Choir of Seeds and Sirens. Indiscipline and Accessible Territories in Guaraní, Quechua, Rarámuri and other Languages

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Reflections and thoughts were made about a cinema looking for an activist spectator. She is able to leave her own world behind and cross linguistic and cultural borders. This is a cinema which does not negotiate with neoliberal and mono-linguistic States where heard voices, stories, and tensions in...

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Detalles Bibliográficos
Autor: Forns-Broggi, Roberto
Formato: artículo
Fecha de Publicación:2016
Institución:Universidad de Lima
Repositorio:Revistas - Universidad de Lima
Lenguaje:español
OAI Identifier:oai:ojs.pkp.sfu.ca:article/802
Enlace del recurso:https://revistas.ulima.edu.pe/index.php/contratexto/article/view/802
Nivel de acceso:acceso abierto
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spelling Choir of Seeds and Sirens. Indiscipline and Accessible Territories in Guaraní, Quechua, Rarámuri and other LanguagesCoros de semillas y sirenas: cine quita-sueño. Indisciplina y territorios transitables en guaraní, quechua, rarámuri, wichi y otras lenguasForns-Broggi, RobertoReflections and thoughts were made about a cinema looking for an activist spectator. She is able to leave her own world behind and cross linguistic and cultural borders. This is a cinema which does not negotiate with neoliberal and mono-linguistic States where heard voices, stories, and tensions in diminished or ignored Amerindian tongues reclaim a dignified existence. This map may be incomplete, but it aims to considerthe contribution of visual anthropology and filmmaking in Latin America by showing some examples of it. It is also a reassessment of Peruvian cinema in which Quechua language is spoken.Reflexiones y pensamientos sobre un cine que busca un espectador activista capaz de arriesgar su propia burbuja y cruzar fronteras culturales y lingüísticas. Un cine que no negocia con los estados monolingües y neoliberales en el que se dejan escuchar voces, historias y tensiones en las lenguas amerindias menospreciadas o ignoradas que claman por digna existencia. El mapa que se ofrece aquí no es completo, pero apunta a pensar el aporte de la antropología visual y el cine en Latinoamérica con algunos ejemplos. También se busca una revaloración del cine peruano con presencia quechua.  Universidad de Lima. Facultad de Comunicación2016-04-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionEvaluado por paresapplication/pdfhttps://revistas.ulima.edu.pe/index.php/contratexto/article/view/80210.26439/contratexto2016.n026.802Contratexto; No. 026 (2016); 99-115Contratexto; Núm. 026 (2016); 99-115Contratexto; n. 026 (2016); 99-1151993-49041025-994510.26439/contratexto2016.n026reponame:Revistas - Universidad de Limainstname:Universidad de Limainstacron:ULIMAspahttps://revistas.ulima.edu.pe/index.php/contratexto/article/view/802/1353Copyright (c) 2017 Contratextoinfo:eu-repo/semantics/openAccessoai:ojs.pkp.sfu.ca:article/8022023-07-21T20:11:11Z
dc.title.none.fl_str_mv Choir of Seeds and Sirens. Indiscipline and Accessible Territories in Guaraní, Quechua, Rarámuri and other Languages
Coros de semillas y sirenas: cine quita-sueño. Indisciplina y territorios transitables en guaraní, quechua, rarámuri, wichi y otras lenguas
title Choir of Seeds and Sirens. Indiscipline and Accessible Territories in Guaraní, Quechua, Rarámuri and other Languages
spellingShingle Choir of Seeds and Sirens. Indiscipline and Accessible Territories in Guaraní, Quechua, Rarámuri and other Languages
Forns-Broggi, Roberto
title_short Choir of Seeds and Sirens. Indiscipline and Accessible Territories in Guaraní, Quechua, Rarámuri and other Languages
title_full Choir of Seeds and Sirens. Indiscipline and Accessible Territories in Guaraní, Quechua, Rarámuri and other Languages
title_fullStr Choir of Seeds and Sirens. Indiscipline and Accessible Territories in Guaraní, Quechua, Rarámuri and other Languages
title_full_unstemmed Choir of Seeds and Sirens. Indiscipline and Accessible Territories in Guaraní, Quechua, Rarámuri and other Languages
title_sort Choir of Seeds and Sirens. Indiscipline and Accessible Territories in Guaraní, Quechua, Rarámuri and other Languages
dc.creator.none.fl_str_mv Forns-Broggi, Roberto
author Forns-Broggi, Roberto
author_facet Forns-Broggi, Roberto
author_role author
description Reflections and thoughts were made about a cinema looking for an activist spectator. She is able to leave her own world behind and cross linguistic and cultural borders. This is a cinema which does not negotiate with neoliberal and mono-linguistic States where heard voices, stories, and tensions in diminished or ignored Amerindian tongues reclaim a dignified existence. This map may be incomplete, but it aims to considerthe contribution of visual anthropology and filmmaking in Latin America by showing some examples of it. It is also a reassessment of Peruvian cinema in which Quechua language is spoken.
publishDate 2016
dc.date.none.fl_str_mv 2016-04-17
dc.type.none.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.none.fl_str_mv https://revistas.ulima.edu.pe/index.php/contratexto/article/view/802
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url https://revistas.ulima.edu.pe/index.php/contratexto/article/view/802
identifier_str_mv 10.26439/contratexto2016.n026.802
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dc.relation.none.fl_str_mv https://revistas.ulima.edu.pe/index.php/contratexto/article/view/802/1353
dc.rights.none.fl_str_mv Copyright (c) 2017 Contratexto
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Contratexto
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad de Lima. Facultad de Comunicación
publisher.none.fl_str_mv Universidad de Lima. Facultad de Comunicación
dc.source.none.fl_str_mv Contratexto; No. 026 (2016); 99-115
Contratexto; Núm. 026 (2016); 99-115
Contratexto; n. 026 (2016); 99-115
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10.26439/contratexto2016.n026
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