Uses and Gratifications of Consuming ‘Yo soy Betty, la fea’ from a Female Perspective

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This study delves into the realm of marketing by examining the uses and gratifications of ‘Yo soy Betty, la fea’ from a female perspective, given its status as Netflix Peru's top show for 54 weeks. The primary objective is to identify the needs it fulfills for young women and analyze the gratif...

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Detalles Bibliográficos
Autores: Calle-Urbina, Ornella, Vite-León, Victor Omar, Poggi-Parodi, Christiana
Formato: artículo
Fecha de Publicación:2024
Institución:Universidad Peruana de Ciencias Aplicadas
Repositorio:UPC-Institucional
Lenguaje:inglés
OAI Identifier:oai:repositorioacademico.upc.edu.pe:10757/676083
Enlace del recurso:http://hdl.handle.net/10757/676083
Nivel de acceso:acceso embargado
Materia:La fea”
Netflix
Streaming
TV soaps
Uses and gratifications
“Yo soy Betty
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network_acronym_str UUPC
network_name_str UPC-Institucional
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dc.title.es_PE.fl_str_mv Uses and Gratifications of Consuming ‘Yo soy Betty, la fea’ from a Female Perspective
title Uses and Gratifications of Consuming ‘Yo soy Betty, la fea’ from a Female Perspective
spellingShingle Uses and Gratifications of Consuming ‘Yo soy Betty, la fea’ from a Female Perspective
Calle-Urbina, Ornella
La fea”
Netflix
Streaming
TV soaps
Uses and gratifications
“Yo soy Betty
title_short Uses and Gratifications of Consuming ‘Yo soy Betty, la fea’ from a Female Perspective
title_full Uses and Gratifications of Consuming ‘Yo soy Betty, la fea’ from a Female Perspective
title_fullStr Uses and Gratifications of Consuming ‘Yo soy Betty, la fea’ from a Female Perspective
title_full_unstemmed Uses and Gratifications of Consuming ‘Yo soy Betty, la fea’ from a Female Perspective
title_sort Uses and Gratifications of Consuming ‘Yo soy Betty, la fea’ from a Female Perspective
author Calle-Urbina, Ornella
author_facet Calle-Urbina, Ornella
Vite-León, Victor Omar
Poggi-Parodi, Christiana
author_role author
author2 Vite-León, Victor Omar
Poggi-Parodi, Christiana
author2_role author
author
dc.contributor.author.fl_str_mv Calle-Urbina, Ornella
Vite-León, Victor Omar
Poggi-Parodi, Christiana
dc.subject.es_PE.fl_str_mv La fea”
Netflix
Streaming
TV soaps
Uses and gratifications
“Yo soy Betty
topic La fea”
Netflix
Streaming
TV soaps
Uses and gratifications
“Yo soy Betty
description This study delves into the realm of marketing by examining the uses and gratifications of ‘Yo soy Betty, la fea’ from a female perspective, given its status as Netflix Peru's top show for 54 weeks. The primary objective is to identify the needs it fulfills for young women and analyze the gratifications it provides. The methodology employed is qualitative, involving data collection through semi-structured interviews with 20 female consumers of the series, subsequently coded using ‘Atlas.ti’. The results of this study reveal that ‘Yo soy Betty, la fea’ effectively caters to a diverse array of marketing needs within its audience. The cognitive need strengthens the understanding of the plot. The affective need enables emotional connections with characters and situations. The social integration need is fulfilled through interaction with family and friends during viewing. The need for recreation relieves tension, with some individuals watching up to 20 episodes a day in their leisure time. The need for personal integration is reflected in active participation on social media, sharing content, and maintaining a certain social status. The emotional resonance, viewer dedication, and active social media engagement around ‘Yo soy Betty, la fea’ present opportunities for marketing campaigns to boost viewer attachment, tap into leisure interests, and harness influencer partnerships for content-related social status enhancement. This study aims to uncover the marketing dynamics driving the sustained popularity of ‘Yo soy Betty, la fea’ while also advancing the application of the uses and gratifications theory in marketing-oriented audience research.
