Paisajes fragmentados: recuerdos del norte en tiempo de crisis

• Autor: Domenak Moreno, Amaryllys Joakyna
• Formato: objeto de conferencia
• Fecha de Publicación: 2024
• Institución: Pontificia Universidad Católica del Perú
• Repositorio: PUCP-Institucional
• Lenguaje: español
• OAI Identifier: oai:repositorio.pucp.edu.pe:20.500.14657/202649
• Enlace del recurso: https://repositorio.pucp.edu.pe/index/handle/123456789/202649
• Nivel de acceso: acceso abierto
• Materia: Recorrido; Memoria; Transformación; Territorio; Ecología; https://purl.org/pe-repo/ocde/ford#6.04.01

Paisajes fragmentados is an artistic project that is composed from the compendium of figures, experiences, memories and records of the tour of the Piura region, where I was my first approach with nature, in Talara and Sullana — my hometown—. Thus, this work allows me to go through these spaces again, as a reminder and reimagining of their present landscape. The circuit of these drawings and prints addresses concepts and meanings such as the dreamlike, the imaginary, nostalgia and the personal archive. In this way, longing is a return impulse for the collection of fragments of the landscape; the memory is broken when verifying the environmental crisis of the Piura territory, what was a warm place in my memory, is now threatened by extractivism and contamination. From a road trip from the city to the sea, you can discover the North Peruvian oil pipeline and the oil fields between the foothills and planks, as well as oil platforms over the ocean on the horizon of the coast. In recent years, these forms of extraction have increased and caused spills that threaten marine and terrestrial fauna and flora. The image accumulation process addresses personal experience and environmental resources, and involves a look from the geographical to the political-economic, the deconstruction and the past-present transformation of a place. It is these associations that open the way to reflect on our journey in the territory.