The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018)
Descripción del Articulo
In recent decades, the concepts of home, identity and exodus of migrants - common keys to the dreams of American and European prosperity - have been studied in the visual arts, especially in the cinematographic field (Harrod, Liz and Timoshkina, 2015; Celik, 2015; Sternberg and Berghahn, 2010). In t...
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Formato: | artículo |
Fecha de Publicación: | 2019 |
Institución: | Universidad de Piura |
Repositorio: | Revista UDEP - Revista de Comunicación |
Lenguaje: | español |
OAI Identifier: | oai:revistas.udep.edu.pe:article/1036 |
Enlace del recurso: | https://revistadecomunicacion.com/article/view/1036 |
Nivel de acceso: | acceso abierto |
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dc.title.none.fl_str_mv |
The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018) La crisis del sueño europeo: hogar y éxodo en el nuevo cine sobre migrantes y refugiados (2005-2018) |
title |
The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018) |
spellingShingle |
The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018) Sánchez-Escalonilla García-Rico, Antonio |
title_short |
The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018) |
title_full |
The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018) |
title_fullStr |
The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018) |
title_full_unstemmed |
The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018) |
title_sort |
The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018) |
dc.creator.none.fl_str_mv |
Sánchez-Escalonilla García-Rico, Antonio |
author |
Sánchez-Escalonilla García-Rico, Antonio |
author_facet |
Sánchez-Escalonilla García-Rico, Antonio |
author_role |
author |
dc.description.none.fl_txt_mv |
In recent decades, the concepts of home, identity and exodus of migrants - common keys to the dreams of American and European prosperity - have been studied in the visual arts, especially in the cinematographic field (Harrod, Liz and Timoshkina, 2015; Celik, 2015; Sternberg and Berghahn, 2010). In this article we propose the crisis of the values of the European dream as a useful key for the study of the works of European filmmakers, or residents in Europe, who between 2005 and 2018 have made a reflection on the social values in the old continent. Among these values, this cinema has approached ideas such as integration, reception and interdependence as signs of a prosperity, on the other hand currently discussed in the common continental household. En las dos décadas del nuevo siglo, los conceptos de hogar, identidad y éxodo en los relatos de migrantes y refugiados han sido objeto de estudio en las artes visuales, en especial en el ámbito cinematográfico (Harrod, Liz y Timoshkina, 2015; Celik, 2015; Sternberg y Berghahn, 2010). En el presente artículo se propone la crisis de los valores del European dream como criterio de estudio de las obras de cineastas europeos o residentes en Europa que, entre 2005 y 2018, han realizado en sus historias una reflexión sobre los valores sociales del viejo continente: entre ellos, las ideas de integración, acogida e interdependencia como signos de una prosperidad actualmente discutida en el hogar continental común. |
description |
In recent decades, the concepts of home, identity and exodus of migrants - common keys to the dreams of American and European prosperity - have been studied in the visual arts, especially in the cinematographic field (Harrod, Liz and Timoshkina, 2015; Celik, 2015; Sternberg and Berghahn, 2010). In this article we propose the crisis of the values of the European dream as a useful key for the study of the works of European filmmakers, or residents in Europe, who between 2005 and 2018 have made a reflection on the social values in the old continent. Among these values, this cinema has approached ideas such as integration, reception and interdependence as signs of a prosperity, on the other hand currently discussed in the common continental household. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-03-20 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Article evaluated by pairs Artículo evaluado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistadecomunicacion.com/article/view/1036 10.26441/RC18.1-2019-A14 |
