From center stage to backdrop: thematization and generic news frames of the extended pandemic in Argentine digital newspapers
Descripción del Articulo
If there is one thing we can be sure about the COVID-19 pandemic, it is that it caused an irruption of such magnitude throughout the world that the resonances of the multiple and varied changes it generated have yet to be seen. In relation to communication processes, the demand for information in re...
Autores: | , |
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Formato: | artículo |
Fecha de Publicación: | 2023 |
Institución: | Universidad de Piura |
Repositorio: | Revista de Comunicación |
Lenguaje: | español |
OAI Identifier: | oai:revistas.udep.edu.pe:article/3063 |
Enlace del recurso: | https://revistadecomunicacion.com/article/view/3063 |
Nivel de acceso: | acceso abierto |
Materia: | framing agenda setting pandemia COVID-19 prensa digital pandemic Digital press |
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dc.title.none.fl_str_mv |
From center stage to backdrop: thematization and generic news frames of the extended pandemic in Argentine digital newspapers De escenario central a telón de fondo: tematización y generic news frames de la pandemia extendida en diarios digitales argentinos |
title |
From center stage to backdrop: thematization and generic news frames of the extended pandemic in Argentine digital newspapers |
spellingShingle |
From center stage to backdrop: thematization and generic news frames of the extended pandemic in Argentine digital newspapers Gomez Wagner, Celeste framing agenda setting pandemia COVID-19 prensa digital framing agenda setting pandemic COVID-19 Digital press |
title_short |
From center stage to backdrop: thematization and generic news frames of the extended pandemic in Argentine digital newspapers |
title_full |
From center stage to backdrop: thematization and generic news frames of the extended pandemic in Argentine digital newspapers |
title_fullStr |
From center stage to backdrop: thematization and generic news frames of the extended pandemic in Argentine digital newspapers |
title_full_unstemmed |
From center stage to backdrop: thematization and generic news frames of the extended pandemic in Argentine digital newspapers |
title_sort |
From center stage to backdrop: thematization and generic news frames of the extended pandemic in Argentine digital newspapers |
dc.creator.none.fl_str_mv |
Gomez Wagner, Celeste Arcangeletti Yacante, Carla Antonella |
author |
Gomez Wagner, Celeste |
author_facet |
Gomez Wagner, Celeste Arcangeletti Yacante, Carla Antonella |
author_role |
author |
author2 |
Arcangeletti Yacante, Carla Antonella |
author2_role |
author |
dc.subject.none.fl_str_mv |
framing agenda setting pandemia COVID-19 prensa digital framing agenda setting pandemic COVID-19 Digital press |
topic |
framing agenda setting pandemia COVID-19 prensa digital framing agenda setting pandemic COVID-19 Digital press |
description |
If there is one thing we can be sure about the COVID-19 pandemic, it is that it caused an irruption of such magnitude throughout the world that the resonances of the multiple and varied changes it generated have yet to be seen. In relation to communication processes, the demand for information in real time increased and the media took center stage, especially in an initial period when the possibilities of intersubjective contrasts between people were diminished by the confinements. But this was not a constant: as the pandemic spread over time, it lost its novelty character and went from center stage to backdrop in media coverage. This research describes the thematic shifts and the predominant frames that La Nación, Clarín (in its digital versions) and Infobae deployed in their coverage of the pandemic between 2020 and 2022. Framed in the contributions of the agenda setting and framing theories, this paper starts with a quantitative content analysis and compares four specific time frames (April 2020, October 2020, May 2021 and January 2022), chosen for having represented significant peaks in the development of the pandemic in national health terms. The analysis shows that the concentration of the health issue, as well as the prominence of the variables that make up the morality and human interest frames were diluted over time, making the frames in the coverage of the issue less compact and more dispersed. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-02-01 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Article evaluated by pairs Artículo evaluado por pares Texto |
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https://revistadecomunicacion.com/article/view/3063 10.26441/RC22.1-2023-3063 |
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https://revistadecomunicacion.com/article/view/3063 |
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10.26441/RC22.1-2023-3063 |
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https://revistadecomunicacion.com/article/view/3063/2584 https://revistadecomunicacion.com/article/view/3063/2617 |
