“Writing it is never ending”: 405 years of readings and silences in a colonial Andean Opera Aperta

Descripción del Articulo

This essay introduces a collection of scholarly contributions, from inside and outside of Peru, to the study of the Andean colonial world. These essays address once again Guaman Poma de Ayala’s chronicle in its 405thanniversary in 2020. Unknown, invisible, mute for almost 300 years, the ladino India...

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Detalles Bibliográficos
Autor: Quispe-Agnoli, Rocío
Formato: artículo
Fecha de Publicación:2020
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/17959
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/revistaLetras/article/view/17959
Nivel de acceso:acceso abierto
Materia:Texto mudo
Texto locuaz
Interdisciplinariedad
Felipe Guaman Poma de Ayala
Obra abierta
Mute text
Talkative text
Interdisciplinarity
Open book
Descripción
Sumario:This essay introduces a collection of scholarly contributions, from inside and outside of Peru, to the study of the Andean colonial world. These essays address once again Guaman Poma de Ayala’s chronicle in its 405thanniversary in 2020. Unknown, invisible, mute for almost 300 years, the ladino Indian’s “letter to the king” reveals itself as a talkative text since its discovery at the Royal Library in Copenhagen, Denmark, at the beginning of the twentieth century. In a bit more than 100 years, Guaman Poma’s work became a talkative text while keeping its enigmatic and cryptic nature. In order to provide a context to the essays that follow, this introduction provides a review of proposed readings related to Guaman Poma’s works in the context of the celebration of its 400th anniversary. It also offers a reflection about the open nature of Guaman Poma area studies.
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