url |
https://revistadecomunicacion.com/article/view/1036 |
identifier_str_mv |
10.26441/RC18.1-2019-A14 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistadecomunicacion.com/article/view/1036/995 /*ref*/Ahmed, S. (2000). Strange encounters. Embodied others in postcoloniality. Londres: Routledge. Albers, D. y Stepehn H. (Eds.) (2006). Social Europe. A Continent's Answer to Market Fundamentalism. Londres: European Research Forum at London Metropolitan University. Aresté, J. M. (2017). Cuando Finlandia encontró a Siria. El otro lado de la esperanza. Decine21. Recuperado de http://decine21.com/peliculas/el-otro-lado-de-la-esperanza-the-other-side-of-hope-34981 Celik, I. (2015). In permanent crisis. Ethnicity in Contemporary European Media and Cinema. Detroit: University of Michigan Press. Cullen, J. (2003). The American Dream. A Short History of an Idea that Shaped the Nation. Oxford: Oxford University Press. Desbrun, C. (27 de enero de 2011). Les films de l'homme: l'anti-Minority Report", Culturellement Votre. Recuperado de https://culturellementvotre.fr/2011/01/27/critique-les-fils-de-l-homme-l-anti-minority-report/ Diken, B. (1998). Strangers, ambivalence and social theory. Aldershot: Ashgate. Dobson, J. (2008). Jacques Audiard: contesting filiations. En Ince, Kate (Ed.). Five Directors. Auterism from Assayas to Ozon. Manchester: Manchester University Press. Elsaesser, Th. (2005). European Cinema. Face to Face with Hollywood. Amsterdam: Amsterdam University Press. Elsaesser, Th. (2015). European Cinema into the Twentieth Century: Enlarging the Context? En M. Harrod et al. (Eds.). The Europeanness of European Cinema. Identity, Meaning, Globalization (pp. 17-32). Londres: I.B. Tauris. Everett, W. (Ed.) (2005). European Identity in Cinema. Bristol: Intellect. Frodon, J. M. (septiembre de 2005). Famille politique. Cahiers du cinéma, pp. 72-76. Giordana a Cannes. Crescere guardando un' altra realtà (5 de mayo de 2005). La Repubblica. Recuperado de https://ricerca.repubblica.it/repubblica/archivio/repubblica/2005/05/06/giordana-cannes-crescere-guardando-un-altra-realta.html?ref=search Harrod, M., Liz, M. y Timoshkina, A. (Eds.) (2015). The Europeanness of European Cinema. Identity, Meaning, Globalization. Londres: I.B. Tauris. James, N. (17 de febrero de 2017). The Other Side of Hope review: Aki Kaurismäki salutes the down and dogged. Sight and Sound. Recuperado de https://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/other-side-hope-aki-kaurismaki-down-dogged-first-look Kimmage, M. (2011). The Politics of the American Dream, 1980 to 2008. En Sandra Hanson y John White (Eds.). The American Dream in the 21st Century (pp. 167-200). Filadelfia: Temple University Press. Laqueur, W. (2012). After the Fall: The End of the European Dream and the Decline of a Continent. Nueva York: St Martin's Press. Liz, M. (2016). Euro-Visions. Europe in Contemporary Cinema. Londres: Bloomsbury. Migrant Crisis: Migration to Europe explained in seven charts (4 de marzo de 2016). BBC News. Recuperado de https://www.bbc.com/news/world-europe-34131911 Migration Data Portal (2015). Recuperado de https://migrationdataportal.org/data?t=null Nielsen, P. (25 de agosto de 2010). Surveys on the surface. Information. Recuperado de https://www.information.dk/kultur/anmeldelse/2010/08/undersoegelser-paa-overfladen Park, J. (30 de septiembre de 2015) Europe's Migration Crisis, Council of Foreign Relations. Recuperado de https://www.cfr.org/backgrounder/europes-migration-crisis Pham, A. (30 de agosto de 2010). Susanne Bier, Dirrector. Fascinated by Male Fraility. Cineuropa. Recuperado de http://cineuropa.org/en/interview/149843/ Ponzanesi, S. (2011). Europe in motion: migrant cinema and the politics of encounter. Social Identities, 17(1), pp. 73-92. Rascaroli, L. (2013). Becoming-minor in a sustainable