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Derechos de autor 2023 Revista de Comunicación http://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
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Derechos de autor 2023 Revista de Comunicación http://creativecommons.org/licenses/by-nc-nd/4.0 |
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Universidad de Piura. Facultad de Comunicación |
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Universidad de Piura. Facultad de Comunicación |
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Revista de Comunicación; Vol. 22 No. 1 (2023); 165-184 Revista de Comunicación; Vol. 22 Núm. 1 (2023); 165-184 2227-1465 1684-0933 reponame:Revista de Comunicación instname:Universidad de Piura instacron:UDEP |
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spelling |
From center stage to backdrop: thematization and generic news frames of the extended pandemic in Argentine digital newspapersDe escenario central a telón de fondo: tematización y generic news frames de la pandemia extendida en diarios digitales argentinosGomez Wagner, CelesteArcangeletti Yacante, Carla Antonellaframingagenda settingpandemiaCOVID-19prensa digitalframingagenda settingpandemicCOVID-19Digital pressIf there is one thing we can be sure about the COVID-19 pandemic, it is that it caused an irruption of such magnitude throughout the world that the resonances of the multiple and varied changes it generated have yet to be seen. In relation to communication processes, the demand for information in real time increased and the media took center stage, especially in an initial period when the possibilities of intersubjective contrasts between people were diminished by the confinements. But this was not a constant: as the pandemic spread over time, it lost its novelty character and went from center stage to backdrop in media coverage. This research describes the thematic shifts and the predominant frames that La Nación, Clarín (in its digital versions) and Infobae deployed in their coverage of the pandemic between 2020 and 2022. Framed in the contributions of the agenda setting and framing theories, this paper starts with a quantitative content analysis and compares four specific time frames (April 2020, October 2020, May 2021 and January 2022), chosen for having represented significant peaks in the development of the pandemic in national health terms. The analysis shows that the concentration of the health issue, as well as the prominence of the variables that make up the morality and human interest frames were diluted over time, making the frames in the coverage of the issue less compact and more dispersed.Si algo podemos asegurar de la pandemia por COVID-19 es que provocó una irrupción de tal magnitud en el mundo entero, que las resonancias de los múltiples y variados cambios que generó aún no han terminado de verse. En relación con los procesos comunicativos, la demanda de información en tiempo real aumentó y los medios de comunicación se ubicaron en el centro de la escena, sobre todo en un primer período cuando las posibilidades de contrastación intersubjetiva de las personas se vieron disminuidas por los confinamientos. Pero esto no fue una constante: conforme la pandemia se extendió en el tiempo fue perdiendo su carácter de novedad y pasó de escenario central a telón de fondo en las coberturas mediáticas. Esta investigación describe cuáles fueron los desplazamientos temáticos y los encuadres predominantes que La Nación, Clarín (en sus versiones digitales) e Infobae desplegaron en sus coberturas sobre la pandemia entre 2020 y 2022. Enmarcado en los aportes de las teorías de la agenda setting y el framing, este trabajo parte de un análisis de contenido cuantitativo y compara cuatro cortes temporales específicos (abril de 2020, octubre de 2020, mayo de 2021 y enero de 2022), escogidos por haber representado picos significativos en el desarrollo de la pandemia en términos sanitarios nacionales. El análisis expone que la concentración del asunto sanitario, así como la prominencia de las variables que conforman los encuadres de moralidad y de interés humano fueron diluyéndose a lo largo del tiempo, volviendo a los frames en las coberturas del asunto menos compactos y más dispersos.Universidad de Piura. Facultad de Comunicación2023-02-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticle evaluated by pairsArtículo evaluado por paresTextoapplication/pdfapplication/xmlhttps://revistadecomunicacion.com/article/view/306310.26441/RC22.1-2023-3063Revista de Comunicación; Vol. 22 No. 1 (2023); 165-184Revista de Comunicación; Vol. 22 Núm. 1 (2023); 165-1842227-14651684-0933reponame:Revista de Comunicacióninstname:Universidad de Piurainstacron:UDEPspahttps://revistadecomunicacion.com/article/view/3063/2584https://revistadecomunicacion.com/article/view/3063/2617Derechos de autor 2023 Revista de Comunicaciónhttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessoai:revistas.udep.edu.pe:article/30632023-08-05T17:37:16Z |
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13.971837 |
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La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).