Tamayo y Szyszlo: identidad nacional y universalismo a través de las formas

Descripción del Articulo

The article aims to compare, from a formal analysis, certain works by Rufino Tamayo and Fernando de Szyszlo that evoke the original national past to demonstrate in which cases the links with the subject in question are supported by plastic elements. Thus, through the analysis of the work “Aztlan” wi...

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Detalles Bibliográficos
Autor: Cotrina Zegarra, Julio César
Formato: artículo
Fecha de Publicación:2023
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/25854
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/25854
Nivel de acceso:acceso abierto
Materia:Rufino Tamayo
Fernando de Szyszlo
localismo
universalismo
identidad nacional
localism
universalism
national identity
Descripción
Sumario:The article aims to compare, from a formal analysis, certain works by Rufino Tamayo and Fernando de Szyszlo that evoke the original national past to demonstrate in which cases the links with the subject in question are supported by plastic elements. Thus, through the analysis of the work “Aztlan” with which Tamayo illustrates a novel of the same title and of a work by Szyszlo belonging to the “Cajamarca” series, based on the poem Apu Inca Atawallpaman (The death of the Inca Atahualpa), It is intended to compare how each artist approaches the texts that allude to the history before the arrival of the Spaniards in America. Likewise, two paintings will be analyzed, one by each artist, made in the oil technique to recognize how both artists link the theme of the works with the visual elements through the same material.
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