European decorative engravings and the eighteenth-century rococo altarpieces in Trujillo (Peru)

Descripción del Articulo

The impact of rococo has been traditionally overlooked in the retablos of Peru. Although scholars recognized that rococo appeared on certain retablos of late-18th century Lima and Trujillo as decoration, little effort has been made to investigate how the style reached the viceroyalty. This...

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Detalles Bibliográficos
Autor: Bailey, Gauvin Alexander
Formato: artículo
Fecha de Publicación:2019
Institución:Universidad Católica San Pablo
Repositorio:Revistas - Universidad Católica San Pablo
Lenguaje:español
OAI Identifier:oai:revistas.ucsp.edu.pe:article/269
Enlace del recurso:https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/269
Nivel de acceso:acceso abierto
Materia:rococó
Trujillo (Perú)
retablo
Augsburgo
grabados
Descripción
Sumario:The impact of rococo has been traditionally overlooked in the retablos of Peru. Although scholars recognized that rococo appeared on certain retablos of late-18th century Lima and Trujillo as decoration, little effort has been made to investigate how the style reached the viceroyalty. This article identifies printed sources from France and Germany (Augsburg) and considers how artists used them. It also compares the treatment of rococo motifs and forms in Trujillo with the way those forms are treated in the Cono Sur (present-day Argentina and Chile). Although the same sources were used in both areas, the retablos of the Cono Sur were frequently made by immigrants (especially from German-speaking lands) while those in the north were usually made by criollo craftsmen.
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