Fans and fanfictions, reading, appropriation and production, analyzed from the perspective of reception theory: the case of Game of Thrones and A Song of Ice and Fire

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This research pretends to analyze the reception of a literary and audiovisual work inside an online fan community and the creation of fan fiction literature by the members of this community, as well as the relationship with the canonical author. Data was collected through the content analysis of the...

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Detalles Bibliográficos
Autor: Espinoza Guanilo, Antonio Hector
Formato: artículo
Fecha de Publicación:2021
Institución:Universidad Científica del Sur
Repositorio:Revistas - Universidad Científica del Sur
Lenguaje:español
OAI Identifier:oai:revistas.cientifica.edu.pe:article/728
Enlace del recurso:https://revistas.cientifica.edu.pe/index.php/desdeelsur/article/view/728
Nivel de acceso:acceso abierto
Materia:fan fiction
fandom
estética de la recepción
cultura participativa
juego de tronos
Reception Aesthetic Theory
participatory culture
game of thrones
Descripción
Sumario:This research pretends to analyze the reception of a literary and audiovisual work inside an online fan community and the creation of fan fiction literature by the members of this community, as well as the relationship with the canonical author. Data was collected through the content analysis of the texts written by the fans and the use of a questionnaire fulfilled by the same group. Thanks to this information, and with the help of Reception Theory concepts, it was proved how fans become an active audience that produce new content from the appropriation and resignification of the original text. In addition, it became evident the way they consume the canonical story and how they interact with it and its authors.
Nota importante:
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