The polyrhythm of González Prada and Juan Parra in the formation of free verse in Peru

• Autor: Lino Salvador, Luis Eduardo
• Formato: artículo
• Fecha de Publicación: 2021
• Institución: Universidad Nacional Mayor de San Marcos
• Repositorio: Revistas - Universidad Nacional Mayor de San Marcos
• Lenguaje: español
• OAI Identifier: oai:ojs.csi.unmsm:article/21222
• Enlace del recurso: https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/21222
• Nivel de acceso: acceso abierto
• Materia: polirritmo; verso libre; poesía peruana; González Prada; Juan Parra del Riego; polyrhythm; free verse; peruvian poetry

This work aims to study the verse called polyrhythm from the reflections and practice developed by Manuel González Prada and Juan Parra del Riego. This practice, in addition, becomes a proposal for alternative verse in the process of formation of the practice of free verse in Peru; thus, both poets adhere to the polyrhythm with full awareness of what its use implies. The theoretical framework on which this work is based is based on Oldrich Belic's modern versology approaches and a descriptive and functional methodology. To achieve the purpose of the work, it is divided into an introduction and two sections. In the first, the ideology of the polyrhythm is studied in the two poet and in the second, a poem by each author is examined to identify their similarities and differences.