The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018)

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In recent decades, the concepts of home, identity and exodus of migrants - common keys to the dreams of American and European prosperity - have been studied in the visual arts, especially in the cinematographic field (Harrod, Liz and Timoshkina, 2015; Celik, 2015; Sternberg and Berghahn, 2010). In t...

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Autor: Sánchez-Escalonilla García-Rico, Antonio
Formato: artículo
Fecha de Publicación:2019
Institución:Universidad de Piura
Repositorio:Revista UDEP - Revista de Comunicación
Lenguaje:español
OAI Identifier:oai:revistas.udep.edu.pe:article/1036
Enlace del recurso:https://revistadecomunicacion.com/article/view/1036
Nivel de acceso:acceso abierto
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dc.title.none.fl_str_mv The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018)
La crisis del sueño europeo: hogar y éxodo en el nuevo cine sobre migrantes y refugiados (2005-2018)
title The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018)
spellingShingle The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018)
Sánchez-Escalonilla García-Rico, Antonio
title_short The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018)
title_full The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018)
title_fullStr The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018)
title_full_unstemmed The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018)
title_sort The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018)
dc.creator.none.fl_str_mv Sánchez-Escalonilla García-Rico, Antonio
author Sánchez-Escalonilla García-Rico, Antonio
author_facet Sánchez-Escalonilla García-Rico, Antonio
author_role author
dc.description.none.fl_txt_mv In recent decades, the concepts of home, identity and exodus of migrants - common keys to the dreams of American and European prosperity - have been studied in the visual arts, especially in the cinematographic field (Harrod, Liz and Timoshkina, 2015; Celik, 2015; Sternberg and Berghahn, 2010). In this article we propose the crisis of the values of the European dream as a useful key for the study of the works of European filmmakers, or residents in Europe, who between 2005 and 2018 have made a reflection on the social values in the old continent. Among these values, this cinema has approached ideas such as integration, reception and interdependence as signs of a prosperity, on the other hand currently discussed in the common continental household.
En las dos décadas del nuevo siglo, los conceptos de hogar, identidad y éxodo en los relatos de migrantes y refugiados han sido objeto de estudio en las artes visuales, en especial en el ámbito cinematográfico (Harrod, Liz y Timoshkina, 2015; Celik, 2015; Sternberg y Berghahn, 2010). En el presente artículo se propone la crisis de los valores del European dream como criterio de estudio de las obras de cineastas europeos o residentes en Europa que, entre 2005 y 2018, han realizado en sus historias una reflexión sobre los valores sociales del viejo continente: entre ellos, las ideas de integración, acogida e interdependencia como signos de una prosperidad actualmente discutida en el hogar continental común.
description In recent decades, the concepts of home, identity and exodus of migrants - common keys to the dreams of American and European prosperity - have been studied in the visual arts, especially in the cinematographic field (Harrod, Liz and Timoshkina, 2015; Celik, 2015; Sternberg and Berghahn, 2010). In this article we propose the crisis of the values of the European dream as a useful key for the study of the works of European filmmakers, or residents in Europe, who between 2005 and 2018 have made a reflection on the social values in the old continent. Among these values, this cinema has approached ideas such as integration, reception and interdependence as signs of a prosperity, on the other hand currently discussed in the common continental household.
