Choir of Seeds and Sirens. Indiscipline and Accessible Territories in Guaraní, Quechua, Rarámuri and other Languages

Descripción del Articulo

Reflections and thoughts were made about a cinema looking for an activist spectator. She is able to leave her own world behind and cross linguistic and cultural borders. This is a cinema which does not negotiate with neoliberal and mono-linguistic States where heard voices, stories, and tensions in...

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Detalles Bibliográficos
Autor: Forns-Broggi, Roberto
Formato: artículo
Fecha de Publicación:2016
Institución:Universidad de Lima
Repositorio:Revistas - Universidad de Lima
Lenguaje:español
OAI Identifier:oai:ojs.pkp.sfu.ca:article/802
Enlace del recurso:https://revistas.ulima.edu.pe/index.php/contratexto/article/view/802
Nivel de acceso:acceso abierto
Descripción
Sumario:Reflections and thoughts were made about a cinema looking for an activist spectator. She is able to leave her own world behind and cross linguistic and cultural borders. This is a cinema which does not negotiate with neoliberal and mono-linguistic States where heard voices, stories, and tensions in diminished or ignored Amerindian tongues reclaim a dignified existence. This map may be incomplete, but it aims to considerthe contribution of visual anthropology and filmmaking in Latin America by showing some examples of it. It is also a reassessment of Peruvian cinema in which Quechua language is spoken.
Choir of Seeds and Sirens. Indiscipline and Accessible Territories in Guaraní, Quechua, Rarámuri and other Languages
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