Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism

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The art of Taquile Island is known for its unique characteristics that distinguish it from other locations in the Lake Titicaca region, including its musical style, textile iconography, spinning and weaving techniques, instrumental cycle, etc. The discourse disseminated by academic and non-academic...

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Autor: Ordoñez Hidalgo, Bruno
Formato: artículo
Fecha de Publicación:2025
Institución:Pontificia Universidad Católica del Perú
Repositorio:Revistas - Pontificia Universidad Católica del Perú
Lenguaje:español
OAI Identifier:oai:ojs.pkp.sfu.ca:article/32129
Enlace del recurso:http://revistas.pucp.edu.pe/index.php/anthropia/article/view/32129
Nivel de acceso:acceso abierto
Materia:Taquile
Arte
Turismo
Discurso
Etnicidad
Art
Tourism
Discourse
Ethnicity
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spelling Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism¿Aislamiento, tradición o turismo? La conservación de tradiciones en el arte de la isla de Taquile – Lago Titicaca en el contexto del neoliberalismoOrdoñez Hidalgo, BrunoTaquileArteTurismoDiscursoEtnicidadTaquileArtTourismDiscourseEthnicityThe art of Taquile Island is known for its unique characteristics that distinguish it from other locations in the Lake Titicaca region, including its musical style, textile iconography, spinning and weaving techniques, instrumental cycle, etc. The discourse disseminated by academic and non-academic sources about the isolation of Taquile society is often used to explain the greater preservation and “purity” of its culture in aspects such as political organization, religion, language, etc. This discourse is also reproduced with regard to its art, without taking into account the role played by other aspects such as the consolidation of tourism as its main economic activity or the ongoing construction of its local identity. In this context, this research aims to explain the preservation of Taquile’s cultural identity through its artistic expressions, analyzing the social and economic factors involved, such as the discourse reproduced by the Taquileños regarding the preservation of their artistic tradition, the meaning given to variations in local artistic characteristics, and the role played by the discourse of isolation, respect for tradition, and the phenomenon of the commercialization of ethnicity in the construction of their artistic identity.Findings included the exoticization of the island’s relative isolation, the importance of maintaining traditions for the people of Taquile, and the important role of tourism in the continued reproduction of traditions.El arte de la isla de Taquile es conocido por poseer características particulares que lo hacen diferente al de otras localidades de la región del Lago Titicaca, en su estilo musical, iconografía textil, técnicas de hilado y tejido, ciclo instrumental, etc. El discurso difundido desde fuentes académicas y no académicas sobre una condición de aislamiento de la sociedad taquileña es muchas veces utilizado para explicar una mayor conservación y “pureza” de su cultura en aspectos como la organización política, la religión, el lenguaje, etc. Este discurso también se reproduce respecto a su arte, sin tomar en cuenta el papel que juegan otros aspectos como la consolidación del turismo como su principal actividad económica o la permanente construcción de su identidad local. En este contexto, la presente investigación se propone explicar la conservación de la identidad cultural taquileña a través de sus manifestaciones artísticas, analizando los factores sociales y económicos que intervienen en ella como el discurso reproducido por los taquileños respecto a la conservación de su tradición artística, el significado que se le da a las variaciones de las características artísticas locales y el papel que juegan el discurso del aislamiento, el respeto por la tradición y el fenómeno de la comercialización de la etnicidad en la construcción de su identidad artística. Se llegó a hallazgos como la exotización del aislamiento relativo de la isla, la importancia de la mantención de las tradiciones para los taquileños o el importante papel del turismo en la continuidad de la reproducción de tradiciones.Pontificia Universidad Católica del Perú2025-10-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://revistas.pucp.edu.pe/index.php/anthropia/article/view/32129Anthropía; Núm. 22 (2025): Cuerpo, Arte y Memoria; 63-762076-27042076-0574reponame:Revistas - Pontificia Universidad Católica del Perúinstname:Pontificia Universidad Católica del Perúinstacron:PUCPspahttp://revistas.pucp.edu.pe/index.php/anthropia/article/view/32129/28031http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:ojs.pkp.sfu.ca:article/321292025-10-07T03:09:28Z
dc.title.none.fl_str_mv Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism
¿Aislamiento, tradición o turismo? La conservación de tradiciones en el arte de la isla de Taquile – Lago Titicaca en el contexto del neoliberalismo
title Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism
spellingShingle Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism
Ordoñez Hidalgo, Bruno
Taquile
Arte
Turismo
Discurso
Etnicidad
Taquile
Art
Tourism
Discourse
Ethnicity
title_short Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism
title_full Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism
title_fullStr Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism
title_full_unstemmed Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism
title_sort Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism
dc.creator.none.fl_str_mv Ordoñez Hidalgo, Bruno
author Ordoñez Hidalgo, Bruno
author_facet Ordoñez Hidalgo, Bruno
author_role author
dc.subject.none.fl_str_mv Taquile
Arte
Turismo
Discurso
Etnicidad
Taquile
Art
Tourism
Discourse
Ethnicity
topic Taquile
Arte
Turismo
Discurso
Etnicidad
Taquile
Art
Tourism
Discourse
Ethnicity
description The art of Taquile Island is known for its unique characteristics that distinguish it from other locations in the Lake Titicaca region, including its musical style, textile iconography, spinning and weaving techniques, instrumental cycle, etc. The discourse disseminated by academic and non-academic sources about the isolation of Taquile society is often used to explain the greater preservation and “purity” of its culture in aspects such as political organization, religion, language, etc. This discourse is also reproduced with regard to its art, without taking into account the role played by other aspects such as the consolidation of tourism as its main economic activity or the ongoing construction of its local identity. In this context, this research aims to explain the preservation of Taquile’s cultural identity through its artistic expressions, analyzing the social and economic factors involved, such as the discourse reproduced by the Taquileños regarding the preservation of their artistic tradition, the meaning given to variations in local artistic characteristics, and the role played by the discourse of isolation, respect for tradition, and the phenomenon of the commercialization of ethnicity in the construction of their artistic identity.Findings included the exoticization of the island’s relative isolation, the importance of maintaining traditions for the people of Taquile, and the important role of tourism in the continued reproduction of traditions.
publishDate 2025
dc.date.none.fl_str_mv 2025-10-06
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://revistas.pucp.edu.pe/index.php/anthropia/article/view/32129
url http://revistas.pucp.edu.pe/index.php/anthropia/article/view/32129
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv http://revistas.pucp.edu.pe/index.php/anthropia/article/view/32129/28031
dc.rights.none.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontificia Universidad Católica del Perú
publisher.none.fl_str_mv Pontificia Universidad Católica del Perú
dc.source.none.fl_str_mv Anthropía; Núm. 22 (2025): Cuerpo, Arte y Memoria; 63-76
2076-2704
2076-0574
reponame:Revistas - Pontificia Universidad Católica del Perú
instname:Pontificia Universidad Católica del Perú
instacron:PUCP
instname_str Pontificia Universidad Católica del Perú
instacron_str PUCP
institution PUCP
reponame_str Revistas - Pontificia Universidad Católica del Perú
collection Revistas - Pontificia Universidad Católica del Perú
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