The Action in Colombia’s Fiction Cinematographic Works, before Peace Talks (1960-2011)

Descripción del Articulo

The presence of “Conceptual Network of the Semantics of Action” components (Ricoeur, 2000) will be denoted in a large sample of cinematographic works of fiction (ie, based on the staging) previously made to dialogue to end the conflict, taking as a starting point the sixties (when insurgent groups w...

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Detalles Bibliográficos
Autor: Lozano Botache, Jorge Prudencio
Formato: artículo
Fecha de Publicación:2016
Institución:Universidad de San Martín de Porres
Repositorio:Correspondencias & Análisis
Lenguaje:español
OAI Identifier:oai:ojs2.ojs.correspondenciasyanalisis.com:article/187
Enlace del recurso:http://ojs.correspondenciasyanalisis.com/index.php/Journalcya/article/view/187
Nivel de acceso:acceso abierto
Materia:Agente
Motivaciones y finalidades
Circunstancias
Caracteres temporales
Recursos simbólicos
Descripción
Sumario:The presence of “Conceptual Network of the Semantics of Action” components (Ricoeur, 2000) will be denoted in a large sample of cinematographic works of fiction (ie, based on the staging) previously made to dialogue to end the conflict, taking as a starting point the sixties (when insurgent groups were emerge). It was considered only films with narrative instances and ostensibly Colombian stories and with at least 70 minutes long, time required for being legally considered a long film in Colombia.
The Action in Colombia’s Fiction Cinematographic Works, before Peace Talks (1960-2011)
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