Digitization, Interpretation and Mediations in the Exhibition “Emilio Díaz. Esplendor del Retrato Fotográfico en Arequipa. 1893-1920”, 2018

• Autor: Zúñiga Bardales, Sergio Enrique
• Formato: artículo
• Fecha de Publicación: 2024
• Institución: Pontificia Universidad Católica del Perú
• Repositorio: Revistas - Pontificia Universidad Católica del Perú
• Lenguaje: español
• OAI Identifier: oai:ojs.pkp.sfu.ca:article/29318
• Enlace del recurso: http://revistas.pucp.edu.pe/index.php/conexion/article/view/29318
• Nivel de acceso: acceso abierto
• Materia: Digitization; Digital preservation; Photographic exhibitions; Photographic archives; Emilio Díaz; Arequipa; Digitalización; Preservación digital; Exposiciones fotográficas; Archivos fotográficos

The digitization of heritage photographic archives is a recurring practice when doing research and exhibitions. These processes are of great importance since, through them, new material culture is created: new digital objects with particular characteristics that are different from the original. The digital objects arise from a technical process, which turns out to be the convergence of different subjectivities and points of view on the photographic object. The digitization is a mediated process by different humans—the curator, conservator-restorer, digitizer—and no-humans—scanners, digital cameras. This contributes to the discussion of how a process that is often considered simply technical and almost objective is actually a performative cocreation between humans and non-humans whose decisions and agency restructure the meaning and value of the archive.