Europe: the conremporary European art film and Aki Kaurismäki's Le Havre. Screen 54(3), pp. 323-340. Refugees Situation. Operational Portal, Mediterranean Situation (2015). Recuperado de http://data2.unhcr.org/en/situations/mediterranean Rose, S. (1 de diciembre de 2017). They’re usually either enemies or victims: the refugee crisis on screen. The Guardian. Recuperado de https://www.theguardian.com/film/2017/dec/01/theyre-usually-either-enemies-or-victims-the-refugee-crisis-on-screen Sternberg, C. y Berghahn, D. (2010). European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe. Basingtoke, UK: Palgrave Macmillan. |
dc.rights.none.fl_str_mv |
Derechos de autor 2019 Revista de Comunicación http://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
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Derechos de autor 2019 Revista de Comunicación http://creativecommons.org/licenses/by-nc-nd/4.0 |
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openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
Universidad de Piura. Facultad de Comunicación |
publisher.none.fl_str_mv |
Universidad de Piura. Facultad de Comunicación |
dc.source.none.fl_str_mv |
Revista de Comunicación; Vol 18 No 1 (2019); 277-297 Revista de Comunicación; Vol. 18 Núm. 1 (2019); 277-297 2227-1465 1684-0933 reponame:Revista UDEP - Revista de Comunicación instname:Universidad de Piura instacron:UDEP |
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The Crisis of the European Dream: Home and Exodus in the Recent Cinema on Migrants and Refugees (2005-2018)La crisis del sueño europeo: hogar y éxodo en el nuevo cine sobre migrantes y refugiados (2005-2018)Sánchez-Escalonilla García-Rico, AntonioIn recent decades, the concepts of home, identity and exodus of migrants - common keys to the dreams of American and European prosperity - have been studied in the visual arts, especially in the cinematographic field (Harrod, Liz and Timoshkina, 2015; Celik, 2015; Sternberg and Berghahn, 2010). In this article we propose the crisis of the values of the European dream as a useful key for the study of the works of European filmmakers, or residents in Europe, who between 2005 and 2018 have made a reflection on the social values in the old continent. Among these values, this cinema has approached ideas such as integration, reception and interdependence as signs of a prosperity, on the other hand currently discussed in the common continental household.En las dos décadas del nuevo siglo, los conceptos de hogar, identidad y éxodo en los relatos de migrantes y refugiados han sido objeto de estudio en las artes visuales, en especial en el ámbito cinematográfico (Harrod, Liz y Timoshkina, 2015; Celik, 2015; Sternberg y Berghahn, 2010). En el presente artículo se propone la crisis de los valores del European dream como criterio de estudio de las obras de cineastas europeos o residentes en Europa que, entre 2005 y 2018, han realizado en sus historias una reflexión sobre los valores sociales del viejo continente: entre ellos, las ideas de integración, acogida e interdependencia como signos de una prosperidad actualmente discutida en el hogar continental común.Universidad de Piura. Facultad de Comunicación2019-03-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticle evaluated by pairsArtículo evaluado por paresapplication/pdfhttps://revistadecomunicacion.com/article/view/103610.26441/RC18.1-2019-A14Revista de Comunicación; Vol 18 No 1 (2019); 277-297Revista de Comunicación; Vol. 18 Núm. 1 (2019); 277-2972227-14651684-0933reponame:Revista UDEP - Revista de Comunicacióninstname:Universidad de Piurainstacron:UDEPspahttps://revistadecomunicacion.com/article/view/1036/995/*ref*/Ahmed, S. (2000). Strange encounters. Embodied others in postcoloniality. Londres: Routledge. Albers, D. y Stepehn H. (Eds.) (2006). Social Europe. A Continent's Answer to Market Fundamentalism. Londres: European Research Forum at London Metropolitan University. Aresté, J. M. (2017). Cuando Finlandia encontró a Siria. El otro lado de la esperanza. Decine21. Recuperado de