El suicidio literario de Fernando Vallejo: La rambla paralela y la muerte como forma de protesta

Descripción del Articulo

This article analyzes how Colombian writer Fernando Vallejo uses his novel La rambla paralela (2002) to expose his literary suicide (the death of his novelistic alter ego and his desire to stop writing altogether) as a form of protest towards the nonsensical nature of reality, which is frequently ev...

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Detalles Bibliográficos
Autor: Forero Gómez, Andrés
Formato: artículo
Fecha de Publicación:2024
Institución:Pontificia Universidad Católica del Perú
Repositorio:PUCP-Institucional
Lenguaje:español
OAI Identifier:oai:repositorio.pucp.edu.pe:20.500.14657/200694
Enlace del recurso:https://revistas.pucp.edu.pe/index.php/lexis/article/view/29270/26571
https://repositorio.pucp.edu.pe/index/handle/123456789/200694
https://doi.org/10.18800/lexis.202401.016
Nivel de acceso:acceso abierto
Materia:Suicide
Colombian literature
Social criticism
Nostalgia
Suicidio
Literatura colombiana
Crítica social
https://purl.org/pe-repo/ocde/ford#6.02.06
Descripción
Sumario:This article analyzes how Colombian writer Fernando Vallejo uses his novel La rambla paralela (2002) to expose his literary suicide (the death of his novelistic alter ego and his desire to stop writing altogether) as a form of protest towards the nonsensical nature of reality, which is frequently evidenced in Colombian society. To this end, the first section describes the role that suicide has had in Western thought and literature. Afterwards, the second section explains the reasons behind Vallejo’s critical stance in his works. Finally, the third and main section analyzes how Vallejo kills his narrative in his novel and how this act serves as the author’s most radical protest against contemporary reality.
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