ABOUT CERTAINTY: READY-MADE AND GEOMETRIC PROBLEMS IN 2666

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“The Part about the Crimes”, one of the five sections of Roberto Bolaño’s novel 2666, is the pretext to investigate on topics such as doubt and certainty, hand and industrial mechanization, corpses as real or spectral presences, or corpses as performatic elements, far from mimetic realism and novels...

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Detalles Bibliográficos
Autor: Guillén, Paul
Formato: artículo
Fecha de Publicación:2020
Lenguaje:español
OAI Identifier:oai:ojs2.www.metaforarevista.com:article/108
Enlace del recurso:https://www.metaforarevista.com/index.php/meta/article/view/108
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spelling ABOUT CERTAINTY: READY-MADE AND GEOMETRIC PROBLEMS IN 2666SOBRE LA CERTEZA: READY-MADE Y PROBLEMAS GEOMÉTRICOS EN 2666Guillén, Paul“The Part about the Crimes”, one of the five sections of Roberto Bolaño’s novel 2666, is the pretext to investigate on topics such as doubt and certainty, hand and industrial mechanization, corpses as real or spectral presences, or corpses as performatic elements, far from mimetic realism and novels of social protest. The specialized criticism only reads horror, fear, abjection, bodies as commodities and savage capitalism in this novel. On the contrary, I propose a reading that attempts to reconstruct a dialogue with the avant-garde and especially with the ready-mades by Marcel Duchamp.“La parte de los crímenes”, una de las cinco secciones de la novela 2666 de Roberto Bolaño, es el pretexto para investigar sobre temas como duda y certeza, mano y mecanización industrial, cadáveres como presencias reales o espectrales, o cadáveres como elementos performáticos, alejados del realismo mimético y de la narrativa de denuncia social. A contracorriente de la crítica especializada, que solo ve en esta novela el horror, el miedo, la abyección, los cuerpos como mercancías y el capitalismo salvaje, propongo una lectura que intenta reconstruir un diálogo con la vanguardia y, en especial, con los ready-made de Marcel Duchamp.Asociación Peruana de Retórica2020-08-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.metaforarevista.com/index.php/meta/article/view/10810.36286/mrlad.v3i5.58METÁFORA REVISTA DE LITERATURA Y ANÁLISIS DEL DISCURSO; Vol. 3 Núm. 5 (2020)2617-4839spahttps://www.metaforarevista.com/index.php/meta/article/view/108/92Derechos de autor 2020 Paul Guillénhttp://creativecommons.org/licenses/by-nc/4.0oai:ojs2.www.metaforarevista.com:article/1082022-03-25T04:43:21Z
dc.title.none.fl_str_mv ABOUT CERTAINTY: READY-MADE AND GEOMETRIC PROBLEMS IN 2666
SOBRE LA CERTEZA: READY-MADE Y PROBLEMAS GEOMÉTRICOS EN 2666
title ABOUT CERTAINTY: READY-MADE AND GEOMETRIC PROBLEMS IN 2666
spellingShingle ABOUT CERTAINTY: READY-MADE AND GEOMETRIC PROBLEMS IN 2666
Guillén, Paul
title_short ABOUT CERTAINTY: READY-MADE AND GEOMETRIC PROBLEMS IN 2666
title_full ABOUT CERTAINTY: READY-MADE AND GEOMETRIC PROBLEMS IN 2666
title_fullStr ABOUT CERTAINTY: READY-MADE AND GEOMETRIC PROBLEMS IN 2666
title_full_unstemmed ABOUT CERTAINTY: READY-MADE AND GEOMETRIC PROBLEMS IN 2666
title_sort ABOUT CERTAINTY: READY-MADE AND GEOMETRIC PROBLEMS IN 2666
dc.creator.none.fl_str_mv Guillén, Paul
author Guillén, Paul
author_facet Guillén, Paul
author_role author
description “The Part about the Crimes”, one of the five sections of Roberto Bolaño’s novel 2666, is the pretext to investigate on topics such as doubt and certainty, hand and industrial mechanization, corpses as real or spectral presences, or corpses as performatic elements, far from mimetic realism and novels of social protest. The specialized criticism only reads horror, fear, abjection, bodies as commodities and savage capitalism in this novel. On the contrary, I propose a reading that attempts to reconstruct a dialogue with the avant-garde and especially with the ready-mades by Marcel Duchamp.
publishDate 2020
dc.date.none.fl_str_mv 2020-08-15
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://www.metaforarevista.com/index.php/meta/article/view/108
10.36286/mrlad.v3i5.58
url https://www.metaforarevista.com/index.php/meta/article/view/108
identifier_str_mv 10.36286/mrlad.v3i5.58
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://www.metaforarevista.com/index.php/meta/article/view/108/92
dc.rights.none.fl_str_mv Derechos de autor 2020 Paul Guillén
http://creativecommons.org/licenses/by-nc/4.0
rights_invalid_str_mv Derechos de autor 2020 Paul Guillén
http://creativecommons.org/licenses/by-nc/4.0
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Asociación Peruana de Retórica
publisher.none.fl_str_mv Asociación Peruana de Retórica
dc.source.none.fl_str_mv METÁFORA REVISTA DE LITERATURA Y ANÁLISIS DEL DISCURSO; Vol. 3 Núm. 5 (2020)
2617-4839
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 13.971837
ABOUT CERTAINTY: READY-MADE AND GEOMETRIC PROBLEMS IN 2666
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