Two «inventions»: The Christ of help by Martínez Montañés and the Philip IV on horseback. Origins and architectonic effects during their diffussion in Lima
Descripción del Articulo
In the following essay, two masterpieces by Juan Martínez Montañés (1568-1649) are analysed: his famous sculpture of the Crucified (1603), which was destined for a retable at the church of Our Lady of Mercy in Lima and whose original pictorical version (already recuperated) gave origin to an engravi...
| Autor: | |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2019 |
| Institución: | Universidad Nacional de Ingeniería |
| Repositorio: | Revista UNI - Devenir |
| Lenguaje: | español inglés |
| OAI Identifier: | oai:oai:revistas.uni.edu.pe:article/742 |
| Enlace del recurso: | http://www.revistas.uni.edu.pe/index.php/devenir/article/view/742 |
| Nivel de acceso: | acceso abierto |
| Materia: | Lima iconografía manierismo Barroco |
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oai:oai:revistas.uni.edu.pe:article/742 |
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2616-4949 |
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Revista UNI - Devenir |
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Two «inventions»: The Christ of help by Martínez Montañés and the Philip IV on horseback. Origins and architectonic effects during their diffussion in LimaDos «invenciones»: Cristo del Auxilio de Martínez Montañés y el Felipe IV a caballo. Orígenes y eco arquitectónico de su difusión en Lima Mattos-Cárdenas, LeonardoLimaiconografíamanierismoBarrocoIn the following essay, two masterpieces by Juan Martínez Montañés (1568-1649) are analysed: his famous sculpture of the Crucified (1603), which was destined for a retable at the church of Our Lady of Mercy in Lima and whose original pictorical version (already recuperated) gave origin to an engraving (1739), and his partial contribution to the Philip IV on horseback; confronting the iconographic fortune of both “inventions” and their little-known presence in the urban scenery of Lima.En el presente ensayo se analizan dos obras relacionadas con Juan Martínez Montañés (1568-1649): su famosa escultura del Crucificado (1603) que fuera destinada a un retablo de la iglesia de Nuestra Señora de la Merced en Lima y cuya estructura original en su versión pictórica (hoy recuperada) dio origen a un grabado (1739), y la parcial contribución del Montañés al Felipe IV a caballo; confrontando la fortuna iconográfica de ambas «invenciones» y su poco conocida presencia en el escenario urbano de la ciudad de Lima.Editorial de la Facultad de Arquitectura, Urbanismo y Artes de la Universidad Nacional de Ingeniería2019-10-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlaudio/mpegaudio/mpeghttp://www.revistas.uni.edu.pe/index.php/devenir/article/view/74210.21754/devenir.v6i12.742Devenir - Journal of studies on built heritage; Vol 6 No 12 (2019); 27-46Devenir - Revista de estudios sobre patrimonio edificado; Vol. 6 Núm. 12 (2019); 27-462616-49492312-7562reponame:Revista UNI - Devenirinstname:Universidad Nacional de Ingenieríainstacron:UNIspaenghttp://www.revistas.uni.edu.pe/index.php/devenir/article/view/742/1159http://www.revistas.uni.edu.pe/index.php/devenir/article/view/742/1196http://www.revistas.uni.edu.pe/index.php/devenir/article/view/742/1160http://www.revistas.uni.edu.pe/index.php/devenir/article/view/742/1161Derechos de autor 2019 Devenir - Revista de estudios sobre patrimonio edificadohttps://creativecommons.org/licenses/by/4.0/deed.esinfo:eu-repo/semantics/openAccess2021-02-18T15:42:03Zmail@mail.com - |
| dc.title.none.fl_str_mv |
Two «inventions»: The Christ of help by Martínez Montañés and the Philip IV on horseback. Origins and architectonic effects during their diffussion in Lima Dos «invenciones»: Cristo del Auxilio de Martínez Montañés y el Felipe IV a caballo. Orígenes y eco arquitectónico de su difusión en Lima |
| title |
Two «inventions»: The Christ of help by Martínez Montañés and the Philip IV on horseback. Origins and architectonic effects during their diffussion in Lima |
| spellingShingle |
Two «inventions»: The Christ of help by Martínez Montañés and the Philip IV on horseback. Origins and architectonic effects during their diffussion in Lima Mattos-Cárdenas, Leonardo Lima iconografía manierismo Barroco |
| title_short |
Two «inventions»: The Christ of help by Martínez Montañés and the Philip IV on horseback. Origins and architectonic effects during their diffussion in Lima |
| title_full |
