Religious spatiality and capitalism in the heritage of the seminary of San Antonio Abad of Cusco

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The present work investigates the influence of capitalism on the religious spatiality of the sacred, manifested in the Seminary of San Antonio Abad in Cusco-Peru. Through a qualitative study with the historiographic method of socio-spatial discourse, the changes in spatial production from the sacred...

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Detalles Bibliográficos
Autor: Salas Velásquez, Víctor Manuel
Formato: artículo
Fecha de Publicación:2023
Institución:Universidad Privada de Tacna
Repositorio:Revistas - Universidad Privada de Tacna
Lenguaje:español
OAI Identifier:oai:revistas.upt.edu.pe:article/850
Enlace del recurso:https://revistas.upt.edu.pe/ojs/index.php/arquitek/article/view/850
Nivel de acceso:acceso abierto
Materia:Seminario
Espacio sagrado
Neoliberalismo
Concesión
Cusco
Perú
Seminar
Sacred space
Neoliberalism
Concession
Peru
Descripción
Sumario:The present work investigates the influence of capitalism on the religious spatiality of the sacred, manifested in the Seminary of San Antonio Abad in Cusco-Peru. Through a qualitative study with the historiographic method of socio-spatial discourse, the changes in spatial production from the sacred to the profane are analyzed. The results show that the Seminary produced a place of religious spatiality in the viceregal period in strict relation to the sacred and the academic-pedagogical, but it suffered transformations as a result of the interrelation of religious and capitalist practices. It concludes by mentioning that the emergence of a new discourse in Catholic doctrine regarding capitalism (liberal and neoliberal) allowed a relationship of religious and private capital through the concession mechanism in the right to use land. In this way, neoliberal entrepreneurialism generated new infrastructure for activities in the hotel industry, but with Cusco's built heritage. This produced, in the urban imagination, the resignification of a place of worship service into a place of tourist service as a hotel.
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