publishDate 2024
dc.date.accessioned.none.fl_str_mv 2024-10-10T21:50:35Z
dc.date.available.none.fl_str_mv 2024-10-10T21:50:35Z
dc.date.issued.fl_str_mv 2024-01-01
dc.type.es_PE.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.issn.none.fl_str_mv 21903018
dc.identifier.doi.none.fl_str_mv 10.1007/978-981-97-1552-7_42
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/10757/676083
dc.identifier.eissn.none.fl_str_mv 21903026
dc.identifier.journal.es_PE.fl_str_mv Smart Innovation, Systems and Technologies
dc.identifier.eid.none.fl_str_mv 2-s2.0-85196863381
dc.identifier.scopusid.none.fl_str_mv SCOPUS_ID:85196863381
identifier_str_mv 21903018
10.1007/978-981-97-1552-7_42
21903026
Smart Innovation, Systems and Technologies
2-s2.0-85196863381
SCOPUS_ID:85196863381
url http://hdl.handle.net/10757/676083
dc.language.iso.es_PE.fl_str_mv eng
language eng
dc.rights.es_PE.fl_str_mv info:eu-repo/semantics/embargoedAccess
eu_rights_str_mv embargoedAccess
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dc.publisher.es_PE.fl_str_mv Springer Science and Business Media Deutschland GmbH
dc.source.none.fl_str_mv reponame:UPC-Institucional
instname:Universidad Peruana de Ciencias Aplicadas
instacron:UPC
instname_str Universidad Peruana de Ciencias Aplicadas
instacron_str UPC
institution UPC
reponame_str UPC-Institucional
collection UPC-Institucional
dc.source.journaltitle.none.fl_str_mv Smart Innovation, Systems and Technologies
dc.source.volume.none.fl_str_mv 386
dc.source.beginpage.none.fl_str_mv 619
dc.source.endpage.none.fl_str_mv 632
bitstream.url.fl_str_mv https://repositorioacademico.upc.edu.pe/bitstream/10757/676083/1/license.txt
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spelling a34de310385b56b9b462976b4d593294ddb027e99903aa3c4fddc9ae41aadbfa9ee941b9c1f72541ccfac63d81ff7f97500Calle-Urbina, OrnellaVite-León, Victor OmarPoggi-Parodi, Christiana2024-10-10T21:50:35Z2024-10-10T21:50:35Z2024-01-012190301810.1007/978-981-97-1552-7_42http://hdl.handle.net/10757/67608321903026Smart Innovation, Systems and Technologies2-s2.0-85196863381SCOPUS_ID:85196863381This study delves into the realm of marketing by examining the uses and gratifications of ‘Yo soy Betty, la fea’ from a female perspective, given its status as Netflix Peru's top show for 54 weeks. The primary objective is to identify the needs it fulfills for young women and analyze the gratifications it provides. The methodology employed is qualitative, involving data collection through semi-structured interviews with 20 female consumers of the series, subsequently coded using ‘Atlas.ti’. The results of this study reveal that ‘Yo soy Betty, la fea’ effectively caters to a diverse array of marketing needs within its audience. The cognitive need strengthens the understanding of the plot. The affective need enables emotional connections with characters and situations. The social integration need is fulfilled through interaction with family and friends during viewing. The need for recreation relieves tension, with some individuals watching up to 20 episodes a day in their leisure time. The need for personal integration is reflected in active participation on social media, sharing content, and maintaining a certain social status. The emotional resonance, viewer dedication, and active social media engagement around ‘Yo soy Betty, la fea’ present opportunities for marketing campaigns to boost viewer attachment, tap into leisure interests, and harness influencer partnerships for content-related social status enhancement. 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