La unión de los intelectos como creación en el Periphyseon de Eriúgena

Descripción del Articulo

This paper analyses Eriugena’s frequent use of a simile in his Periphyseon to illustrate the nature of the manifestation of divine nature. Just as God, causa omnium, manifests Himself in his effects, the human intellect, in order to express itself, manifests itself in certain forms and signs that ma...

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Detalles Bibliográficos
Autor: Ludueña, Ezequiel
Formato: artículo
Fecha de Publicación:2025
Institución:Pontificia Universidad Católica del Perú
Repositorio:PUCP-Institucional
Lenguaje:español
OAI Identifier:oai:repositorio.pucp.edu.pe:20.500.14657/204018
Enlace del recurso:https://revistas.pucp.edu.pe/index.php/arete/article/view/31765/27816
http://hdl.handle.net/20.500.14657/204018
https://doi.org/10.18800/arete.202501.011
Nivel de acceso:acceso abierto
Materia:Expression
Other
Processio
Reditus
Creation
Expresión
Otro
Creación
https://purl.org/pe-repo/ocde/ford#6.03.01
Descripción
Sumario:This paper analyses Eriugena’s frequent use of a simile in his Periphyseon to illustrate the nature of the manifestation of divine nature. Just as God, causa omnium, manifests Himself in his effects, the human intellect, in order to express itself, manifests itself in certain forms and signs that make it possible for it to be understood by other intellects. Although the simile seeks to illustrate the paradox of theophany – the fact that God, while revealing Himself, remains hidden –, the analysis of the image demonstrates the importance of the figure of the other for both human intellect and divinity, since, dialectically, this other enables us, in a certain way – the only possible one – to recognize ourselves.
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