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Este artículo parte de la teoría de la frontera de la escritora tejana Gloria Anzaldúa para explicar las fronteras en la vida y obra de la autora peruana clorinda matto de turner. la tesis de Anzaldúa es que las fronteras entre culturas dejan una «herida abierta» que daña a las personas. un siglo antes, matto de turner era consciente de heridas de este tipo y para curarlas propone la industria, el comercio y la transculturización para fomentar la armonía entre andinos y criollos, entre obreros/as e industrialistas, con el fin de promover a su vez una especie de capitalismo moderno postracial.
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Peruvian author Ricardo Palma achieved prominence as a South American literary through his pleasant and entertaining Peruvian Traditions that mostly resurrected the colonial world. To write his historical fiction, Palma was inspired by the Chronicles of the Indies and the plot of his tradition “Carta canta” comes directly from Inca Garcilaso de la Vega’s Royal Commentaries. However, from the firstincarnation of the tradition from 1875 to the last one, Palma conceals his true source of the story. For the second version, improved after the War of the Pacific, our philological research reveals that Palma continued tweaking still other Garcilaso elements. We offer some conclusions about why he insisted on hiding his debt to Garcilaso and what coloniality had to do with his motivations.
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Peruvian author Ricardo Palma achieved prominence as a South American literary through his pleasant and entertaining Peruvian Traditions that mostly resurrected the colonial world. To write his historical fiction, Palma was inspired by the Chronicles of the Indies and the plot of his tradition “Carta canta” comes directly from Inca Garcilaso de la Vega’s Royal Commentaries. However, from the firstincarnation of the tradition from 1875 to the last one, Palma conceals his true source of the story. For the second version, improved after the War of the Pacific, our philological research reveals that Palma continued tweaking still other Garcilaso elements. We offer some conclusions about why he insisted on hiding his debt to Garcilaso and what coloniality had to do with his motivations.
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Se han publicado numerosos estudios sobre la poesía y el ensayo del escritorperuano Manuel González Prada enfocando su indigenismo, su romanticismosu modernismo, su premodernismo, su romanticismo, su pensamiento político yreligioso, su revanchismo, pero, fuera de algunas nobles indagaciones, menos tiempose ha dedicado a su concepto lingüístico1. Aquí para conmemorar el pronto centenariodel fallecimiento de afamado escritor que pasó del romanticismo al modernismo,para morir en 1918, quisiera explorar el tema de las prácticas ortográfica que no sontan progresistas como se imaginaría. Lo que veremos en las páginas que vienen acontinuación es que, pese a todas las innovaciones en el campo de las ideas, no hayuna innovación absoluta en los experimentos ortográficos del poeta y ensayista.
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Este artículo examina diferentes conceptos de nación que van desde lo étnico, lo moderno, y lo utópico. Esboza la evolución del significado de la palabra nación desde el Renacimiento al siglo XXI y distingue entre la nación y el estado-nación que secuestra el papel de la primera. Para entender el concepto durante el Renacimiento se acude a los Comentarios reales del Inca Garcilaso, así como diversos diccionarios del período. Para entender el concepto a partir del siglo XIX, se acude a las teorías de Benedict Anderson y Eric Hobsbawm, y las ideas de Mario Vargas Llosa al respecto. Se ofrecerá algunas conclusiones aplicables al Perú.
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This text reviews the intellectual development of Iván Rodríguez Chávez and how this ended up shaping his thinking on the relationship between the humanities, law and the university as a fundamental basis for promoting Peruvianism. To this end, it begins with an account of his teachers, such as José Russo Delgado, Estuardo Núñez Hague, Luis Alberto Sánchez, among others, who inculcated in him the knowledge and academic practices that he would implement in his pedagogical exercise as an educator and later as rector of the Ricardo Palma University. It also exposes four of his intellectual predilections that are reflected in different books and interviews: humanities and law, society, the university and the relationship between the university and society, problems and solutions.
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This article examines different concepts of nation that range from the ethnic, modern, and utopian. It outlines the evolution of the meaning of the word nation from the Renaissance to the 21st century and distinguishes between the nation and the nation-state, the latter kidnapping the role formerly held by the former. To understand the concept during the Renaissance, Inca Garcilaso’s Royal Commentaries will offer background as will several period dictionaries. To understand the concept from the nineteenth century on, the article considers the theories of Benedict Anderson and Eric Hobsbawm, as well as Mario Vargas Llosa’s ideas on the topic. Some conclusions applicable to Peru will be drawn.
