Film festival coverage: an interview with journalists, critics, and event programmers of Latin American film festivals

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Film festivals are places of encounter where different social actors come together, including professionals from the audio-visual industry, students, film buffs, and journalists, as well as the figures who organise these events. The aim of this research is to describe the journalistic coverage of fi...

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Detalles Bibliográficos
Autores: Karbaum Padilla, Gerardo, Barredo Ibáñez, Daniel, Chura Pilco, Claudia, Ortiz Mory, Raúl
Formato: artículo
Fecha de Publicación:2024
Institución:Universidad Peruana de Ciencias Aplicadas
Repositorio:UPC-Institucional
Lenguaje:español
OAI Identifier:oai:repositorioacademico.upc.edu.pe:10757/675990
Enlace del recurso:http://hdl.handle.net/10757/675990
Nivel de acceso:acceso abierto
Materia:audio-visual
film critics
Film festivals
journalists
press coverage
Descripción
Sumario:Film festivals are places of encounter where different social actors come together, including professionals from the audio-visual industry, students, film buffs, and journalists, as well as the figures who organise these events. The aim of this research is to describe the journalistic coverage of film festivals carried out by the Ibero-American media, which is composed of generalist, traditional, specialised, and digital native outlets. The authors have used a qualitative methodology based on semi-structured interviews with film journalists and festival managers. The most significant findings reveal that each journalist develops their own particular type of frame building to cover an event, which is subject to the informative agenda of the media through which they are commissioned. At the same time, new actors such as influencers have also appeared, who report on the festivals as well. In addition, the festivals themselves have created their own platforms in order to fill the information gap resulting from the failure of the specialised press to report on certain aspects of these events. As a result, the authors conclude that festivals have become media hubs where different types of content generators converge, and in which they offer a diversity of information thanks to the technological facilities offered by digitisation, the Internet, and social media.
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