Célula madre: narraciones para nuevas transformaciones
Descripción del Articulo
Are geological ages, those that define the world, just a series of palimpsests? The writings over the writings made out of sediments… If so, I can rewrite spaces, turn them into something more queer, more abstract, that could allow other types or relations to be with the world. It takes months to co...
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| Formato: | objeto de conferencia |
| Fecha de Publicación: | 2024 |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | PUCP-Institucional |
| Lenguaje: | español |
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| Materia: | Naturaleza Cultura Cuir Narraciones Instalación Land Art https://purl.org/pe-repo/ocde/ford#6.04.01 |
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Célula madre: narraciones para nuevas transformaciones |
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Stem cell: Storytelling for new terraformations |
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Célula madre: narraciones para nuevas transformaciones |
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Célula madre: narraciones para nuevas transformaciones Blanco, Daniel R. Naturaleza Cultura Cuir Narraciones Instalación Land Art https://purl.org/pe-repo/ocde/ford#6.04.01 |
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Célula madre: narraciones para nuevas transformaciones |
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Célula madre: narraciones para nuevas transformaciones |
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Célula madre: narraciones para nuevas transformaciones |
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Célula madre: narraciones para nuevas transformaciones |
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Célula madre: narraciones para nuevas transformaciones |
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Blanco, Daniel R. |
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Blanco, Daniel R. |
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author |
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Pontificia Universidad Católica del Perú |
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Blanco, Daniel R. |
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Naturaleza Cultura Cuir Narraciones Instalación Land Art |
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Naturaleza Cultura Cuir Narraciones Instalación Land Art https://purl.org/pe-repo/ocde/ford#6.04.01 |
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https://purl.org/pe-repo/ocde/ford#6.04.01 |
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Are geological ages, those that define the world, just a series of palimpsests? The writings over the writings made out of sediments… If so, I can rewrite spaces, turn them into something more queer, more abstract, that could allow other types or relations to be with the world. It takes months to collect as many branches to be able to weave a mountain. And I began to feel that I understood the time of the trees. Those dead branches, that had been written as “dead” from a human point of view, I can name them “new lives”, make a collaboration with them to create a new sort of landscape, one that redefines the binaries that have been dominating the world, to allow for the creation of new and different spaces. I can make a mountain that traces some sort of coordinates of a world constructed from a collaboration between culture and nature. A mountain that, perhaps, in the centuries to come, will be covered by sediments that will follow the structure of the dead branches, to create artificial landscapes. Perhaps this is a space in which, finally, queer identities (those that had been classified as anti-natural), and the same nature (that also has been forced into binary categories), can reconcile. This project, which is in itself a hybrid project that encompasses an art installation, land art, and a novel, in which different creative processes that think the ways in which the world is narrated can interconnect, looks to find new ways of storytelling, and in doing so, new ways of inhabiting the territory, the space, and new ways of giving other kinds of lives and other types of spaces the possibility to exist. |
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Setiembre, 2022 |
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4 Laboratorio de Proyectos de Arte y Diseño |
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Lima, Perú |