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The awareness of the «surviving colonialism» of the Peruvian society is generally recognized in the thought of José Carlos Mariátegui. In order to annihilate this, he opposed the Spanish culture that prevailed in the society and sought other models, including Marxism. Another predisposition in his theories, uncommonlyinterpreted, is found in the positivism brought by the proposals of Manuel V. Villarán, Rector of The National University of San Marcos (Universidad Nacional Mayor de San Marcos), whose pedagogy was characterized by two elements: a rejection of the literate affinity of the Spanish pedagogy and a proposal focused on an education encouraging commerce (professions). This study will analyze the section of Mariátegui’s Seven Interpretive Essays on Peruvian Reality (Siete ensayos de interpretación de la literatura peruana) that is related to the essays «The liberal profe...
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Aurora Cáceres is a novelist, essayist and cultivator of historiography, autobiography, and so-called travel literature. Concomitantly, she was active as a feminist and suffragette. She is known mainly for her relationships with the modernist literary movement, a hemispheric trend concerned with modernity and with forming a unique Latin American literary expression. Oasis of art (¿1911?) and La ciudad del sol (1927), both examples of travel literature, reveal Cáceres’ predilection for analyzing Peruvian and European art. The focus of the present study is to consider the tension between the pride of Inkan art derived from Inca Garcilaso de la Vega’s Royal Commentaries and the modernist updating of the Eurocentric myth known as El Dorado. Here we will focus on “El oro del Perú”, a speech given at the University of Paris, the Sorbonne, later integrated into Oasis de arte, in a c...
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Publicado por
Ward, Thomas
Publicado 2024 Enlace
Manuel Guerra ha publicado su tercer libro de ficción, Fatum, en dos hermosas ediciones (2018, 2021) pero este, a diferencia de las novelas Trasiegos (2013) y La copa de la muerte (2016), constituye una colección de cuentos, veinte cuatro de ellos, para decirlo con exactitud. Los relatos son de extensión variada. “Detectives de oficina”, tiene veinte páginas, “Fatum”, el que le brinda su título a la colección, siete, mientras “Arte poética” es de una. “Complicidad” es un microcuento de cuatro renglones
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Between the Spanish American «modernismo» and avant-garde movements, César Vallejo’s The Black Heralds shows a strong dose of Indigenism, but also provides elements that evoke ancient Tahuantinsuyo, which constitute what may be called Incanism. This paper aims to isolate some of the indigenous referents of The Black Heralds to determine whether they are indigenist (socio-realistic representation), or Incanist (recovery of the Incas). It concludes by defining the indigenous concept in The Black Heralds.
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Publicado por primera vez en 2009, Buscando a la nación peruana, de Thomas Ward, es una obra que nos interpela directamente sobre un tema fundamental para los peruanos: la necesidad de repensarnos como nación para que todas las sangres que nos conforman tengan una participación real y efectiva en los destinos del país. En este contexto, la edición actualizada y corregida de esta obra, publicada por el Fondo Editorial de la Facultad de Letras y Ciencias Humanas de la Universidad Nacional Mayor de San Marcos, en colaboración con la Editorial Cátedra Vallejo, adquiere una relevancia especial, al coincidir con las celebraciones del bicentenario de las independencias latinoamericanas, momento que ha resaltado la urgencia de abordar este tema de manera crítica de cara al futuro.
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The speedy evolution of Internet and the penetration of social networks has changed the way of communicating that was usually had the fashion. Gone are the models of communication that placed traditional media at the centre of their strategic management. The new trends contextualize social networks as the backbone of the relationship with audiences. In this sense, real weddings have become a fundamental tool for the fashion brands participating in the event thanks to their wide potential as an instrument to spread the messages. The text opts for multiple case studies to link the main international fashion brands with special events and goes to the content analysis of the profiles of social networks in which the leading firms have a presence. The results reveal how audiences react to the communication efforts made and the pertinence of resorting to these acts to improve engagement with st...