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The Literary Suicide of Fernando Vallejo: La Rambla Paralela and Death as a Form of Protest

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This article analyzes how Colombian writer Fernando Vallejo uses his novel La rambla paralela (2002) to expose his literary suicide (the death of his novelistic alter ego and his desire to stop writing altogether) as a form of protest towards the nonsensical nature of reality, which is freq...

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Detalles Bibliográficos
Autor: Forero Gómez, Andrés
Formato: artículo
Fecha de Publicación:2024
Institución:Pontificia Universidad Católica del Perú
Repositorio:Revistas - Pontificia Universidad Católica del Perú
Lenguaje:español
OAI Identifier:oai:ojs.pkp.sfu.ca:article/29270
Enlace del recurso:http://revistas.pucp.edu.pe/index.php/lexis/article/view/29270
Nivel de acceso:acceso abierto
Materia:Suicidio
Literatura colombiana
Crítica social
Nostalgia
Suicide
Colombian literature
Social criticism
Descripción
Sumario:This article analyzes how Colombian writer Fernando Vallejo uses his novel La rambla paralela (2002) to expose his literary suicide (the death of his novelistic alter ego and his desire to stop writing altogether) as a form of protest towards the nonsensical nature of reality, which is frequently evidenced in Colombian society. To this end, the first section describes the role that suicide has had in Western thought and literature. Afterwards, the second section explains the reasons behind Vallejo’s critical stance in his works. Finally, the third and main section analyzes how Vallejo kills his narrative in his novel and how this act serves as the author’s most radical protest against contemporary reality.
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