From Horacios y Curiacios: the Allegory of Bolivar’s Death in Peru in the First Republican Decades

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The political struggle took various forms during Independence, and the iconography was one of the most relevant ones. Although it was assumed that the neoclassical language should be the new language, this was not easy, and persistent colonial models remained, both by the lack of an Academy, and by...

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Detalles Bibliográficos
Autor: Barriga Calle, Irma
Formato: artículo
Fecha de Publicación:2021
Institución:Pontificia Universidad Católica del Perú
Repositorio:Revistas - Pontificia Universidad Católica del Perú
Lenguaje:español
OAI Identifier:oai:ojs.pkp.sfu.ca:article/23749
Enlace del recurso:http://revistas.pucp.edu.pe/index.php/revistaira/article/view/23749
Nivel de acceso:acceso abierto
Materia:Peru
XIX century
Simón Bolívar
Death
Iconographic War
Perú
Siglo XIX
Muerte
Guerra iconográfica
Descripción
Sumario:The political struggle took various forms during Independence, and the iconography was one of the most relevant ones. Although it was assumed that the neoclassical language should be the new language, this was not easy, and persistent colonial models remained, both by the lack of an Academy, and by its persuasive value. By analyzing Alegoría a la muerte de Bolívar (Allegory of Bolívar’s death), this article explores how this occurs in a painting made to glorify the hero and amend the unfavorable image that politicians had in Peru at the time of his death.
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