Two «inventions»: The Christ of help by Martínez Montañés and the Philip IV on horseback. Origins and architectonic effects during their diffussion in Lima |
| title_fullStr |
Two «inventions»: The Christ of help by Martínez Montañés and the Philip IV on horseback. Origins and architectonic effects during their diffussion in Lima |
| title_full_unstemmed |
Two «inventions»: The Christ of help by Martínez Montañés and the Philip IV on horseback. Origins and architectonic effects during their diffussion in Lima |
| title_sort |
Two «inventions»: The Christ of help by Martínez Montañés and the Philip IV on horseback. Origins and architectonic effects during their diffussion in Lima |
| dc.creator.none.fl_str_mv |
Mattos-Cárdenas, Leonardo |
| author |
Mattos-Cárdenas, Leonardo |
| author_facet |
Mattos-Cárdenas, Leonardo |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Lima iconografía manierismo Barroco |
| topic |
Lima iconografía manierismo Barroco |
| dc.description.none.fl_txt_mv |
In the following essay, two masterpieces by Juan Martínez Montañés (1568-1649) are analysed: his famous sculpture of the Crucified (1603), which was destined for a retable at the church of Our Lady of Mercy in Lima and whose original pictorical version (already recuperated) gave origin to an engraving (1739), and his partial contribution to the Philip IV on horseback; confronting the iconographic fortune of both “inventions” and their little-known presence in the urban scenery of Lima. En el presente ensayo se analizan dos obras relacionadas con Juan Martínez Montañés (1568-1649): su famosa escultura del Crucificado (1603) que fuera destinada a un retablo de la iglesia de Nuestra Señora de la Merced en Lima y cuya estructura original en su versión pictórica (hoy recuperada) dio origen a un grabado (1739), y la parcial contribución del Montañés al Felipe IV a caballo; confrontando la fortuna iconográfica de ambas «invenciones» y su poco conocida presencia en el escenario urbano de la ciudad de Lima. |
| description |
In the following essay, two masterpieces by Juan Martínez Montañés (1568-1649) are analysed: his famous sculpture of the Crucified (1603), which was destined for a retable at the church of Our Lady of Mercy in Lima and whose original pictorical version (already recuperated) gave origin to an engraving (1739), and his partial contribution to the Philip IV on horseback; confronting the iconographic fortune of both “inventions” and their little-known presence in the urban scenery of Lima. |
| publishDate |
2019 |
| dc.date.none.fl_str_mv |
2019-10-06 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
http://www.revistas.uni.edu.pe/index.php/devenir/article/view/742 10.21754/devenir.v6i12.742 |
| url |
http://www.revistas.uni.edu.pe/index.php/devenir/article/view/742 |
| identifier_str_mv |
10.21754/devenir.v6i12.742 |
| dc.language.none.fl_str_mv |
spa eng |
| language |
spa eng |
| dc.relation.none.fl_str_mv |
http://www.revistas.uni.edu.pe/index.php/devenir/article/view/742/1159 http://www.revistas.uni.edu.pe/index.php/devenir/article/view/742/1196 http://www.revistas.uni.edu.pe/index.php/devenir/article/view/742/1160 http://www.revistas.uni.edu.pe/index.php/devenir/article/view/742/1161 |
| dc.rights.none.fl_str_mv |
Derechos de autor 2019 Devenir - Revista de estudios sobre patrimonio edificado https://creativecommons.org/licenses/by/4.0/deed.es info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Derechos de autor 2019 Devenir - Revista de estudios sobre patrimonio edificado https://creativecommons.org/licenses/by/4.0/deed.es |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf text/html audio/mpeg audio/mpeg |
| dc.publisher.none.fl_str_mv |
Editorial de la Facultad de Arquitectura, Urbanismo y Artes de la Universidad Nacional de Ingeniería |
| publisher.none.fl_str_mv |
Editorial de la Facultad de Arquitectura, Urbanismo y Artes de la Universidad Nacional de Ingeniería |
| dc.source.none.fl_str_mv |
Devenir - Journal of studies on built heritage; Vol 6 No 12 (2019); 27-46 Devenir - Revista de estudios sobre patrimonio edificado; Vol. 6 Núm. 12 (2019); 27-46 2616-4949 2312-7562 reponame:Revista UNI - Devenir instname:Universidad Nacional de Ingeniería instacron:UNI |
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Universidad Nacional de Ingeniería |
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UNI |
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UNI |
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mail@mail.com |
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13.9587555 |
Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
