ORALITY AND PRESENCE OF DEATH IN TAITA CRISTO (1964) BY ELEODORO VARGAS VICUÑA

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Eleodoro Vargas Vicuña is considered one of the greatest storytellers of the generation of the 50s and of Peruvian literature in a general sphere. In this study, the Taita Cristo (1964) account will be analyzed from the perspective of death. In this sense, the previous aspect will be taken as knowle...

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Autor: Mostacero Castillo, Jonathan
Formato: artículo
Fecha de Publicación:2022
Lenguaje:español
OAI Identifier:oai:ojs2.www.metaforarevista.com:article/210
Enlace del recurso:https://www.metaforarevista.com/index.php/meta/article/view/210
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spelling ORALITY AND PRESENCE OF DEATH IN TAITA CRISTO (1964) BY ELEODORO VARGAS VICUÑAORALIDAD Y PRESENCIA DE LA MUERTE EN TAITA CRISTO (1964) DE ELEODORO VARGAS VICUÑAMostacero Castillo, JonathanEleodoro Vargas Vicuña is considered one of the greatest storytellers of the generation of the 50s and of Peruvian literature in a general sphere. In this study, the Taita Cristo (1964) account will be analyzed from the perspective of death. In this sense, the previous aspect will be taken as knowledge related to the oral popular tradition, evoked in the dialogues of the characters and the plot development. Likewise, the function of orality will be highlighted, a prominent issue in the author's book due to its ability to articulate different themes, including the particular ritual nature of death seen from the Andean perspective. For our purposes, the stories “El tuco y la paloma” and “El desconocido” will be examined.Eleodoro Vargas Vicuña es considerado uno de los más grandes narradores de la generación del 50 y de la literatura peruana en un ámbito general. En el presente estudio se analizará el cuentario Taita Cristo (1964) desde la perspectiva de la muerte. En ese sentido, el aspecto anterior será tomado como un conocimiento relacionado con la tradición popular oral, evocado en los diálogos de los personajes y el desarrollo argumental. Igualmente se resaltará la función de la oralidad, asunto destacado en el libro del autor debido a su capacidad de articular distintas temáticas, entre ellas, el particular carácter ritual de la muerte contemplado desde la visión andina. Para nuestros fines, se examinarán los relatos “El tuco y la paloma” y “El desconocido”.Asociación Peruana de Retórica2022-02-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.metaforarevista.com/index.php/meta/article/view/21010.36286/mrlad.v3i6.110METÁFORA REVISTA DE LITERATURA Y ANÁLISIS DEL DISCURSO; Vol. 4 Núm. 8 (2022)2617-4839spahttps://www.metaforarevista.com/index.php/meta/article/view/210/169Derechos de autor 2022 Jonathan Mostacero Castillohttp://creativecommons.org/licenses/by-nc/4.0oai:ojs2.www.metaforarevista.com:article/2102022-03-24T04:59:26Z
dc.title.none.fl_str_mv ORALITY AND PRESENCE OF DEATH IN TAITA CRISTO (1964) BY ELEODORO VARGAS VICUÑA
ORALIDAD Y PRESENCIA DE LA MUERTE EN TAITA CRISTO (1964) DE ELEODORO VARGAS VICUÑA
title ORALITY AND PRESENCE OF DEATH IN TAITA CRISTO (1964) BY ELEODORO VARGAS VICUÑA
spellingShingle ORALITY AND PRESENCE OF DEATH IN TAITA CRISTO (1964) BY ELEODORO VARGAS VICUÑA
Mostacero Castillo, Jonathan
title_short ORALITY AND PRESENCE OF DEATH IN TAITA CRISTO (1964) BY ELEODORO VARGAS VICUÑA
title_full ORALITY AND PRESENCE OF DEATH IN TAITA CRISTO (1964) BY ELEODORO VARGAS VICUÑA
title_fullStr ORALITY AND PRESENCE OF DEATH IN TAITA CRISTO (1964) BY ELEODORO VARGAS VICUÑA
title_full_unstemmed ORALITY AND PRESENCE OF DEATH IN TAITA CRISTO (1964) BY ELEODORO VARGAS VICUÑA
title_sort ORALITY AND PRESENCE OF DEATH IN TAITA CRISTO (1964) BY ELEODORO VARGAS VICUÑA
dc.creator.none.fl_str_mv Mostacero Castillo, Jonathan
author Mostacero Castillo, Jonathan
author_facet Mostacero Castillo, Jonathan
author_role author
description Eleodoro Vargas Vicuña is considered one of the greatest storytellers of the generation of the 50s and of Peruvian literature in a general sphere. In this study, the Taita Cristo (1964) account will be analyzed from the perspective of death. In this sense, the previous aspect will be taken as knowledge related to the oral popular tradition, evoked in the dialogues of the characters and the plot development. Likewise, the function of orality will be highlighted, a prominent issue in the author's book due to its ability to articulate different themes, including the particular ritual nature of death seen from the Andean perspective. For our purposes, the stories “El tuco y la paloma” and “El desconocido” will be examined.
publishDate 2022
dc.date.none.fl_str_mv 2022-02-15
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://www.metaforarevista.com/index.php/meta/article/view/210
10.36286/mrlad.v3i6.110
url https://www.metaforarevista.com/index.php/meta/article/view/210
identifier_str_mv 10.36286/mrlad.v3i6.110
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://www.metaforarevista.com/index.php/meta/article/view/210/169
dc.rights.none.fl_str_mv Derechos de autor 2022 Jonathan Mostacero Castillo
http://creativecommons.org/licenses/by-nc/4.0
rights_invalid_str_mv Derechos de autor 2022 Jonathan Mostacero Castillo
http://creativecommons.org/licenses/by-nc/4.0
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Asociación Peruana de Retórica
publisher.none.fl_str_mv Asociación Peruana de Retórica
dc.source.none.fl_str_mv METÁFORA REVISTA DE LITERATURA Y ANÁLISIS DEL DISCURSO; Vol. 4 Núm. 8 (2022)
2617-4839
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 13.95948
ORALITY AND PRESENCE OF DEATH IN TAITA CRISTO (1964) BY ELEODORO VARGAS VICUÑA
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