Pericles in Lima: the Viceroy Manso de Velasco, the earthquake and his public image
Descripción del Articulo
This article explores how the Viceroy Count of Superunda built an image of power in the wake of the 1746 earthquake and had painting as a magnificent ally that contributed to consolidate the absolutism of the regime. Faced with the aftermath of the disaster that befell the capital city, he...
Autor: | |
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Formato: | artículo |
Fecha de Publicación: | 2022 |
Institución: | Pontificia Universidad Católica del Perú |
Repositorio: | Revistas - Pontificia Universidad Católica del Perú |
Lenguaje: | español |
OAI Identifier: | oai:revistaspuc:article/26039 |
Enlace del recurso: | http://revistas.pucp.edu.pe/index.php/revistaira/article/view/26039 |
Nivel de acceso: | acceso abierto |
Materia: | Lima José Antonio Manso de Velasco Cristóbal Lozano Earthquake of 1746 Painting Wheat Terremoto de 1746 Pintura Trigo |
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Pericles in Lima: the Viceroy Manso de Velasco, the earthquake and his public imagePericles en Lima: el virrey Manso de Velasco, el terremoto y su imagen públicaBarriga Calle, IrmaLimaJosé Antonio Manso de VelascoCristóbal LozanoEarthquake of 1746PaintingWheatLimaJosé Antonio Manso de VelascoCristóbal LozanoTerremoto de 1746PinturaTrigoThis article explores how the Viceroy Count of Superunda built an image of power in the wake of the 1746 earthquake and had painting as a magnificent ally that contributed to consolidate the absolutism of the regime. Faced with the aftermath of the disaster that befell the capital city, he had not only to restore the viceregal power, but also to reestablish the colonial pact, appealing to different converging discourses that would show him as an enlightened ruler and as a protective and magnanimous father. The strong persuasive power of painting played a key role in this. El artículo explora cómo el virrey conde de Superunda construyó una imagen del poder a raíz del terremoto de 1746 y tuvo en la pintura una magnífica aliada que contribuyó a cimentar el absolutismo del régimen. Ante el desastre que sobrevino en la ciudad capital, debió no solo restaurar el poder virreinal, sino también restablecer el pacto colonial. Para ello, apeló a distintos discursos confluyentes, que lo mostraran como un gobernante ilustrado y como padre protector y magnánimo. En ello, el alto poder persuasivo de la pintura cumplió un rol de primer orden.Pontificia Universidad Católica del Perú2022-10-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo revisado por paresapplication/pdfhttp://revistas.pucp.edu.pe/index.php/revistaira/article/view/2603910.18800/revistaira.202202.005Revista del Instituto Riva-Agüero; Vol. 7 Núm. 2 (2022); 131-1802415-5896reponame:Revistas - Pontificia Universidad Católica del Perúinstname:Pontificia Universidad Católica del Perúinstacron:PUCPspahttp://revistas.pucp.edu.pe/index.php/revistaira/article/view/26039/24505http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:revistaspuc:article/260392023-06-23T13:30:40Z |
dc.title.none.fl_str_mv |
Pericles in Lima: the Viceroy Manso de Velasco, the earthquake and his public image Pericles en Lima: el virrey Manso de Velasco, el terremoto y su imagen pública |
title |
Pericles in Lima: the Viceroy Manso de Velasco, the earthquake and his public image |
spellingShingle |
Pericles in Lima: the Viceroy Manso de Velasco, the earthquake and his public image Barriga Calle, Irma Lima José Antonio Manso de Velasco Cristóbal Lozano Earthquake of 1746 Painting Wheat Lima José Antonio Manso de Velasco Cristóbal Lozano Terremoto de 1746 Pintura Trigo |
title_short |
Pericles in Lima: the Viceroy Manso de Velasco, the earthquake and his public image |
title_full |
Pericles in Lima: the Viceroy Manso de Velasco, the earthquake and his public image |
title_fullStr |
Pericles in Lima: the Viceroy Manso de Velasco, the earthquake and his public image |
title_full_unstemmed |
Pericles in Lima: the Viceroy Manso de Velasco, the earthquake and his public image |
title_sort |
Pericles in Lima: the Viceroy Manso de Velasco, the earthquake and his public image |
dc.creator.none.fl_str_mv |
Barriga Calle, Irma |
author |
Barriga Calle, Irma |
author_facet |
Barriga Calle, Irma |
author_role |
author |
dc.subject.none.fl_str_mv |
Lima José Antonio Manso de Velasco Cristóbal Lozano Earthquake of 1746 Painting Wheat Lima José Antonio Manso de Velasco Cristóbal Lozano Terremoto de 1746 Pintura Trigo |
topic |
Lima José Antonio Manso de Velasco Cristóbal Lozano Earthquake of 1746 Painting Wheat Lima José Antonio Manso de Velasco Cristóbal Lozano Terremoto de 1746 Pintura Trigo |
description |
This article explores how the Viceroy Count of Superunda built an image of power in the wake of the 1746 earthquake and had painting as a magnificent ally that contributed to consolidate the absolutism of the regime. Faced with the aftermath of the disaster that befell the capital city, he had not only to restore the viceregal power, but also to reestablish the colonial pact, appealing to different converging discourses that would show him as an enlightened ruler and as a protective and magnanimous father. The strong persuasive power of painting played a key role in this. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-30 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://revistas.pucp.edu.pe/index.php/revistaira/article/view/26039 10.18800/revistaira.202202.005 |
url |
http://revistas.pucp.edu.pe/index.php/revistaira/article/view/26039 |
identifier_str_mv |
10.18800/revistaira.202202.005 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
http://revistas.pucp.edu.pe/index.php/revistaira/article/view/26039/24505 |
dc.rights.none.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Pontificia Universidad Católica del Perú |
publisher.none.fl_str_mv |
Pontificia Universidad Católica del Perú |
dc.source.none.fl_str_mv |
Revista del Instituto Riva-Agüero; Vol. 7 Núm. 2 (2022); 131-180 2415-5896 reponame:Revistas - Pontificia Universidad Católica del Perú instname:Pontificia Universidad Católica del Perú instacron:PUCP |
instname_str |
Pontificia Universidad Católica del Perú |
instacron_str |
PUCP |
institution |
PUCP |
reponame_str |
Revistas - Pontificia Universidad Católica del Perú |
collection |
Revistas - Pontificia Universidad Católica del Perú |
repository.name.fl_str_mv |
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repository.mail.fl_str_mv |
|
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1840901047913021440 |
score |
12.84232 |
Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).