Mujer, tierra y territorio en el arte peruano contemporáneo: "Madre nuestra" (2018), de Luz Letts

Descripción del Articulo

Art as a discursive essence can become a means of reflection on our social reality. Madre Nuestra, by the plastic artist Luz Letts (2018), is an example of this, as this work represents an all-powerful woman who sustains the nation and questions gender stereotypes and violence against women in Peru....

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Detalles Bibliográficos
Autor: Vergara, Nataly
Formato: artículo
Fecha de Publicación:2023
Institución:Pontificia Universidad Católica del Perú
Repositorio:PUCP-Institucional
Lenguaje:español
OAI Identifier:oai:repositorio.pucp.edu.pe:20.500.14657/196672
Enlace del recurso:https://revistas.pucp.edu.pe/index.php/conexion/article/view/27743/25789
https://doi.org/10.18800/conexion.202302.002
Nivel de acceso:acceso abierto
Materia:Ecofeminism
Ecoterritorial
Feminism
Contemporary art
Peru
Luz Letts
Ecofeminismo
Feminismo
Arte contemporáneo
Perú
https://purl.org/pe-repo/ocde/ford#5.09.01
Descripción
Sumario:Art as a discursive essence can become a means of reflection on our social reality. Madre Nuestra, by the plastic artist Luz Letts (2018), is an example of this, as this work represents an all-powerful woman who sustains the nation and questions gender stereotypes and violence against women in Peru. In turn, she realizes the powerful relationship of this with the land and territory, and it motivates us to think about the mutual support between women to fight the domination towards the female body and towards the natural world. Thus, it proposes the creation of a female collective identity as a force of the nation, a community defense of land and territory in the process of building a more just society. Finally, it outlines the need to rethink our country with an ecoterritorial and ecofeminist twist.
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