“Es cosa del dinero, siempre del dinero”. Exclusión social, agencia femenina y vínculos familiares en Las maravillas de Elena Medel

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The article proposes that Las maravillas (2020), by Elena Medel, shows the double social exclusion to which working women in Spain have been subjected, not only because of their status as women, but because they are poor. Likewise, it is desired to demonstrate that Medel's text puts on stage th...

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Detalles Bibliográficos
Autor: Loayza, Richard Ángelo Leonardo
Formato: artículo
Fecha de Publicación:2022
Institución:Universidad Peruana de Ciencias Aplicadas
Repositorio:UPC-Institucional
Lenguaje:español
OAI Identifier:oai:repositorioacademico.upc.edu.pe:10757/668790
Enlace del recurso:https://doi.org/10.24197/sxxi.20.2022.35-60
http://hdl.handle.net/10757/668790
Nivel de acceso:acceso abierto
Materia:Elena Medel
Las maravillas
social exclusion; female agency; family ties
https://purl.org/pe-repo/ocde/ford#1.00.00
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spelling 70039f98c0375c8333ef5f9363e94756300Loayza, Richard Ángelo Leonardo2023-09-27T15:45:47Z2023-09-27T15:45:47Z2022-11-01https://doi.org/10.24197/sxxi.20.2022.35-60http://hdl.handle.net/10757/66879021727457Siglo XXI, Literatura y Cultura Espanolas2-s2.0-85148521529SCOPUS_ID:85148521529The article proposes that Las maravillas (2020), by Elena Medel, shows the double social exclusion to which working women in Spain have been subjected, not only because of their status as women, but because they are poor. Likewise, it is desired to demonstrate that Medel's text puts on stage the ability of this social group to reflect on its precarious situation, organize itself and face said exclusion, all thanks to the emergence of female agency. Finally, the novel also affects the permeability of these women's family ties, which are redefined by the social class to which they belong.spaUniversidad de Valladolidinfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Elena MedelLas maravillassocial exclusion; female agency; family tieshttps://purl.org/pe-repo/ocde/ford#1.00.00“Es cosa del dinero, siempre del dinero”. Exclusión social, agencia femenina y vínculos familiares en Las maravillas de Elena Medel"It's about money, always about money." Social exclusion, female agency and family ties in Las maravillas, by Elena Medelinfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a135Siglo XXI, Literatura y Cultura Espanolas203560reponame:UPC-Institucionalinstname:Universidad Peruana de Ciencias Aplicadasinstacron:UPC2023-09-27T15:45:48ZPublicationTEXT6293-Texto del artículo-16561-1-10-20221011.pdf.txt6293-Texto del artículo-16561-1-10-20221011.pdf.txtExtracted texttext/plain68316https://upc.dspace7.openrepository.com/bitstreams/51037134-1c27-58c6-aae3-f045d5669ed6/downloadf018623e9f55a5c05ebda11f86103080MD54THUMBNAIL6293-Texto del artículo-16561-1-10-20221011.pdf.jpg6293-Texto del artículo-16561-1-10-20221011.pdf.jpgGenerated Thumbnailimage/jpeg79382https://upc.dspace7.openrepository.com/bitstreams/6fd070f4-7c2a-59a2-aac8-23d8ecfb6b8d/downloadd3f55f4687da0002b58f93c8c937df84MD55CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-81031https://upc.dspace7.openrepository.com/bitstreams/32d1fdc7-487a-5819-a2bb-4639878e8838/download934f4ca17e109e0a05eaeaba504d7ce4MD52ORIGINAL6293-Texto del artículo-16561-1-10-20221011.pdf6293-Texto del artículo-16561-1-10-20221011.pdfapplication/pdf447374https://upc.dspace7.openrepository.com/bitstreams/74e80c62-1559-5fa7-9095-53fcfc75dd9d/download993f7c23f9f21f9fb5f35672a5f7aab1MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81748https://upc.dspace7.openrepository.com/bitstreams/4a508f8e-736a-5c7e-84a2-195140957b13/download8a4605be74aa9ea9d79846c1fba20a33MD5310757/668790oai:upc.dspace7.openrepository.com:10757/6687902026-02-17 17:39:54.281http://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccessopen.accesshttps://upc.dspace7.openrepository.comRepositorio académico upcrepositorioacademico@upc.edu.pe
dc.title.es_PE.fl_str_mv “Es cosa del dinero, siempre del dinero”. Exclusión social, agencia femenina y vínculos familiares en Las maravillas de Elena Medel
dc.title.alternative.es_PE.fl_str_mv "It's about money, always about money." Social exclusion, female agency and family ties in Las maravillas, by Elena Medel
title “Es cosa del dinero, siempre del dinero”. Exclusión social, agencia femenina y vínculos familiares en Las maravillas de Elena Medel
spellingShingle “Es cosa del dinero, siempre del dinero”. Exclusión social, agencia femenina y vínculos familiares en Las maravillas de Elena Medel
Loayza, Richard Ángelo Leonardo
Elena Medel
Las maravillas
social exclusion; female agency; family ties
https://purl.org/pe-repo/ocde/ford#1.00.00
title_short “Es cosa del dinero, siempre del dinero”. Exclusión social, agencia femenina y vínculos familiares en Las maravillas de Elena Medel
title_full “Es cosa del dinero, siempre del dinero”. Exclusión social, agencia femenina y vínculos familiares en Las maravillas de Elena Medel
title_fullStr “Es cosa del dinero, siempre del dinero”. Exclusión social, agencia femenina y vínculos familiares en Las maravillas de Elena Medel
title_full_unstemmed “Es cosa del dinero, siempre del dinero”. Exclusión social, agencia femenina y vínculos familiares en Las maravillas de Elena Medel
title_sort “Es cosa del dinero, siempre del dinero”. Exclusión social, agencia femenina y vínculos familiares en Las maravillas de Elena Medel
author Loayza, Richard Ángelo Leonardo
author_facet Loayza, Richard Ángelo Leonardo
author_role author
dc.contributor.author.fl_str_mv Loayza, Richard Ángelo Leonardo
dc.subject.es_PE.fl_str_mv Elena Medel
Las maravillas
social exclusion; female agency; family ties
topic Elena Medel
Las maravillas
social exclusion; female agency; family ties
https://purl.org/pe-repo/ocde/ford#1.00.00
dc.subject.ocde.none.fl_str_mv https://purl.org/pe-repo/ocde/ford#1.00.00
description The article proposes that Las maravillas (2020), by Elena Medel, shows the double social exclusion to which working women in Spain have been subjected, not only because of their status as women, but because they are poor. Likewise, it is desired to demonstrate that Medel's text puts on stage the ability of this social group to reflect on its precarious situation, organize itself and face said exclusion, all thanks to the emergence of female agency. Finally, the novel also affects the permeability of these women's family ties, which are redefined by the social class to which they belong.
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