The three commoners. In search of the first melody of Felipe Pinglo’s El Plebeyo

Descripción del Articulo

Over 80 years ago, one of the best known and beloved tunes of the Peruvian national songbook was unintentionally transformed early on due to a confusion that ended up being canonized through time and tradition. The recent discovery of the song’s sheet music published back when Felipe Pinglo was stil...

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Detalles Bibliográficos
Autor: Sarmiento Herencia, Rodrigo
Formato: artículo
Fecha de Publicación:2018
Institución:Universidad Nacional de Música
Repositorio:UNM-Antec
Lenguaje:español
OAI Identifier:oai:revistas.unm.edu.pe:article/31
Enlace del recurso:https://revistas.unm.edu.pe/index.php/Antec/article/view/31
Nivel de acceso:acceso abierto
Materia:Vals criollo
música popular
cultura material
Lima
siglo XX
Peruvian waltz
popular music
material culture
20th century
Descripción
Sumario:Over 80 years ago, one of the best known and beloved tunes of the Peruvian national songbook was unintentionally transformed early on due to a confusion that ended up being canonized through time and tradition. The recent discovery of the song’s sheet music published back when Felipe Pinglo was still alive as well as a major statement about the song’s music made by an acknowledged popular music composer and an original manuscript prompts the following article that studies the three versions in an attempt to recover El Plebeyo’s first melody.
The three commoners. In search of the first melody of Felipe Pinglo’s El Plebeyo
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