The resources of the disturbing narration as referentiality features of the narrative fiction

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The present work starts from considering the author’s own creative process as a matter of aesthetic reflection. To that end, we first demarcate conceptual aspects related to the nature of the creative process in the field of narration. It reflects on the nature of aesthetic creation as such and on i...

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Detalles Bibliográficos
Autor: Valle Araujo, John Harvey
Formato: artículo
Fecha de Publicación:2019
Institución:Academia Peruana de la Lengua
Repositorio:Boletín de la Academia Peruana de la Lengua
Lenguaje:español
OAI Identifier:oai:ojs.revistas.apl.org.pe:article/207
Enlace del recurso:https://revistas.apl.org.pe/index.php/boletinapl/article/view/207
Nivel de acceso:acceso abierto
Materia:creative act
fiction
disturbing
narrative
referentiality
mimesis
acto creativo
ficción
narración
perturbadora
referencialidad
mímesis
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spelling The resources of the disturbing narration as referentiality features of the narrative fictionLos recursos de la narración perturbadora como rasgos de referencialidad de la ficción narrativaValle Araujo, John Harveycreative actfictiondisturbingnarrativereferentialitymimesisacto creativoficciónnarraciónperturbadorareferencialidadmímesisThe present work starts from considering the author’s own creative process as a matter of aesthetic reflection. To that end, we first demarcate conceptual aspects related to the nature of the creative process in the field of narration. It reflects on the nature of aesthetic creation as such and on its relationship with the peculiar handling of linguistic resources made by the author. Likewise, the mimetic character of fiction is established because it is constituted as a representation of the real through language. From those indicated, it is demonstrated that the strategies of the disturbing narration proposed by Sabine Schlickers (2017) and their aesthetic effects in the reception of the texts corroborate the mimetic character of the narration, precisely because that character is the result of a use singular language. In that way, it is underscored the impossibility of art, in general, and narration working outside the referent from which they necessarily start and to which they necessarily appeal.El presente trabajo parte de considerar el propio proceso creativo del autor como materia de reflexión estética. Con ese propósito, primero deslindamos aspectos conceptuales relacionados con la naturaleza del proceso creativo en el ámbito de la narración. Se reflexiona sobre la naturaleza de la creación estética como tal y sobre la relación de esta con el manejo peculiar de los recursos lingüísticos que hace el autor. Asimismo, se establece el carácter mimético de la ficción debido a que esta se constituye como una representación de lo real por medio del lenguaje. A partir de lo señalado, se demuestra que las estrategias de la narración perturbadora; propuesta por Sabine Schlickers (2017) y sus efectos estéticos en la recepción de los textos corroboran el carácter mimético de la narración, precisamente, porque ese carácter es el resultado de un uso singular del lenguaje. De esa manera, se subraya la imposibilidad de que el arte en general y la narración en particular funcionen al margen del referente del cual necesariamente parten y hacia el cual necesariamente apelan.Academia Peruana de la Lengua2019-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://revistas.apl.org.pe/index.php/boletinapl/article/view/20710.46744/bapl.201902.007Boletín de la Academia Peruana de la Lengua; No 66 (2019): Julio - Diciembre; 163 - 194Boletín de la Academia Peruana de la Lengua; Núm. 66 (2019): Julio - Diciembre; 163 - 194Boletín de la Academia Peruana de la Lengua; n. 66 (2019): Julio - Diciembre; 163 - 1942708-26440567-6002reponame:Boletín de la Academia Peruana de la Lenguainstname:Academia Peruana de la Lenguainstacron:APLspahttps://revistas.apl.org.pe/index.php/boletinapl/article/view/207/597https://revistas.apl.org.pe/index.php/boletinapl/article/view/207/1051https://revistas.apl.org.pe/index.php/boletinapl/article/view/207/1052Derechos de autor 2019 John Harvey Valle Araujohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:ojs.revistas.apl.org.pe:article/2072023-05-18T20:30:44Z
dc.title.none.fl_str_mv The resources of the disturbing narration as referentiality features of the narrative fiction
Los recursos de la narración perturbadora como rasgos de referencialidad de la ficción narrativa
title The resources of the disturbing narration as referentiality features of the narrative fiction
spellingShingle The resources of the disturbing narration as referentiality features of the narrative fiction
Valle Araujo, John Harvey
creative act
fiction
disturbing
narrative
referentiality
mimesis
acto creativo
ficción
narración
perturbadora
referencialidad
mímesis
title_short The resources of the disturbing narration as referentiality features of the narrative fiction
title_full The resources of the disturbing narration as referentiality features of the narrative fiction
title_fullStr The resources of the disturbing narration as referentiality features of the narrative fiction
title_full_unstemmed The resources of the disturbing narration as referentiality features of the narrative fiction
title_sort The resources of the disturbing narration as referentiality features of the narrative fiction
dc.creator.none.fl_str_mv Valle Araujo, John Harvey
author Valle Araujo, John Harvey
author_facet Valle Araujo, John Harvey
author_role author
dc.subject.none.fl_str_mv creative act
fiction
disturbing
narrative
referentiality
mimesis
acto creativo
ficción
narración
perturbadora
referencialidad
mímesis
topic creative act
fiction
disturbing
narrative
referentiality
mimesis
acto creativo
ficción
narración
perturbadora
referencialidad
mímesis
description The present work starts from considering the author’s own creative process as a matter of aesthetic reflection. To that end, we first demarcate conceptual aspects related to the nature of the creative process in the field of narration. It reflects on the nature of aesthetic creation as such and on its relationship with the peculiar handling of linguistic resources made by the author. Likewise, the mimetic character of fiction is established because it is constituted as a representation of the real through language. From those indicated, it is demonstrated that the strategies of the disturbing narration proposed by Sabine Schlickers (2017) and their aesthetic effects in the reception of the texts corroborate the mimetic character of the narration, precisely because that character is the result of a use singular language. In that way, it is underscored the impossibility of art, in general, and narration working outside the referent from which they necessarily start and to which they necessarily appeal.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-31
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.apl.org.pe/index.php/boletinapl/article/view/207
10.46744/bapl.201902.007
url https://revistas.apl.org.pe/index.php/boletinapl/article/view/207
identifier_str_mv 10.46744/bapl.201902.007
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.apl.org.pe/index.php/boletinapl/article/view/207/597
https://revistas.apl.org.pe/index.php/boletinapl/article/view/207/1051
https://revistas.apl.org.pe/index.php/boletinapl/article/view/207/1052
dc.rights.none.fl_str_mv Derechos de autor 2019 John Harvey Valle Araujo
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Derechos de autor 2019 John Harvey Valle Araujo
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/xml
dc.publisher.none.fl_str_mv Academia Peruana de la Lengua
publisher.none.fl_str_mv Academia Peruana de la Lengua
dc.source.none.fl_str_mv Boletín de la Academia Peruana de la Lengua; No 66 (2019): Julio - Diciembre; 163 - 194
Boletín de la Academia Peruana de la Lengua; Núm. 66 (2019): Julio - Diciembre; 163 - 194
Boletín de la Academia Peruana de la Lengua; n. 66 (2019): Julio - Diciembre; 163 - 194
2708-2644
0567-6002
reponame:Boletín de la Academia Peruana de la Lengua
instname:Academia Peruana de la Lengua
instacron:APL
instname_str Academia Peruana de la Lengua
instacron_str APL
institution APL
reponame_str Boletín de la Academia Peruana de la Lengua
collection Boletín de la Academia Peruana de la Lengua
repository.name.fl_str_mv
repository.mail.fl_str_mv
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