Where are the ghosts?: The invisible as a linguistic signifier

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Lexical semantics argues that, in communication, there is a linguistic code that, when encrypted, allows us to understand how the meanings of a word are structured and act according to its level of arbitrariness. Now, this article deals with the meanings and uses of the word ghost, which is the resu...

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Detalles Bibliográficos
Autor: Suárez, Edgar
Formato: artículo
Fecha de Publicación:2023
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/23107
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/lenguaysociedad/article/view/23107
Nivel de acceso:acceso abierto
Materia:fantasma
semántica léxica
psicoanálisis
semiótica
pragmática
terminología teórica
historia del arte
ghost
lexical semantics
psychoanalysis
semiotics
pragmatics
theoretical terminology
art history
semântica lexical
psicanálise
terminologia teórica
Descripción
Sumario:Lexical semantics argues that, in communication, there is a linguistic code that, when encrypted, allows us to understand how the meanings of a word are structured and act according to its level of arbitrariness. Now, this article deals with the meanings and uses of the word ghost, which is the result of a metaoperation that is constituted in an image (cognitive base), as it becomes an image (communicative operation) between the signifier and the signified. The conceptualization of our ghosts reveals, with respect to our common sense, a response of their significance in the brain associated with ideas that in language are conceived from a positive, neutral, or negative character. Therefore, invisibility is a possible response to their magical contact with nature and to a superstitious knowledge that opposes the dominant power of linguistically organized knowledge. The purpose of this article is to explore, from psychoanalysis, a way of looking at ghosts as a signifying creation in language (from the outside, inwards), especially as a point of attachment to the semiotic processes that allow the creation of cultural terminologies from an anthropological, artistic, and emotionally aesthetic perspective. 
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