http://decine21.com/peliculas/el-otro-lado-de-la-esperanza-the-other-side-of-hope-34981 Celik, I. (2015). In permanent crisis. Ethnicity in Contemporary European Media and Cinema. Detroit: University of Michigan Press. Cullen, J. (2003). The American Dream. A Short History of an Idea that Shaped the Nation. Oxford: Oxford University Press. Desbrun, C. (27 de enero de 2011). Les films de l'homme: l'anti-Minority Report", Culturellement Votre. Recuperado de https://culturellementvotre.fr/2011/01/27/critique-les-fils-de-l-homme-l-anti-minority-report/ Diken, B. (1998). Strangers, ambivalence and social theory. Aldershot: Ashgate. Dobson, J. (2008). Jacques Audiard: contesting filiations. En Ince, Kate (Ed.). Five Directors. Auterism from Assayas to Ozon. Manchester: Manchester University Press. Elsaesser, Th. (2005). European Cinema. Face to Face with Hollywood. Amsterdam: Amsterdam University Press. Elsaesser, Th. (2015). European Cinema into the Twentieth Century: Enlarging the Context? En M. Harrod et al. (Eds.). The Europeanness of European Cinema. Identity, Meaning, Globalization (pp. 17-32). Londres: I.B. Tauris. Everett, W. (Ed.) (2005). European Identity in Cinema. Bristol: Intellect. Frodon, J. M. (septiembre de 2005). Famille politique. Cahiers du cinéma, pp. 72-76. Giordana a Cannes. Crescere guardando un' altra realtà (5 de mayo de 2005). La Repubblica. Recuperado de https://ricerca.repubblica.it/repubblica/archivio/repubblica/2005/05/06/giordana-cannes-crescere-guardando-un-altra-realta.html?ref=search Harrod, M., Liz, M. y Timoshkina, A. (Eds.) (2015). The Europeanness of European Cinema. Identity, Meaning, Globalization. Londres: I.B. Tauris. James, N. (17 de febrero de 2017). The Other Side of Hope review: Aki Kaurismäki salutes the down and dogged. Sight and Sound. Recuperado de https://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/other-side-hope-aki-kaurismaki-down-dogged-first-look Kimmage, M. (2011). The Politics of the American Dream, 1980 to 2008. En Sandra Hanson y John White (Eds.). The American Dream in the 21st Century (pp. 167-200). Filadelfia: Temple University Press. Laqueur, W. (2012). After the Fall: The End of the European Dream and the Decline of a Continent. Nueva York: St Martin's Press. Liz, M. (2016). Euro-Visions. Europe in Contemporary Cinema. Londres: Bloomsbury. Migrant Crisis: Migration to Europe explained in seven charts (4 de marzo de 2016). BBC News. Recuperado de https://www.bbc.com/news/world-europe-34131911 Migration Data Portal (2015). Recuperado de https://migrationdataportal.org/data?t=null Nielsen, P. (25 de agosto de 2010). Surveys on the surface. Information. Recuperado de https://www.information.dk/kultur/anmeldelse/2010/08/undersoegelser-paa-overfladen Park, J. (30 de septiembre de 2015) Europe's Migration Crisis, Council of Foreign Relations. Recuperado de https://www.cfr.org/backgrounder/europes-migration-crisis Pham, A. (30 de agosto de 2010). Susanne Bier, Dirrector. Fascinated by Male Fraility. Cineuropa. Recuperado de http://cineuropa.org/en/interview/149843/ Ponzanesi, S. (2011). Europe in motion: migrant cinema and the politics of encounter. Social Identities, 17(1), pp. 73-92. Rascaroli, L. (2013). Becoming-minor in a sustainable Europe: the conremporary European art film and Aki Kaurismäki's Le Havre. Screen 54(3), pp. 323-340. Refugees Situation. Operational Portal, Mediterranean Situation (2015). Recuperado de http://data2.unhcr.org/en/situations/mediterranean Rose, S. (1 de diciembre de 2017). They’re usually either enemies or victims: the refugee crisis on screen. The Guardian. Recuperado de https://www.theguardian.com/film/2017/dec/01/theyre-usually-either-enemies-or-victims-the-refugee-crisis-on-screen Sternberg, C. y Berghahn, D. (2010). European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe. Basingtoke, UK: Palgrave Macmillan.
Derechos de autor 2019 Revista de Comunicaciónhttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccess2021-05-31T17:20:13Zmail@mail.com - |
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La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).