Subordinación y agencia: el personaje principal de la película Juliana

Descripción del Articulo

This essay intersectionally analyzes the main character of the film Juliana (1989) in order to highlight the marginal space that frames her and in which she essentially moves, as well as the space where the relations of power and subordination that condition her in the face of the male figure, deman...

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Detalles Bibliográficos
Autor: Morales Polar, Martha
Formato: artículo
Fecha de Publicación:2023
Institución:Pontificia Universidad Católica del Perú
Repositorio:PUCP-Institucional
Lenguaje:español
OAI Identifier:oai:repositorio.pucp.edu.pe:20.500.14657/199282
Enlace del recurso:https://revistas.pucp.edu.pe/index.php/croma/article/view/28068/26041
https://doi.org/10.18800/croma.202301.002
Nivel de acceso:acceso abierto
Materia:Agency
Intersectional analysis
Class
Gender
Juliana
Race
Agencia
Análisis interseccional
Clase
Género
Raza
https://purl.org/pe-repo/ocde/ford#6.04.01
Descripción
Sumario:This essay intersectionally analyzes the main character of the film Juliana (1989) in order to highlight the marginal space that frames her and in which she essentially moves, as well as the space where the relations of power and subordination that condition her in the face of the male figure, demanding that he accept submission as a maternal inheritance. It is recalled how race and social class are superimposed on these factors, thus creating simultaneous subordinations. However, it is argued that despite these multiple layers of oppression, Juliana resists and develops an agency that places her in a constant position of questioning, allowing her to challenge the established order.
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