publishDate 2019
dc.date.none.fl_str_mv 2019-03-20
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Article evaluated by pairs
Artículo evaluado por pares
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistadecomunicacion.com/article/view/1036
10.26441/RC18.1-2019-A14
url https://revistadecomunicacion.com/article/view/1036
identifier_str_mv 10.26441/RC18.1-2019-A14
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistadecomunicacion.com/article/view/1036/995
/*ref*/Ahmed, S. (2000). Strange encounters. Embodied others in postcoloniality. Londres: Routledge. Albers, D. y Stepehn H. (Eds.) (2006). Social Europe. A Continent's Answer to Market Fundamentalism. Londres: European Research Forum at London Metropolitan University. Aresté, J. M. (2017). Cuando Finlandia encontró a Siria. El otro lado de la esperanza. Decine21. Recuperado de http://decine21.com/peliculas/el-otro-lado-de-la-esperanza-the-other-side-of-hope-34981 Celik, I. (2015). In permanent crisis. Ethnicity in Contemporary European Media and Cinema. Detroit: University of Michigan Press. Cullen, J. (2003). The American Dream. A Short History of an Idea that Shaped the Nation. Oxford: Oxford University Press. Desbrun, C. (27 de enero de 2011). Les films de l'homme: l'anti-Minority Report", Culturellement Votre. Recuperado de https://culturellementvotre.fr/2011/01/27/critique-les-fils-de-l-homme-l-anti-minority-report/ Diken, B. (1998). Strangers, ambivalence and social theory. Aldershot: Ashgate. Dobson, J. (2008). Jacques Audiard: contesting filiations. En Ince, Kate (Ed.). Five Directors. Auterism from Assayas to Ozon. Manchester: Manchester University Press. Elsaesser, Th. (2005). European Cinema. Face to Face with Hollywood. Amsterdam: Amsterdam University Press. Elsaesser, Th. (2015). European Cinema into the Twentieth Century: Enlarging the Context? En M. Harrod et al. (Eds.). The Europeanness of European Cinema. Identity, Meaning, Globalization (pp. 17-32). Londres: I.B. Tauris. Everett, W. (Ed.) (2005). European Identity in Cinema. Bristol: Intellect. Frodon, J. M. (septiembre de 2005). Famille politique. Cahiers du cinéma, pp. 72-76. Giordana a Cannes. Crescere guardando un' altra realtà (5 de mayo de 2005). La Repubblica. Recuperado de https://ricerca.repubblica.it/repubblica/archivio/repubblica/2005/05/06/giordana-cannes-crescere-guardando-un-altra-realta.html?ref=search Harrod, M., Liz, M. y Timoshkina, A. (Eds.) (2015). The Europeanness of European Cinema. Identity, Meaning, Globalization. Londres: I.B. Tauris. James, N. (17 de febrero de 2017). The Other Side of Hope review: Aki Kaurismäki salutes the down and dogged. Sight and Sound. Recuperado de https://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/other-side-hope-aki-kaurismaki-down-dogged-first-look Kimmage, M. (2011). The Politics of the American Dream, 1980 to 2008. En Sandra Hanson y John White (Eds.). The American Dream in the 21st Century (pp. 167-200). Filadelfia: Temple University Press. Laqueur, W. (2012). After the Fall: The End of the European Dream and the Decline of a Continent. Nueva York: St Martin's Press. Liz, M. (2016). Euro-Visions. Europe in Contemporary Cinema. Londres: Bloomsbury. Migrant Crisis: Migration to Europe explained in seven charts (4 de marzo de 2016). BBC News. Recuperado de https://www.bbc.com/news/world-europe-34131911 Migration Data Portal (2015). Recuperado de https://migrationdataportal.org/data?t=null Nielsen, P. (25 de agosto de 2010). Surveys on the surface. Information. Recuperado de https://www.information.dk/kultur/anmeldelse/2010/08/undersoegelser-paa-overfladen Park, J. (30 de septiembre de 2015) Europe's Migration Crisis, Council of Foreign Relations. Recuperado de https://www.cfr.org/backgrounder/europes-migration-crisis Pham, A. (30 de agosto de 2010). Susanne Bier, Dirrector. Fascinated by Male Fraility. Cineuropa. Recuperado de http://cineuropa.org/en/interview/149843/ Ponzanesi, S. (2011). Europe in motion: migrant cinema and the politics of encounter. Social Identities, 17(1), pp. 73-92. Rascaroli, L. (2013). Becoming-minor in a sustainable Europe: the conremporary European art film and Aki Kaurismäki's Le Havre. Screen 54(3), pp. 323-340. Refugees Situation. Operational Portal, Mediterranean Situation (2015). Recuperado de http://data2.unhcr.org/en/situations/mediterranean Rose, S. (1 de diciembre de 2017). They’re usually either enemies or victims: the refugee crisis on screen. The Guardian. Recuperado de https://www.theguardian.com/film/2017/dec/01/theyre-usually-either-enemies-or-victims-the-refugee-crisis-on-screen Sternberg, C. y Berghahn, D. (2010). European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe. Basingtoke, UK: Palgrave Macmillan.

