Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism
Descripción del Articulo
The art of Taquile Island is known for its unique characteristics that distinguish it from other locations in the Lake Titicaca region, including its musical style, textile iconography, spinning and weaving techniques, instrumental cycle, etc. The discourse disseminated by academic and non-academic...
| Autor: | |
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| Formato: | artículo |
| Fecha de Publicación: | 2025 |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | Revistas - Pontificia Universidad Católica del Perú |
| Lenguaje: | español |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/32129 |
| Enlace del recurso: | http://revistas.pucp.edu.pe/index.php/anthropia/article/view/32129 |
| Nivel de acceso: | acceso abierto |
| Materia: | Taquile Arte Turismo Discurso Etnicidad Art Tourism Discourse Ethnicity |
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Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism¿Aislamiento, tradición o turismo? La conservación de tradiciones en el arte de la isla de Taquile – Lago Titicaca en el contexto del neoliberalismoOrdoñez Hidalgo, BrunoTaquileArteTurismoDiscursoEtnicidadTaquileArtTourismDiscourseEthnicityThe art of Taquile Island is known for its unique characteristics that distinguish it from other locations in the Lake Titicaca region, including its musical style, textile iconography, spinning and weaving techniques, instrumental cycle, etc. The discourse disseminated by academic and non-academic sources about the isolation of Taquile society is often used to explain the greater preservation and “purity” of its culture in aspects such as political organization, religion, language, etc. This discourse is also reproduced with regard to its art, without taking into account the role played by other aspects such as the consolidation of tourism as its main economic activity or the ongoing construction of its local identity. In this context, this research aims to explain the preservation of Taquile’s cultural identity through its artistic expressions, analyzing the social and economic factors involved, such as the discourse reproduced by the Taquileños regarding the preservation of their artistic tradition, the meaning given to variations in local artistic characteristics, and the role played by the discourse of isolation, respect for tradition, and the phenomenon of the commercialization of ethnicity in the construction of their artistic identity.Findings included the exoticization of the island’s relative isolation, the importance of maintaining traditions for the people of Taquile, and the important role of tourism in the continued reproduction of traditions.El arte de la isla de Taquile es conocido por poseer características particulares que lo hacen diferente al de otras localidades de la región del Lago Titicaca, en su estilo musical, iconografía textil, técnicas de hilado y tejido, ciclo instrumental, etc. El discurso difundido desde fuentes académicas y no académicas sobre una condición de aislamiento de la sociedad taquileña es muchas veces utilizado para explicar una mayor conservación y “pureza” de su cultura en aspectos como la organización política, la religión, el lenguaje, etc. Este discurso también se reproduce respecto a su arte, sin tomar en cuenta el papel que juegan otros aspectos como la consolidación del turismo como su principal actividad económica o la permanente construcción de su identidad local. En este contexto, la presente investigación se propone explicar la conservación de la identidad cultural taquileña a través de sus manifestaciones artísticas, analizando los factores sociales y económicos que intervienen en ella como el discurso reproducido por los taquileños respecto a la conservación de su tradición artística, el significado que se le da a las variaciones de las características artísticas locales y el papel que juegan el discurso del aislamiento, el respeto por la tradición y el fenómeno de la comercialización de la etnicidad en la construcción de su identidad artística. Se llegó a hallazgos como la exotización del aislamiento relativo de la isla, la importancia de la mantención de las tradiciones para los taquileños o el importante papel del turismo en la continuidad de la reproducción de tradiciones.Pontificia Universidad Católica del Perú2025-10-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://revistas.pucp.edu.pe/index.php/anthropia/article/view/32129Anthropía; Núm. 22 (2025): Cuerpo, Arte y Memoria; 63-762076-27042076-0574reponame:Revistas - Pontificia Universidad Católica del Perúinstname:Pontificia Universidad Católica del Perúinstacron:PUCPspahttp://revistas.pucp.edu.pe/index.php/anthropia/article/view/32129/28031http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:ojs.pkp.sfu.ca:article/321292025-10-07T03:09:28Z |
| dc.title.none.fl_str_mv |
Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism ¿Aislamiento, tradición o turismo? La conservación de tradiciones en el arte de la isla de Taquile – Lago Titicaca en el contexto del neoliberalismo |
| title |
Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism |
| spellingShingle |
Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism Ordoñez Hidalgo, Bruno Taquile Arte Turismo Discurso Etnicidad Taquile Art Tourism Discourse Ethnicity |
| title_short |
Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism |
| title_full |
Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism |
| title_fullStr |
Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism |
| title_full_unstemmed |
Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism |
| title_sort |
Isolation, tradition, or tourism? The preservation of traditions in the art of Taquile Island - Lake Titicaca in the context of neoliberalism |
| dc.creator.none.fl_str_mv |
Ordoñez Hidalgo, Bruno |
| author |
Ordoñez Hidalgo, Bruno |
| author_facet |
Ordoñez Hidalgo, Bruno |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Taquile Arte Turismo Discurso Etnicidad Taquile Art Tourism Discourse Ethnicity |
| topic |
Taquile Arte Turismo Discurso Etnicidad Taquile Art Tourism Discourse Ethnicity |
| description |
The art of Taquile Island is known for its unique characteristics that distinguish it from other locations in the Lake Titicaca region, including its musical style, textile iconography, spinning and weaving techniques, instrumental cycle, etc. The discourse disseminated by academic and non-academic sources about the isolation of Taquile society is often used to explain the greater preservation and “purity” of its culture in aspects such as political organization, religion, language, etc. This discourse is also reproduced with regard to its art, without taking into account the role played by other aspects such as the consolidation of tourism as its main economic activity or the ongoing construction of its local identity. In this context, this research aims to explain the preservation of Taquile’s cultural identity through its artistic expressions, analyzing the social and economic factors involved, such as the discourse reproduced by the Taquileños regarding the preservation of their artistic tradition, the meaning given to variations in local artistic characteristics, and the role played by the discourse of isolation, respect for tradition, and the phenomenon of the commercialization of ethnicity in the construction of their artistic identity.Findings included the exoticization of the island’s relative isolation, the importance of maintaining traditions for the people of Taquile, and the important role of tourism in the continued reproduction of traditions. |
| publishDate |
2025 |
| dc.date.none.fl_str_mv |
2025-10-06 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
| dc.identifier.none.fl_str_mv |
http://revistas.pucp.edu.pe/index.php/anthropia/article/view/32129 |
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http://revistas.pucp.edu.pe/index.php/anthropia/article/view/32129 |
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spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
http://revistas.pucp.edu.pe/index.php/anthropia/article/view/32129/28031 |
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http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by/4.0 |
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openAccess |
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application/pdf |
| dc.publisher.none.fl_str_mv |
Pontificia Universidad Católica del Perú |
| publisher.none.fl_str_mv |
Pontificia Universidad Católica del Perú |
| dc.source.none.fl_str_mv |
Anthropía; Núm. 22 (2025): Cuerpo, Arte y Memoria; 63-76 2076-2704 2076-0574 reponame:Revistas - Pontificia Universidad Católica del Perú instname:Pontificia Universidad Católica del Perú instacron:PUCP |
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Pontificia Universidad Católica del Perú |
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PUCP |
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PUCP |
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Revistas - Pontificia Universidad Católica del Perú |
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Revistas - Pontificia Universidad Católica del Perú |
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13.121117 |
Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).