This research pretends to analyze the reception of a literary and audiovisual work inside an online fan community and the creation of fan fiction literature by the members of this community, as well as the relationship with the canonical author. Data was collected through the content analysis of the texts written by the fans and the use of a questionnaire fulfilled by the same group. Thanks to this information, and with the help of Reception Theory concepts, it was proved how fans become an active audience that produce new content from the appropriation and resignification of the original text. In addition, it became evident the way they consume the canonical story and how they interact with it and its authors.

In the face of the digital and communications revolution, journalism has reached new platforms on the Internet where it often seeks to reinvent itself to face the new information ecosystem. This research aims to know about the journalistic work, through internet, in contrast with one of the major issues of our time: the post-truth and misinformation. The data was collected from journalists who work in El Comercio and RPP, two of the most important media in Peru, following qualitative methods and in-depht interviews. The results obtained shows ethics and journalistic values, more than ever, are very important to deal with the new information ecosystem and its threats. In addition, online content speed and variety, and the different sources where it comes from, despite the journalists’ effort, present a risk to publish and consume information nowadays.