A Rite of Transformation in harmonia oppositorum: “Habitación en Roma” by Jorge Eduardo Eielson

Descripción del Articulo

The enunciated principle of two complementary elements from two different civilizations (harmonia oppositorum / yanantin) converges in Eielson’s poetic and plastic work to create. In his work, the city of Rome serves as a platform center that enables him to rediscover cosmological ways of seeing tha...

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Detalles Bibliográficos
Autor: Cavagnaro Farfán, Franco
Formato: artículo
Fecha de Publicación:2023
Institución:Pontificia Universidad Católica del Perú
Repositorio:Revistas - Pontificia Universidad Católica del Perú
Lenguaje:español
OAI Identifier:oai:revistaspuc:article/27968
Enlace del recurso:http://revistas.pucp.edu.pe/index.php/lexis/article/view/27968
Nivel de acceso:acceso abierto
Materia:Jorge Eduardo Eielson
Poesía
Roma
Arte prehispánico
Poetry
Rome
Pre-Hispanic art
Descripción
Sumario:The enunciated principle of two complementary elements from two different civilizations (harmonia oppositorum / yanantin) converges in Eielson’s poetic and plastic work to create. In his work, the city of Rome serves as a platform center that enables him to rediscover cosmological ways of seeing that connect different levels. For this article, we use Habitación en Roma, his articles from the 1950s, as well as statements made in the 1970s, 1980s, and in the 21st century. From the vestige, the creation of objects is replicated in his poetic and visual work and in his procedures with matter. Through this, it is possible to transform and be transformed after reaching moments of ultra-consciousness.  
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