A modern colonial vision of the Andean world. Criollo and Indians in «Amor indígena» by Ventura García Calderón

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This text is part of a series of analyzes inspired by French semiotics. This is a discipline that demands rigor, although at the same time it does not disdain intuition and exploration beyond its borders. It attempts to systematize the representation of the most pregnant stereotypes of Peruvian cult...

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Detalles Bibliográficos
Autor: López Maguiña, Santiago
Formato: artículo
Fecha de Publicación:2019
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:revistasinvestigacion.unmsm.edu.pe:article/16016
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/article/view/16016
Nivel de acceso:acceso abierto
Materia:Peruvian literature; modern; archaic; colonial; creole; indian; dimension of the sensible; narrative of travel; narrative of love; narrative of conquest; semiotics.
literatura peruana; moderno; arcaico; colonial; criollo; indio; dimensión de lo sensible; narrativa de viaje; narrativa amorosa; narrativa de conquista; semiótica.
Descripción
Sumario:This text is part of a series of analyzes inspired by French semiotics. This is a discipline that demands rigor, although at the same time it does not disdain intuition and exploration beyond its borders. It attempts to systematize the representation of the most pregnant stereotypes of Peruvian culture and literature. It seeks to build schemes and as far as possible explanatory models. To begin the project, a story by Ventura García Calderón has been chosen that offers a colonial Creole look of the indigenous. It is a pejorative look, as well as an affirmation of the values of the dominant Peruvian nobleman class, during the first decades of the last century.
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