Cantovivência y sus manifestaciones artísticas

• Autor: Gonçalves Villanova, Victoria Cristina
• Formato: artículo
• Fecha de Publicación: 2021
• Institución: Pontificia Universidad Católica del Perú
• Repositorio: PUCP-Institucional
• Lenguaje: portugués
• OAI Identifier: oai:repositorio.pucp.edu.pe:20.500.14657/186242
• Enlace del recurso: https://revistas.pucp.edu.pe/index.php/conexion/article/view/24049/22845; https://revistas.pucp.edu.pe/index.php/conexion/article/view/24049/22858; https://doi.org/10.18800/conexion.202101.001
• Nivel de acceso: acceso abierto
• Materia: cantovivência; songs; Afrodiaspora; resistance; Cantovivência; canções; afro-diáspora; resistência; Canciones; Resistencia; https://purl.org/pe-repo/ocde/ford#5.09.01

The article aims at the beginning of a consolidation of the cantovivência concept and the development of its uses. It is a word created during monographic writing and which has been cited as a possibility of representation and configuration of what is the interpretation of a black life, in this case having as analysis the interpretation of songs, which at times can be called protest songs. The objective is to demonstrate a constant and secular struggle that racialized people fight against white, heteronormative, racist and sexist supremacy. This struggle is represented by their black, afrodis-poric, resistant and artistic bodies. The living and singing of black and brown lives are political.