Film festival coverage: an interview with journalists, critics, and event programmers of Latin American film festivals
Descripción del Articulo
Film festivals are places of encounter where different social actors come together, including professionals from the audio-visual industry, students, film buffs, and journalists, as well as the figures who organise these events. The aim of this research is to describe the journalistic coverage of fi...
| Autores: | , , , |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2024 |
| Institución: | Universidad Peruana de Ciencias Aplicadas |
| Repositorio: | UPC-Institucional |
| Lenguaje: | español |
| OAI Identifier: | oai:repositorioacademico.upc.edu.pe:10757/675990 |
| Enlace del recurso: | http://hdl.handle.net/10757/675990 |
| Nivel de acceso: | acceso abierto |
| Materia: | audio-visual film critics Film festivals journalists press coverage |
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| dc.title.es_PE.fl_str_mv |
Film festival coverage: an interview with journalists, critics, and event programmers of Latin American film festivals |
| title |
Film festival coverage: an interview with journalists, critics, and event programmers of Latin American film festivals |
| spellingShingle |
Film festival coverage: an interview with journalists, critics, and event programmers of Latin American film festivals Karbaum Padilla, Gerardo audio-visual film critics Film festivals journalists press coverage |
| title_short |
Film festival coverage: an interview with journalists, critics, and event programmers of Latin American film festivals |
| title_full |
Film festival coverage: an interview with journalists, critics, and event programmers of Latin American film festivals |
| title_fullStr |
Film festival coverage: an interview with journalists, critics, and event programmers of Latin American film festivals |
| title_full_unstemmed |
Film festival coverage: an interview with journalists, critics, and event programmers of Latin American film festivals |
| title_sort |
Film festival coverage: an interview with journalists, critics, and event programmers of Latin American film festivals |
| author |
Karbaum Padilla, Gerardo |
| author_facet |
Karbaum Padilla, Gerardo Barredo Ibáñez, Daniel Chura Pilco, Claudia Ortiz Mory, Raúl |
| author_role |
author |
| author2 |
Barredo Ibáñez, Daniel Chura Pilco, Claudia Ortiz Mory, Raúl |
| author2_role |
author author author |
| dc.contributor.author.fl_str_mv |
Karbaum Padilla, Gerardo Barredo Ibáñez, Daniel Chura Pilco, Claudia Ortiz Mory, Raúl |
| dc.subject.es_PE.fl_str_mv |
audio-visual film critics Film festivals journalists press coverage |
| topic |
audio-visual film critics Film festivals journalists press coverage |
| description |
Film festivals are places of encounter where different social actors come together, including professionals from the audio-visual industry, students, film buffs, and journalists, as well as the figures who organise these events. The aim of this research is to describe the journalistic coverage of film festivals carried out by the Ibero-American media, which is composed of generalist, traditional, specialised, and digital native outlets. The authors have used a qualitative methodology based on semi-structured interviews with film journalists and festival managers. The most significant findings reveal that each journalist develops their own particular type of frame building to cover an event, which is subject to the informative agenda of the media through which they are commissioned. At the same time, new actors such as influencers have also appeared, who report on the festivals as well. In addition, the festivals themselves have created their own platforms in order to fill the information gap resulting from the failure of the specialised press to report on certain aspects of these events. As a result, the authors conclude that festivals have become media hubs where different types of content generators converge, and in which they offer a diversity of information thanks to the technological facilities offered by digitisation, the Internet, and social media. |
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2024 |
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2024-10-05T09:02:42Z |
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2024-10-05T09:02:42Z |
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2024-07-01 |
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info:eu-repo/semantics/article |
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1696019X |
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10.31921/doxacom.n39a2081 |
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http://hdl.handle.net/10757/675990 |
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23863978 |
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Doxa Comunicacion |
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Doxa Comunicacion |
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2024-July-December |
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The most significant findings reveal that each journalist develops their own particular type of frame building to cover an event, which is subject to the informative agenda of the media through which they are commissioned. At the same time, new actors such as influencers have also appeared, who report on the festivals as well. In addition, the festivals themselves have created their own platforms in order to fill the information gap resulting from the failure of the specialised press to report on certain aspects of these events. 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Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).