Three artistic components Antabamba’s huaylía: Prose, Elegance and Gallantry
Descripción del Articulo
This work has the purpose of determining whether the Huaylía is an expression of cultural resistance in the province of Antabamba. Knowing the culture of the Huaylia in Antabamba reinforces the national identity of the Apurímac region, since by not having a written memory about its past, its events...
| Autor: | |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2020 |
| Institución: | Universidad Nacional Micaela Bastidas de Apurímac |
| Repositorio: | UNAMBA-Institucional |
| Lenguaje: | español |
| OAI Identifier: | oai:null:20.500.14195/1368 |
| Enlace del recurso: | https://hdl.handle.net/20.500.14195/1368 |
| Nivel de acceso: | acceso abierto |
| Materia: | Huaylía Cultural resistance Art Identity https://purl.org/pe-repo/ocde/ford#6.04.05 |
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Three artistic components Antabamba’s huaylía: Prose, Elegance and Gallantry |
| title |
Three artistic components Antabamba’s huaylía: Prose, Elegance and Gallantry |
| spellingShingle |
Three artistic components Antabamba’s huaylía: Prose, Elegance and Gallantry Sumi Arapa, Alfredo Huaylía Cultural resistance Art Identity https://purl.org/pe-repo/ocde/ford#6.04.05 |
| title_short |
Three artistic components Antabamba’s huaylía: Prose, Elegance and Gallantry |
| title_full |
Three artistic components Antabamba’s huaylía: Prose, Elegance and Gallantry |
| title_fullStr |
Three artistic components Antabamba’s huaylía: Prose, Elegance and Gallantry |
| title_full_unstemmed |
Three artistic components Antabamba’s huaylía: Prose, Elegance and Gallantry |
| title_sort |
Three artistic components Antabamba’s huaylía: Prose, Elegance and Gallantry |
| author |
Sumi Arapa, Alfredo |
| author_facet |
Sumi Arapa, Alfredo |
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author |
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Sumi Arapa, Alfredo |
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Huaylía Cultural resistance Art Identity |
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Huaylía Cultural resistance Art Identity https://purl.org/pe-repo/ocde/ford#6.04.05 |
| dc.subject.ocde.none.fl_str_mv |
https://purl.org/pe-repo/ocde/ford#6.04.05 |
| description |
This work has the purpose of determining whether the Huaylía is an expression of cultural resistance in the province of Antabamba. Knowing the culture of the Huaylia in Antabamba reinforces the national identity of the Apurímac region, since by not having a written memory about its past, its events and its daily life have been expressed in the dances. This research is basic in nature and the nature of the study explains the causes of its living presence in the province of Antabamba. The sample was made up of the waylía groups of Antabamba, the mayordomos of the year 2018 and 2019. The main result is the corroboration of the validity of many original cultural manifestations in Antabamba, the Mayura cultural stamp, the Huaylía. The latter is present in all its districts, with various peculiar characteristics of each district space. And it has three artistic components, the song or "prose", Costume or "elegance", the dance or "gallantry" |
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2020 |
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2025-11-07T16:24:17Z |
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2025-11-07T16:24:17Z |
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2020-03-20 |
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2709-8990 |
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https://hdl.handle.net/20.500.14195/1368 |
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Sumi Arapa, Alfredo2025-11-07T16:24:17Z2025-11-07T16:24:17Z2020-03-20IEEE2709-8990https://hdl.handle.net/20.500.14195/1368This work has the purpose of determining whether the Huaylía is an expression of cultural resistance in the province of Antabamba. Knowing the culture of the Huaylia in Antabamba reinforces the national identity of the Apurímac region, since by not having a written memory about its past, its events and its daily life have been expressed in the dances. This research is basic in nature and the nature of the study explains the causes of its living presence in the province of Antabamba. The sample was made up of the waylía groups of Antabamba, the mayordomos of the year 2018 and 2019. The main result is the corroboration of the validity of many original cultural manifestations in Antabamba, the Mayura cultural stamp, the Huaylía. The latter is present in all its districts, with various peculiar characteristics of each district space. And it has three artistic components, the song or "prose", Costume or "elegance", the dance or "gallantry"application/pdfspaUniversidad Nacional Micaela Bastidas de ApurímacPEinfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/3.0/us/HuaylíaCultural resistanceArtIdentityhttps://purl.org/pe-repo/ocde/ford#6.04.05Three artistic components Antabamba’s huaylía: Prose, Elegance and Gallantryinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionreponame:UNAMBA-Institucionalinstname:Universidad Nacional Micaela Bastidas de Apurímacinstacron:UNAMBAORIGINALA-Sumi-Arapa-Alfredo.pdfA-Sumi-Arapa-Alfredo.pdfapplication/pdf469447https://repositorio.unamba.edu.pe/bitstreams/7de1868b-ba2a-4007-9382-13198cc6d1db/downloadb840677ae38a1760ce5be59d3899de92MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-81748https://repositorio.unamba.edu.pe/bitstreams/5d44988d-e887-4211-b67a-12cb901828de/downloadbb9bdc0b3349e4284e09149f943790b4MD52TEXTA-Sumi-Arapa-Alfredo.pdf.txtA-Sumi-Arapa-Alfredo.pdf.txtExtracted texttext/plain15534https://repositorio.unamba.edu.pe/bitstreams/3a1ff12b-9fc0-4f9f-8e31-ca84ca797ad0/download9d8eaa6a44762df08673843c8ddf76b5MD53THUMBNAILA-Sumi-Arapa-Alfredo.pdf.jpgA-Sumi-Arapa-Alfredo.pdf.jpgGenerated Thumbnailimage/jpeg5906https://repositorio.unamba.edu.pe/bitstreams/4ce687b6-c0de-4235-b56f-04a3ed16306f/download6402008fd4400320f717b62013719744MD5420.500.14195/1368oai:repositorio.unamba.edu.pe:20.500.14195/13682025-11-12 20:40:39.076http://creativecommons.org/licenses/by-nc-nd/3.0/us/info:eu-repo/semantics/openAccessopen.accesshttps://repositorio.unamba.edu.peRepositorio UNAMBArepositorio@unamba.edu.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 |
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