Materiality and formal possibilities in religious buildings of the 20th century. The Ronchamp Chapel and the Cathedral of Brasilia

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Religious buildings are the manifestations that people have built to express their faith. Over time, they leave behind works that show us their beliefs and values regarding the knowledge of a higher being. In these buildings we can analyze their meaning, the references they use for their design deve...

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Detalles Bibliográficos
Autor: Villamón, Juan
Formato: artículo
Fecha de Publicación:2024
Institución:Universidad Ricardo Palma
Repositorio:Revistas - Universidad Ricardo Palma
Lenguaje:español
OAI Identifier:oai:oai.revistas.urp.edu.pe:article/7060
Enlace del recurso:http://revistas.urp.edu.pe/index.php/Arquitextos/article/view/7060
Nivel de acceso:acceso abierto
Materia:religious architecture
materiality
reinforced concrete
Le Corbusier
Oscar Niemeyer
arquitectura religiosa
materialidad
concreto armado
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network_name_str Revistas - Universidad Ricardo Palma
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spelling Materiality and formal possibilities in religious buildings of the 20th century. The Ronchamp Chapel and the Cathedral of BrasiliaMaterialidad y posibilidades formales en edificios religiosos del siglo XX. La Capilla de Ronchamp y la Catedral de BrasiliaVillamón, Juanreligious architecturematerialityreinforced concreteLe CorbusierOscar Niemeyerarquitectura religiosamaterialidadconcreto armadoLe CorbusierOscar NiemeyerReligious buildings are the manifestations that people have built to express their faith. Over time, they leave behind works that show us their beliefs and values regarding the knowledge of a higher being. In these buildings we can analyze their meaning, the references they use for their design development and how they are materialized. We chose as examples from the 20th century Le Corbusier with the Ronchamp chapel and Oscar Niemeyer with the Brasilia cathedral, both made of reinforced concrete. Each one, in their own way, reveals their thoughts (not necessarily religious) regarding faith, peace and contemplation.Los edificios religiosos son las manifestaciones que los pueblos han construido para expresar su fe, dejando a lo largo del tiempo obras que nos muestran sus creencias y valores respecto al conocimiento de un ser superior. En estos edificios podemos analizar su significado, las referencias que utilizan para su desarrollo proyectual y cómo se materializan. Escogimos como ejemplos del siglo XX a Le Corbusier con la Capilla de Ronchamp y a Oscar Niemeyer con la Catedral de Brasilia, ambos de concreto armado. Cada uno, a su manera, da a conocer sus pensamientos (no necesariamente religiosos) respecto a la fe, la paz y la contemplación.Universidad Ricardo Palma2024-12-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://revistas.urp.edu.pe/index.php/Arquitextos/article/view/706010.31381/arquitextos39.7060Arquitextos; Núm. 39 (31): Enero - Diciembre 20241819-293910.31381/arquitextos.39reponame:Revistas - Universidad Ricardo Palmainstname:Universidad Ricardo Palmainstacron:URPspahttp://revistas.urp.edu.pe/index.php/Arquitextos/article/view/7060/11246Derechos de autor 2024 Arquitextosinfo:eu-repo/semantics/openAccessoai:oai.revistas.urp.edu.pe:article/70602024-12-13T21:02:17Z
dc.title.none.fl_str_mv Materiality and formal possibilities in religious buildings of the 20th century. The Ronchamp Chapel and the Cathedral of Brasilia
Materialidad y posibilidades formales en edificios religiosos del siglo XX. La Capilla de Ronchamp y la Catedral de Brasilia
title Materiality and formal possibilities in religious buildings of the 20th century. The Ronchamp Chapel and the Cathedral of Brasilia
spellingShingle Materiality and formal possibilities in religious buildings of the 20th century. The Ronchamp Chapel and the Cathedral of Brasilia
Villamón, Juan
religious architecture
materiality
reinforced concrete
Le Corbusier
Oscar Niemeyer
arquitectura religiosa
materialidad
concreto armado
Le Corbusier
Oscar Niemeyer
title_short Materiality and formal possibilities in religious buildings of the 20th century. The Ronchamp Chapel and the Cathedral of Brasilia
title_full Materiality and formal possibilities in religious buildings of the 20th century. The Ronchamp Chapel and the Cathedral of Brasilia
title_fullStr Materiality and formal possibilities in religious buildings of the 20th century. The Ronchamp Chapel and the Cathedral of Brasilia
title_full_unstemmed Materiality and formal possibilities in religious buildings of the 20th century. The Ronchamp Chapel and the Cathedral of Brasilia
title_sort Materiality and formal possibilities in religious buildings of the 20th century. The Ronchamp Chapel and the Cathedral of Brasilia
dc.creator.none.fl_str_mv Villamón, Juan
author Villamón, Juan
author_facet Villamón, Juan
author_role author
dc.subject.none.fl_str_mv religious architecture
materiality
reinforced concrete
Le Corbusier
Oscar Niemeyer
arquitectura religiosa
materialidad
concreto armado
Le Corbusier
Oscar Niemeyer
topic religious architecture
materiality
reinforced concrete
Le Corbusier
Oscar Niemeyer
arquitectura religiosa
materialidad
concreto armado
Le Corbusier
Oscar Niemeyer
description Religious buildings are the manifestations that people have built to express their faith. Over time, they leave behind works that show us their beliefs and values regarding the knowledge of a higher being. In these buildings we can analyze their meaning, the references they use for their design development and how they are materialized. We chose as examples from the 20th century Le Corbusier with the Ronchamp chapel and Oscar Niemeyer with the Brasilia cathedral, both made of reinforced concrete. Each one, in their own way, reveals their thoughts (not necessarily religious) regarding faith, peace and contemplation.
publishDate 2024
dc.date.none.fl_str_mv 2024-12-13
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://revistas.urp.edu.pe/index.php/Arquitextos/article/view/7060
10.31381/arquitextos39.7060
url http://revistas.urp.edu.pe/index.php/Arquitextos/article/view/7060
identifier_str_mv 10.31381/arquitextos39.7060
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv http://revistas.urp.edu.pe/index.php/Arquitextos/article/view/7060/11246
dc.rights.none.fl_str_mv Derechos de autor 2024 Arquitextos
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Derechos de autor 2024 Arquitextos
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad Ricardo Palma
publisher.none.fl_str_mv Universidad Ricardo Palma
dc.source.none.fl_str_mv Arquitextos; Núm. 39 (31): Enero - Diciembre 2024
1819-2939
10.31381/arquitextos.39
reponame:Revistas - Universidad Ricardo Palma
instname:Universidad Ricardo Palma
instacron:URP
instname_str Universidad Ricardo Palma
instacron_str URP
institution URP
reponame_str Revistas - Universidad Ricardo Palma
collection Revistas - Universidad Ricardo Palma
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 13.897138
Materiality and formal possibilities in religious buildings of the 20th century. The Ronchamp Chapel and the Cathedral of Brasilia
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