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Blanco, Daniel R.Pontificia Universidad Católica del Perú2024-11-04T21:41:02Z2024-11-04T21:41:02Z2024https://repositorio.pucp.edu.pe/index/handle/123456789/202647Are geological ages, those that define the world, just a series of palimpsests? The writings over the writings made out of sediments… If so, I can rewrite spaces, turn them into something more queer, more abstract, that could allow other types or relations to be with the world. It takes months to collect as many branches to be able to weave a mountain. And I began to feel that I understood the time of the trees. Those dead branches, that had been written as “dead” from a human point of view, I can name them “new lives”, make a collaboration with them to create a new sort of landscape, one that redefines the binaries that have been dominating the world, to allow for the creation of new and different spaces. I can make a mountain that traces some sort of coordinates of a world constructed from a collaboration between culture and nature. A mountain that, perhaps, in the centuries to come, will be covered by sediments that will follow the structure of the dead branches, to create artificial landscapes. Perhaps this is a space in which, finally, queer identities (those that had been classified as anti-natural), and the same nature (that also has been forced into binary categories), can reconcile. This project, which is in itself a hybrid project that encompasses an art installation, land art, and a novel, in which different creative processes that think the ways in which the world is narrated can interconnect, looks to find new ways of storytelling, and in doing so, new ways of inhabiting the territory, the space, and new ways of giving other kinds of lives and other types of spaces the possibility to exist.¿Son las épocas geológicas que definen el mundo una serie de palimpsestos? La escritura sobre la escritura hecha de sedimentos… Puedo entonces reescribir el espacio, volverlo algo más cuir, más ambiguo, que permita otras relaciones para estar con el mundo. Toma meses recolectar tantas ramas para poder tejer una montaña. Y une siente que comienza a entender el tiempo de los árboles. Las ramas caídas, las que se han escrito como «muertas» desde lo humano, puedo nombrarlas «nuevas vidas», hacer una colaboración con ellas para crear un nuevo paisaje que redefina los binarios que dominaban el mundo y formar espacios distintos, diferentes. Una montaña que trace una suerte de coordenada de un mundo construido desde una colaboración entre la cultura y lo natural. Una montaña que, de pronto, en siglos, los sedimentos de la tierra la cubran siguiendo las coordenadas de ese mapa de ramas muertas para crear paisajes artificiales. De pronto, un espacio donde finalmente lo cuir (que se ha clasificado como algo «antinatural») y la naturaleza misma (que también ha sido forzada en categorías binarias) puedan reconciliarse. Este es un proyecto híbrido entre una instalación artística, land art, y una novela, interconectando distintos procesos creativos que piensan las formas de narrar el mundo, busca encontrar nuevas formas de narrar y, al hacerlo, habitar el territorio y el espacio, y darle posibilidad a otras vidas y otros espacios de poder existir.spaPontificia Universidad Católica del PerúPEurn:isbn:978-612-49793-0-9Setiembre, 20224 Laboratorio de Proyectos de Arte y DiseñoLima, Perúinfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by/2.5/pe/NaturalezaCulturaCuirNarracionesInstalaciónLand Arthttps://purl.org/pe-repo/ocde/ford#6.04.01Célula madre: narraciones para nuevas transformacionesStem cell: Storytelling for new terraformationsinfo:eu-repo/semantics/conferenceObjectCongresoreponame:PUCP-Institucionalinstname:Pontificia Universidad Católica del Perúinstacron:PUCPORIGINAL2-INTERNACIONAL_17-BLANCO.pdf2-INTERNACIONAL_17-BLANCO.pdfTexto completoapplication/pdf5100587https://repositorio.pucp.edu.pe/bitstreams/85ea785b-f521-4de3-b5d1-f24eec622e38/download82c4184f143e141740558e643eff6569MD53trueAnonymousREADTHUMBNAIL2_INTERNACIONAL_18-BLANCO.pdf.jpg2_INTERNACIONAL_18-BLANCO.pdf.jpgIM Thumbnailimage/jpeg59527https://repositorio.pucp.edu.pe/bitstreams/2f88ff9c-2736-45b9-911c-f789dad66a08/downloada0505e7f183d2700eda16f06197f55eeMD52falseAnonymousREADTEXT2-INTERNACIONAL_17-BLANCO.pdf.txt2-INTERNACIONAL_17-BLANCO.pdf.txtExtracted texttext/plain13933https://repositorio.pucp.edu.pe/bitstreams/f2876272-d355-4386-a1e2-7bde743f34c9/download6e056ea2bb89ddb0c8de6524b03d38d5MD54falseAnonymousREAD20.500.14657/202647oai:repositorio.pucp.edu.pe:20.500.14657/2026472025-03-26 00:23:47.204http://creativecommons.org/licenses/by/2.5/pe/info:eu-repo/semantics/openAccessopen.accesshttps://repositorio.pucp.edu.peRepositorio Institucional de la PUCPrepositorio@pucp.pe |
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