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rights_invalid_str_mv Derechos de autor 2019 Revista de Comunicación
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dc.publisher.none.fl_str_mv Universidad de Piura. Facultad de Comunicación
publisher.none.fl_str_mv Universidad de Piura. Facultad de Comunicación
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spelling The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018)La crisis del sueño europeo: hogar y éxodo en el nuevo cine sobre migrantes y refugiados (2005-2018)Sánchez-Escalonilla García-Rico, AntonioIn recent decades, the concepts of home, identity and exodus of migrants - common keys to the dreams of American and European prosperity - have been studied in the visual arts, especially in the cinematographic field (Harrod, Liz and Timoshkina, 2015; Celik, 2015; Sternberg and Berghahn, 2010). In this article we propose the crisis of the values of the European dream as a useful key for the study of the works of European filmmakers, or residents in Europe, who between 2005 and 2018 have made a reflection on the social values in the old continent. Among these values, this cinema has approached ideas such as integration, reception and interdependence as signs of a prosperity, on the other hand currently discussed in the common continental household.En las dos décadas del nuevo siglo, los conceptos de hogar, identidad y éxodo en los relatos de migrantes y refugiados han sido objeto de estudio en las artes visuales, en especial en el ámbito cinematográfico (Harrod, Liz y Timoshkina, 2015; Celik, 2015; Sternberg y Berghahn, 2010). En el presente artículo se propone la crisis de los valores del European dream como criterio de estudio de las obras de cineastas europeos o residentes en Europa que, entre 2005 y 2018, han realizado en sus historias una reflexión sobre los valores sociales del viejo continente: entre ellos, las ideas de integración, acogida e interdependencia como signos de una prosperidad actualmente discutida en el hogar continental común.Universidad de Piura. Facultad de Comunicación2019-03-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticle evaluated by pairsArtículo evaluado por paresapplication/pdfhttps://revistadecomunicacion.com/article/view/103610.26441/RC18.1-2019-A14Revista de Comunicación; Vol 18 No 1 (2019); 277-297Revista de Comunicación; Vol. 18 Núm. 1 (2019); 277-2972227-14651684-0933reponame:Revista UDEP - Revista de Comunicacióninstname:Universidad de Piurainstacron:UDEPspahttps://revistadecomunicacion.com/article/view/1036/995/*ref*/Ahmed, S. (2000). Strange encounters. Embodied others in postcoloniality. Londres: Routledge. Albers, D. y Stepehn H. (Eds.) (2006). Social Europe. A Continent's Answer to Market Fundamentalism. Londres: European Research Forum at London Metropolitan University. Aresté, J. M. (2017). Cuando Finlandia encontró a Siria. El otro lado de la esperanza. Decine21. Recuperado de http://decine21.com/peliculas/el-otro-lado-de-la-esperanza-the-other-side-of-hope-34981 Celik, I. (2015). In permanent crisis. Ethnicity in Contemporary European Media and Cinema. Detroit: University of Michigan Press. Cullen, J. (2003). The American Dream. A Short History of an Idea that Shaped the Nation. Oxford: Oxford University Press. Desbrun, C. (27 de enero de 2011). Les films de l'homme: l'anti-Minority Report", Culturellement Votre. Recuperado de https://culturellementvotre.fr/2011/01/27/critique-les-fils-de-l-homme-l-anti-minority-report/ Diken, B. (1998). Strangers, ambivalence and social theory. Aldershot: Ashgate. Dobson, J. (2008). Jacques Audiard: contesting filiations. En Ince, Kate (Ed.). Five Directors. Auterism from Assayas to Ozon. Manchester: Manchester University Press. Elsaesser, Th. (2005). European Cinema. Face to Face with Hollywood. Amsterdam: Amsterdam University Press. Elsaesser, Th. (2015). European Cinema into the Twentieth Century: Enlarging the Context? En M. Harrod et al. (Eds.). The Europeanness of European Cinema. Identity, Meaning, Globalization (pp. 17-32). Londres: I.B. Tauris. Everett, W. (Ed.) (2005). European Identity in Cinema. Bristol: Intellect. Frodon, J. M. (septiembre de 2005). Famille politique. Cahiers du cinéma, pp. 72-76. Giordana a Cannes. Crescere guardando un' altra realtà (5 de mayo de 2005). La Repubblica. Recuperado de https://ricerca.repubblica.it/repubblica/archivio/repubblica/2005/05/06/giordana-cannes-crescere-guardando-un-altra-realta.html?ref=search Harrod, M., Liz, M. y Timoshkina, A. (Eds.) (2015). The Europeanness of European Cinema. Identity, Meaning, Globalization. Londres: I.B. Tauris. James, N. (17 de febrero de 2017). The Other Side of Hope review: Aki Kaurismäki salutes the down and dogged. Sight and Sound. Recuperado de https://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/other-side-hope-aki-kaurismaki-down-dogged-first-look Kimmage, M. (2011). The Politics of the American Dream, 1980 to 2008. En Sandra Hanson y John White (Eds.). The American Dream in the 21st Century (pp. 167-200). Filadelfia: Temple University Press. Laqueur, W. (2012). After the Fall: The End of the European Dream and the Decline of a Continent. Nueva York: St Martin's Press. Liz, M. (2016). Euro-Visions. Europe in Contemporary Cinema. Londres: Bloomsbury. Migrant Crisis: Migration to Europe explained in seven charts (4 de marzo de 2016). BBC News. Recuperado de https://www.bbc.com/news/world-europe-34131911 Migration Data Portal (2015). Recuperado de https://migrationdataportal.org/data?t=null Nielsen, P. (25 de agosto de 2010). Surveys on the surface. Information. Recuperado de https://www.information.dk/kultur/anmeldelse/2010/08/undersoegelser-paa-overfladen Park, J. (30 de septiembre de 2015) Europe's Migration Crisis, Council of Foreign Relations. Recuperado de https://www.cfr.org/backgrounder/europes-migration-crisis Pham, A. (30 de agosto de 2010). Susanne Bier, Dirrector. Fascinated by Male Fraility. Cineuropa. Recuperado de http://cineuropa.org/en/interview/149843/ Ponzanesi, S. (2011). Europe in motion: migrant cinema and the politics of encounter. Social Identities, 17(1), pp. 73-92. Rascaroli, L. (2013). Becoming-minor in a sustainable Europe: the conremporary European art film and Aki Kaurismäki's Le Havre. Screen 54(3), pp. 323-340. Refugees Situation. Operational Portal, Mediterranean Situation (2015). Recuperado de http://data2.unhcr.org/en/situations/mediterranean Rose, S. (1 de diciembre de 2017). They’re usually either enemies or victims: the refugee crisis on screen. The Guardian. Recuperado de https://www.theguardian.com/film/2017/dec/01/theyre-usually-either-enemies-or-victims-the-refugee-crisis-on-screen Sternberg, C. y Berghahn, D. (2010). European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe. Basingtoke, UK: Palgrave Macmillan.
Derechos de autor 2019 Revista de Comunicaciónhttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccess2021-05-31T17:20:13Zmail@mail.com -
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