of Efraín Miranda Luján from the analysis of a poem from his book Choza (1978). For this, we will try to link their displacements, their marginal position within the spectrum of the generation of 50, with the gradual transformation of their poetic production. Our main hypothesis is that the work of Miranda, excluded from the monopoly of Lima’s literary criticism, was linked to other literary traditions, in particular of the Andean Plateau, so that the recent interest of critics for his work has inserted it into the broader and alternative panorama of the Andean Poetics. We will use as a theoretical framework of analysis the General Textual Rhetoric of Stefano Arduini and the extended TeSWeST II of Tomás Albaladejo, in addition to the contributions of the Cognitive Semantics of George Lakoff and Mark Johnson.
publishDate 2019
dc.date.none.fl_str_mv 2019-02-20
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://www.metaforarevista.com/index.php/meta/article/view/156
10.36286/mrlad.v1i2.20
url https://www.metaforarevista.com/index.php/meta/article/view/156
identifier_str_mv 10.36286/mrlad.v1i2.20
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://www.metaforarevista.com/index.php/meta/article/view/156/131
dc.rights.none.fl_str_mv Derechos de autor 2019 César Arenas Ulloa
http://creativecommons.org/licenses/by-nc/4.0
rights_invalid_str_mv Derechos de autor 2019 César Arenas Ulloa
http://creativecommons.org/licenses/by-nc/4.0
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Asociación Peruana de Retórica
publisher.none.fl_str_mv Asociación Peruana de Retórica
dc.source.none.fl_str_mv METÁFORA REVISTA DE LITERATURA Y ANÁLISIS DEL DISCURSO; Vol. 1 Núm. 2 (2019)
2617-4839
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 13.973999
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