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Elements of indigenous cultural resistance in a dramatic play for evangelization. T’ikahina of the priest Nemesio Zúñiga Cazorla

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T’ikahina is drama from 1920 (estimated date) written by Nemesio Zuñiga Cazorla a priest of Quechua origin. The play is located in Peru during the Colony and tells the history of a nobel family from Cusco and the conflict between the ancient traditions and the rising chris...

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Detalles Bibliográficos
Autor: Jofré Seguel, Ilsen Alejandra
Formato: artículo
Fecha de Publicación:2019
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/17993
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/revistaLetras/article/view/17993
Nivel de acceso:acceso abierto
Materia:Teatro indígena
Drama incaico
Resistencia cultural
Opción decolonial
Indigenous Teathre
Inca Drama
Cultural Resistance
Decolonial Option
Descripción
Sumario:T’ikahina is drama from 1920 (estimated date) written by Nemesio Zuñiga Cazorla a priest of Quechua origin. The play is located in Peru during the Colony and tells the history of a nobel family from Cusco and the conflict between the ancient traditions and the rising christian culture. As it was done in the Americas since the times of the Conquest, Zuñiga utilizes drama as a bridge to spread out the góspel and includes a variety of elements from the pre-Hispanic culture. The author refers to everyday situations and ritual ceremonies with an outstanding use of a language plenty of poetry, conventional greetings and indigenous origin vocabulary.
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