Novel fiction and cinematographic fiction in Garabombo, el invisible (1972) by Manuel Scorza

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The article proposes to approach the second novel of The silent war cycle by Manuel Scorza, formulating the hypothesis of a fictional fiction based on real events, but also thought as a cinematographic fiction. The relationship between fictional fiction and cinematographic fiction is notable in the...

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Detalles Bibliográficos
Autor: Lassus, Jean-Marie
Formato: artículo
Fecha de Publicación:2023
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/21925
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/21925
Nivel de acceso:acceso abierto
Materia:novela
cine
memoria
mito
héroe
novel
movies
memory
myth
hero
Descripción
Sumario:The article proposes to approach the second novel of The silent war cycle by Manuel Scorza, formulating the hypothesis of a fictional fiction based on real events, but also thought as a cinematographic fiction. The relationship between fictional fiction and cinematographic fiction is notable in the writing of Garabombo, el invisible and opens up new narrative perspectives for the other novels of an epic cycle whose objective is the future memorization of the heroes in the collective memory.
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