Plant and Animal Imagery in the Churches of Chucuito in the Late Colonial Period

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The architectural sculpture of the so-called ‘Mestizo Baroque’ or ‘Andean Hybrid Baroque’ churches of southern Peru and Bolivia has fascinated – and polarized – scholars of Latin American colonial art for precisely a century, particularly the degree to which it reflects indigenous sensibilities and...

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Detalles Bibliográficos
Autor: Bailey, Gauvin Alexander
Formato: artículo
Fecha de Publicación:2025
Institución:Universidad Católica San Pablo
Repositorio:Revistas - Universidad Católica San Pablo
Lenguaje:español
OAI Identifier:oai:revistas.ucsp.edu.pe:article/1670
Enlace del recurso:https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/1670
Nivel de acceso:acceso abierto
Materia:Chucuito
etapa virreinal
cultura andina
naturaleza
Descripción
Sumario:The architectural sculpture of the so-called ‘Mestizo Baroque’ or ‘Andean Hybrid Baroque’ churches of southern Peru and Bolivia has fascinated – and polarized – scholars of Latin American colonial art for precisely a century, particularly the degree to which it reflects indigenous sensibilities and styles. Scholars from Ángel Guido and Martín Noel to Teresa Gisbert and the present reviewer have paid particular attention to the significance of the rich assortment of flowers, other plants, birds, and animals that animate these facades, some of them originating in European Christian iconography and others clearly of Andean and Amazonian origin.
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